1 | 1 |
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2 | 00:01:01,561 --> 00:01:01,561 |
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3 | |
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4 | |
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5 | 2 |
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6 | 00:01:03,179 --> 00:01:04,481 |
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7 | (Charlie) ONCE UPON A TIME, |
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8 | THERE WERE THREE YOUNG WOMEN |
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9 | |
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10 | 3 |
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11 | 00:01:04,564 --> 00:01:06,333 |
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12 | WHO GOT INTO VERY BIG TROUBLE. |
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13 | |
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14 | 4 |
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15 | 00:01:06,366 --> 00:01:07,817 |
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16 | (Rihanna) o/~ NA NA NA, COME ON o/~ |
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17 | |
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18 | 5 |
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19 | 00:01:07,901 --> 00:01:10,370 |
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20 | THE FIRST WAS A PARK AVENUE |
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21 | PRINCESS TURNED THIEF. |
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22 | |
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23 | 6 |
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24 | 00:01:10,370 --> 00:01:12,355 |
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25 | o/~ NA NA NA, COME ON o/~ |
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26 | |
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27 | 7 |
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28 | 00:01:12,389 --> 00:01:14,174 |
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29 | (Rihanna's "S&M" playing) |
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30 | |
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31 | 8 |
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32 | 00:01:14,174 --> 00:01:16,159 |
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33 | o/~ NA NA NA, COME ON o/~ |
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34 | |
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35 | 9 |
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36 | 00:01:17,711 --> 00:01:20,764 |
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37 | THE SECOND WAS A MARINE |
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38 | DECORATED FOR VALOR, |
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39 | |
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40 | 10 |
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41 | 00:01:20,797 --> 00:01:22,916 |
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42 | COURT-MARTIALED |
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43 | FOR A DEADLY MISTAKE. |
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44 | |
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45 | 11 |
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46 | 00:01:22,949 --> 00:01:26,019 |
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47 | o/~ 'CAUSE I MAY BE BAD |
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48 | BUT I'M PERFECTLY GOOD AT IT o/~ |
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49 | |
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50 | 12 |
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51 | 00:01:26,052 --> 00:01:28,855 |
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52 | o/~ STICK AND STONES |
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53 | MAY BREAK MY BONES o/~ |
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54 | |
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55 | 13 |
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56 | 00:01:28,855 --> 00:01:31,608 |
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57 | AND THE THIRD WAS |
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58 | A DEDICATED POLICE DETECTIVE |
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59 | |
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60 | 14 |
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61 | 00:01:31,641 --> 00:01:33,209 |
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62 | TURNED DIRTY COP. |
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63 | |
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64 | 15 |
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65 | 00:01:33,243 --> 00:01:35,729 |
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66 | o/~ NA NA NA, COME ON, |
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67 | COME ON, COME ON o/~ |
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68 | |
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69 | 16 |
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70 | 00:01:35,729 --> 00:01:38,915 |
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71 | o/~ I LIKE IT, LIKE IT o/~ |
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72 | |
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73 | 17 |
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74 | 00:01:38,949 --> 00:01:41,234 |
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75 | THEY EACH MADE MISTAKES, |
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76 | |
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77 | 18 |
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78 | 00:01:41,234 --> 00:01:44,321 |
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79 | BUT I GAVE THEM |
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80 | A SECOND CHANCE. |
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81 | |
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82 | 19 |
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83 | 00:01:44,404 --> 00:01:47,807 |
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84 | AND NOW THEY WORK FOR ME. |
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85 | |
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86 | 20 |
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87 | 00:01:47,807 --> 00:01:49,993 |
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88 | MY NAME IS CHARLIE. |
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89 | |
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90 | 21 |
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91 | 00:01:50,026 --> 00:01:52,996 |
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92 | o/~ |
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93 | |
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94 | 22 |
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95 | 00:01:53,029 --> 00:01:56,032 |
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96 | Captioned by |
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97 | Closed Captioning Services, Inc. |
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98 | |
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99 | 23 |
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100 | 00:02:00,620 --> 00:02:03,340 |
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101 | ANGELS, YOU'RE LOOKING |
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102 | FOR A 16-YEAR-OLD RUNAWAY. |
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103 | |
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104 | 24 |
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105 | 00:02:03,423 --> 00:02:05,008 |
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106 | HER NAME IS SARAH DANIELS. |
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107 | |
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108 | 25 |
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109 | 00:02:05,041 --> 00:02:06,526 |
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110 | SHE'S BEING HELD CAPTIVE |
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111 | IN A ROOM |
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112 | |
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113 | 26 |
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114 | 00:02:06,526 --> 00:02:08,928 |
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115 | SOMEWHERE IN THE FALCON HOTEL. |
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116 | |
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117 | 27 |
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118 | 00:02:08,928 --> 00:02:11,448 |
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119 | A NOTORIOUS CHILD TRAFFICKER |
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120 | KNOWN AS "PAJARO" |
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121 | |
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122 | 28 |
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123 | 00:02:11,531 --> 00:02:12,832 |
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124 | IS ATTEMPTING TO SELL HER. |
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125 | |
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126 | 29 |
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127 | 00:02:12,832 --> 00:02:15,185 |
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128 | YOU HAVE TO FIND SARAH |
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129 | BEFORE IT'S TOO LATE. |
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130 | |
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131 | 30 |
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132 | 00:02:15,218 --> 00:02:18,388 |
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133 | (Melanie Fiona's "Bang Bang" |
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134 | playing) |
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135 | |
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136 | 31 |
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137 | 00:02:18,421 --> 00:02:21,441 |
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138 | o/~ FINGER ON THE TRIGGER, |
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139 | LET IT BANG BANG o/~ |
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140 | |
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141 | 32 |
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142 | 00:02:21,441 --> 00:02:23,226 |
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143 | OH! (gasps) SORRY! |
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144 | |
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145 | 33 |
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146 | 00:02:23,259 --> 00:02:28,064 |
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147 | I MANAGED TO KILL YOUR MARTINI |
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148 | AND MORTALLY WOUND YOUR SHIRT. |
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149 | |
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150 | 34 |
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151 | 00:02:28,148 --> 00:02:29,232 |
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152 | GOD. |
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153 | |
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154 | 35 |
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155 | 00:02:29,265 --> 00:02:31,067 |
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156 | IT'S NOT, UH, IT'S NOT FATAL. |
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157 | |
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158 | 36 |
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159 | 00:02:32,218 --> 00:02:33,703 |
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160 | CAN I BUY YOU A DRINK? |
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161 | |
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162 | 37 |
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163 | 00:02:33,737 --> 00:02:35,405 |
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164 | o/~ |
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165 | |
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166 | 38 |
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167 | 00:02:35,438 --> 00:02:39,409 |
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168 | YEAH, I AM--I AM SUCH A KLUTZ, |
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169 | I'D PROBABLY SPILL IT. |
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170 | |
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171 | 39 |
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172 | 00:02:39,492 --> 00:02:42,595 |
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173 | ONE FASHION EMERGENCY |
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174 | IS ENOUGH FOR TONIGHT. |
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175 | |
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176 | 40 |
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177 | 00:02:44,914 --> 00:02:46,833 |
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178 | o/~ SO LET'S GET DOWN, BABY o/~ |
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179 | |
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180 | 41 |
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181 | 00:02:46,866 --> 00:02:48,635 |
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182 | o/~ OOH, I'LL BE LOCKING |
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183 | AND LOADING o/~ |
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184 | |
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185 | 42 |
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186 | 00:02:48,668 --> 00:02:51,621 |
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187 | TAKE GOOD CARE OF HER. |
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188 | I WON'T BE LONG. |
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189 | |
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190 | 43 |
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191 | 00:02:51,655 --> 00:02:53,790 |
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192 | o/~ GOT MY EYE ON THE TARGET |
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193 | AND I'LL MAYBE LET YOU o/~ |
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194 | |
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195 | 44 |
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196 | 00:02:53,823 --> 00:02:54,958 |
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197 | THANKS. |
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198 | |
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199 | 45 |
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200 | 00:02:54,991 --> 00:02:56,142 |
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201 | o/~ SEE ME MOVING IN SILENCE o/~ |
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202 | |
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203 | 46 |
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204 | 00:02:56,142 --> 00:02:58,244 |
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205 | OKAY, LADIES. TIME TO FLY. |
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206 | |
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207 | 47 |
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208 | 00:02:58,244 --> 00:03:00,814 |
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209 | YOU BUG MACKAL'S PHONE? |
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210 | |
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211 | 48 |
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212 | 00:03:00,814 --> 00:03:03,116 |
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213 | (chuckles) WITH ONE HAND |
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214 | BEHIND MY BACK. |
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215 | |
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216 | 49 |
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217 | 00:03:03,116 --> 00:03:04,718 |
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218 | YOU IN POSITION? |
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219 | |
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220 | 50 |
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221 | 00:03:04,718 --> 00:03:06,369 |
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222 | ALMOST. |
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223 | |
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224 | 51 |
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225 | 00:03:06,436 --> 00:03:08,888 |
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226 | HEADED TOWARDS |
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227 | THE SERVICE AREA NOW. |
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228 | |
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229 | 52 |
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230 | 00:03:11,191 --> 00:03:13,710 |
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231 | GLORIA, HAS THE BUYER'S REP |
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232 | TOUCHED DOWN? |
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233 | |
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234 | 53 |
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235 | 00:03:13,743 --> 00:03:16,863 |
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236 | WALKING OFF HIS G6 |
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237 | AS WE SPEAK. |
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238 | |
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239 | 54 |
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240 | 00:03:16,863 --> 00:03:18,348 |
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241 | o/~ OF THAT COLD, COLD METAL |
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242 | IN MY HAND o/~ |
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243 | |
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244 | 55 |
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245 | 00:03:18,381 --> 00:03:20,917 |
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246 | WELCOME TO MIAMI, MR. FISK. |
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247 | THANK YOU. |
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248 | |
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249 | 56 |
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250 | 00:03:20,950 --> 00:03:22,652 |
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251 | (jets roaring) |
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252 | |
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253 | 57 |
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254 | 00:03:22,736 --> 00:03:24,354 |
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255 | o/~ KNOW I SOUND PSYCHO o/~ |
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256 | |
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257 | 58 |
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258 | 00:03:24,437 --> 00:03:29,025 |
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259 | (Gloria) I got Fisk. I'm leaving |
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260 | the airport now, Kate. |
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261 | |
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262 | 59 |
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263 | 00:03:29,059 --> 00:03:31,828 |
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264 | (Kate) |
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265 | Abby, get Bosley in position. |
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266 | |
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267 | 60 |
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268 | 00:03:31,878 --> 00:03:33,730 |
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269 | I'M ON IT. |
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270 | |
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271 | 61 |
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272 | 00:03:33,780 --> 00:03:35,732 |
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273 | o/~ SHE SHINING o/~ |
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274 | |
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275 | 62 |
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276 | 00:03:35,782 --> 00:03:37,467 |
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277 | (indistinct conversations) |
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278 | |
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279 | 63 |
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280 | 00:03:37,500 --> 00:03:39,569 |
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281 | AHEM. BOSLEY? |
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282 | |
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283 | 64 |
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284 | 00:03:39,602 --> 00:03:42,105 |
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285 | o/~ |
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286 | |
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287 | 65 |
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288 | 00:03:42,188 --> 00:03:43,606 |
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289 | (laughing |
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290 | and speaking indistinctly) |
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291 | |
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292 | 66 |
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293 | 00:03:43,690 --> 00:03:44,707 |
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294 | BOSLEY! |
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295 | |
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296 | 67 |
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297 | 00:03:44,774 --> 00:03:47,193 |
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298 | ADULT SWIM IS OVER. |
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299 | |
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300 | 68 |
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301 | 00:03:47,193 --> 00:03:49,496 |
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302 | EXCUSE ME, LADIES. DUTY CALLS. |
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303 | |
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304 | 69 |
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305 | 00:03:51,164 --> 00:03:52,665 |
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306 | (speaks Norwegian) |
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307 | |
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308 | 70 |
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309 | 00:03:52,665 --> 00:03:54,851 |
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310 | (speaks Norwegian) |
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311 | |
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312 | 71 |
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313 | 00:03:54,884 --> 00:03:58,021 |
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314 | o/~ GOT MY EYE ON THE TARGET, |
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315 | AND I'LL MAYBE LET YOU o/~ |
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316 | |
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317 | 72 |
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318 | 00:03:58,054 --> 00:04:00,457 |
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319 | o/~ BANG BANG o/~ |
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320 | |
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321 | 73 |
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322 | 00:04:00,540 --> 00:04:02,442 |
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323 | o/~ I'LL MAYBE LET YOU |
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324 | BANG BANG o/~ |
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325 | |
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326 | 74 |
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327 | 00:04:02,442 --> 00:04:04,144 |
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328 | I'M MEETING PAJARO'S BROKER |
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329 | IN 20 MINUTES |
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330 | |
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331 | 75 |
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332 | 00:04:04,144 --> 00:04:06,262 |
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333 | TO PICK UP THE PACKAGE. |
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334 | |
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335 | 76 |
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336 | 00:04:06,346 --> 00:04:08,264 |
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337 | I'LL E-MAIL YOU A PICTURE NOW. |
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338 | |
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339 | 77 |
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340 | 00:04:08,298 --> 00:04:11,618 |
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341 | I THINK YOU'LL APPROVE. |
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342 | |
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343 | 78 |
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344 | 00:04:14,137 --> 00:04:20,443 |
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345 | o/~ HOPE MY HEAD COMES DOWN |
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346 | FROM THE HIGH o/~ |
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347 | |
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348 | 79 |
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349 | 00:04:20,527 --> 00:04:23,930 |
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350 | o/~ HIGH o/~ |
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351 | |
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352 | 80 |
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353 | 00:04:25,231 --> 00:04:27,117 |
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354 | (beep) |
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355 | (Gloria) Bosley, you all ready? |
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356 | |
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357 | 81 |
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358 | 00:04:27,150 --> 00:04:30,286 |
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359 | OKAY, GLORIA. I'M WIRED IN. |
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360 | (beeps) |
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361 | |
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362 | 82 |
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363 | 00:04:30,320 --> 00:04:32,922 |
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364 | BUG IS ACTIVE. |
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365 | I'M READY TO TRACK THE CALLS. |
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366 | |
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367 | 83 |
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368 | 00:04:33,006 --> 00:04:35,108 |
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369 | (Gloria) |
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370 | OKAY, I'M GOING OFF-ROAD. |
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371 | |
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372 | 84 |
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373 | 00:04:35,141 --> 00:04:36,559 |
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374 | (tires screech) |
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375 | |
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376 | 85 |
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377 | 00:04:36,643 --> 00:04:38,661 |
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378 | WHAT ARE YOU DOING?! WHERE DO |
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379 | YOU THINK YOU'RE TAKING ME?! |
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380 | |
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381 | 86 |
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382 | 00:04:43,716 --> 00:04:44,734 |
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383 | AAH! WHAT?! |
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384 | |
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385 | 87 |
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386 | 00:04:44,768 --> 00:04:46,719 |
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387 | UHH! |
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388 | (cocks gun) |
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389 | |
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390 | 88 |
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391 | 00:04:46,753 --> 00:04:48,838 |
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392 | AAH! |
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393 | WHERE'S PAJARO'S BROKER |
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394 | KEEPING THE GIRL? |
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395 | |
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396 | 89 |
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397 | 00:04:48,872 --> 00:04:51,357 |
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398 | I DON'T KNOW, I SWEAR. |
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399 | |
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400 | 90 |
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401 | 00:04:51,357 --> 00:04:53,710 |
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402 | OKAY! OKAY! |
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403 | THE FALCON HOTEL! |
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404 | |
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405 | 91 |
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406 | 00:04:53,743 --> 00:04:55,762 |
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407 | I'M MEETING HIM AT THE BAR-- |
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408 | A GUY NAMED MACKAL. |
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409 | |
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410 | 92 |
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411 | 00:04:55,762 --> 00:04:58,081 |
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412 | ONCE IT'S CONFIRMED |
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413 | BY BOSS' WIRE TRANSFER, |
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414 | |
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415 | 93 |
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416 | 00:04:58,164 --> 00:04:59,249 |
---|
417 | HE'LL GIVE ME INSTRUCTIONS |
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418 | |
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419 | 94 |
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420 | 00:04:59,282 --> 00:05:01,167 |
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421 | HOW TO GET THE PACKAGE |
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422 | OUT OF THE HOTEL. |
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423 | |
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424 | 95 |
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425 | 00:05:01,201 --> 00:05:02,619 |
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426 | (gunshots) |
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427 | UHH! |
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428 | |
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429 | 96 |
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430 | 00:05:02,702 --> 00:05:04,287 |
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431 | SHE'S NOT A PACKAGE. |
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432 | |
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433 | 97 |
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434 | 00:05:04,320 --> 00:05:06,790 |
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435 | HER NAME IS SARAH. |
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436 | SHE'S 16 YEARS OLD. |
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437 | |
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438 | 98 |
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439 | 00:05:06,823 --> 00:05:09,492 |
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440 | I-I'M JUST THE MIDDLE MAN. |
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441 | I'LL DO ANYTHING. |
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442 | |
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443 | 99 |
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444 | 00:05:09,526 --> 00:05:12,912 |
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445 | YOU'RE GONNA MAKE A PHONE CALL, |
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446 | AND YOU BETTER BE OSCAR-WORTHY. |
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447 | |
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448 | 100 |
---|
449 | 00:05:12,912 --> 00:05:15,732 |
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450 | (cell phone rings) |
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451 | |
---|
452 | 101 |
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453 | 00:05:15,765 --> 00:05:18,368 |
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454 | IT'S FISK. THE--THE LIMO NEVER |
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455 | SHOWED. I'M JUMPING IN A CAB. |
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456 | |
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457 | 102 |
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458 | 00:05:18,401 --> 00:05:19,803 |
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459 | I'LL LET MY GUYS KNOW. |
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460 | |
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461 | 103 |
---|
462 | 00:05:19,886 --> 00:05:22,288 |
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463 | o/~ |
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464 | |
---|
465 | 104 |
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466 | 00:05:22,288 --> 00:05:25,391 |
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467 | HE'S CALLING THE HOTEL ROOM. |
---|
468 | LOCKING DOWN THE SIGNAL. |
---|
469 | (beeps) |
---|
470 | |
---|
471 | 105 |
---|
472 | 00:05:25,391 --> 00:05:27,093 |
---|
473 | o/~ |
---|
474 | |
---|
475 | 106 |
---|
476 | 00:05:27,093 --> 00:05:28,478 |
---|
477 | (telephone rings) |
---|
478 | |
---|
479 | 107 |
---|
480 | 00:05:28,511 --> 00:05:29,946 |
---|
481 | YEAH. |
---|
482 | |
---|
483 | 108 |
---|
484 | 00:05:29,979 --> 00:05:32,765 |
---|
485 | SIT TIGHT. |
---|
486 | BUYER'S REP IS RUNNING LATE. |
---|
487 | |
---|
488 | 109 |
---|
489 | 00:05:32,765 --> 00:05:34,250 |
---|
490 | o/~ |
---|
491 | |
---|
492 | 110 |
---|
493 | 00:05:34,284 --> 00:05:35,969 |
---|
494 | (beeping) |
---|
495 | o/~ BANG, BANG, BANG o/~ |
---|
496 | |
---|
497 | 111 |
---|
498 | 00:05:35,969 --> 00:05:37,420 |
---|
499 | I GOT IT. |
---|
500 | |
---|
501 | 112 |
---|
502 | 00:05:37,453 --> 00:05:39,556 |
---|
503 | HE CALLED ROOM 2819. |
---|
504 | |
---|
505 | 113 |
---|
506 | 00:05:39,589 --> 00:05:41,991 |
---|
507 | GET VISUAL CONFIRMATION |
---|
508 | SARAH'S IN THE ROOM. |
---|
509 | (button clicks) |
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510 | |
---|
511 | 114 |
---|
512 | 00:05:42,075 --> 00:05:44,477 |
---|
513 | SATELLITE CAMERA |
---|
514 | COMING ONLINE. |
---|
515 | |
---|
516 | 115 |
---|
517 | 00:05:44,477 --> 00:05:46,563 |
---|
518 | OKAY, YOU GOT THREE GUYS |
---|
519 | IN THE ROOM. |
---|
520 | |
---|
521 | 116 |
---|
522 | 00:05:46,596 --> 00:05:47,997 |
---|
523 | THEY LOOK HEAVILY ARMED. |
---|
524 | |
---|
525 | 117 |
---|
526 | 00:05:48,081 --> 00:05:49,983 |
---|
527 | SARAH'S ON THE BED. |
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528 | |
---|
529 | 118 |
---|
530 | 00:05:49,983 --> 00:05:51,968 |
---|
531 | She's bound and gagged. |
---|
532 | (zip) |
---|
533 | |
---|
534 | 119 |
---|
535 | 00:06:10,253 --> 00:06:13,122 |
---|
536 | OKAY, ABBY, READY TO DO |
---|
537 | SOME HOUSEKEEPING? |
---|
538 | |
---|
539 | 120 |
---|
540 | 00:06:13,156 --> 00:06:16,526 |
---|
541 | Dropping in now. |
---|
542 | |
---|
543 | 121 |
---|
544 | 00:06:16,559 --> 00:06:18,695 |
---|
545 | (doorbell rings) |
---|
546 | |
---|
547 | 122 |
---|
548 | 00:06:22,832 --> 00:06:24,117 |
---|
549 | WHO IS IT? |
---|
550 | ROOM SERVICE. |
---|
551 | |
---|
552 | 123 |
---|
553 | 00:06:24,150 --> 00:06:26,052 |
---|
554 | UHH! |
---|
555 | |
---|
556 | 124 |
---|
557 | 00:06:26,085 --> 00:06:27,420 |
---|
558 | (cocks gun) |
---|
559 | |
---|
560 | 125 |
---|
561 | 00:06:27,453 --> 00:06:28,688 |
---|
562 | (grunts) |
---|
563 | |
---|
564 | 126 |
---|
565 | 00:06:28,688 --> 00:06:30,573 |
---|
566 | (gun cocks) |
---|
567 | UHH! |
---|
568 | |
---|
569 | 127 |
---|
570 | 00:06:30,607 --> 00:06:32,408 |
---|
571 | (grunts) |
---|
572 | |
---|
573 | 128 |
---|
574 | 00:06:32,458 --> 00:06:35,128 |
---|
575 | (all grunting) |
---|
576 | |
---|
577 | 129 |
---|
578 | 00:06:41,968 --> 00:06:44,737 |
---|
579 | (electricity crackling) |
---|
580 | UHH! |
---|
581 | |
---|
582 | 130 |
---|
583 | 00:06:44,771 --> 00:06:47,090 |
---|
584 | LET'S GO. |
---|
585 | |
---|
586 | 131 |
---|
587 | 00:06:47,123 --> 00:06:48,925 |
---|
588 | (grunts and cries) |
---|
589 | |
---|
590 | 132 |
---|
591 | 00:06:49,008 --> 00:06:50,209 |
---|
592 | SHH. IT'S OKAY. |
---|
593 | |
---|
594 | 133 |
---|
595 | 00:06:50,209 --> 00:06:51,661 |
---|
596 | YOU'RE SAFE. |
---|
597 | |
---|
598 | 134 |
---|
599 | 00:06:51,694 --> 00:06:54,097 |
---|
600 | OKAY. THERE WE GO. |
---|
601 | |
---|
602 | 135 |
---|
603 | 00:06:54,180 --> 00:06:56,633 |
---|
604 | WHO ARE YOU? |
---|
605 | |
---|
606 | 136 |
---|
607 | 00:06:56,666 --> 00:06:57,967 |
---|
608 | YOU DON'T LOOK LIKE COPS. |
---|
609 | |
---|
610 | 137 |
---|
611 | 00:06:58,051 --> 00:06:59,052 |
---|
612 | WE'RE NOT. |
---|
613 | |
---|
614 | 138 |
---|
615 | 00:06:59,052 --> 00:07:01,971 |
---|
616 | WE'RE ANGELS. |
---|
617 | |
---|
618 | 139 |
---|
619 | 00:07:07,327 --> 00:07:09,746 |
---|
620 | (Charlie) I spoke |
---|
621 | to Sarah's parents, Angels. |
---|
622 | |
---|
623 | 140 |
---|
624 | 00:07:09,779 --> 00:07:12,999 |
---|
625 | They are incredibly relieved |
---|
626 | to have her back safe and sound. |
---|
627 | |
---|
628 | 141 |
---|
629 | 00:07:12,999 --> 00:07:14,284 |
---|
630 | WELL, NOW THAT MACKAL'S |
---|
631 | |
---|
632 | 142 |
---|
633 | 00:07:14,317 --> 00:07:16,319 |
---|
634 | BEEN HIDING BEHIND |
---|
635 | AN ARMY OF LAWYERS, |
---|
636 | |
---|
637 | 143 |
---|
638 | 00:07:16,402 --> 00:07:18,488 |
---|
639 | WHAT ARE THE CHANCES |
---|
640 | HE'LL FLIP ON HIS BOSS PAJARO? |
---|
641 | |
---|
642 | 144 |
---|
643 | 00:07:18,521 --> 00:07:20,206 |
---|
644 | It's doubtful |
---|
645 | Mackal's even met him. |
---|
646 | |
---|
647 | 145 |
---|
648 | 00:07:20,206 --> 00:07:24,093 |
---|
649 | YOU DO REALIZE THE IRONY OF THAT |
---|
650 | COMING FROM YOU, RIGHT, CHARLIE? |
---|
651 | |
---|
652 | 146 |
---|
653 | 00:07:24,127 --> 00:07:25,595 |
---|
654 | (chuckles) |
---|
655 | (laughs) |
---|
656 | |
---|
657 | 147 |
---|
658 | 00:07:25,628 --> 00:07:28,197 |
---|
659 | OH, MIAMI P.D.'s BEEN TRYING |
---|
660 | TO NAIL PAJARO FOR YEARS. |
---|
661 | |
---|
662 | 148 |
---|
663 | 00:07:28,231 --> 00:07:32,101 |
---|
664 | HE DOESN'T LEAVE ANY FOOTPRINTS, |
---|
665 | ELECTRONIC OR OTHERWISE. |
---|
666 | |
---|
667 | 149 |
---|
668 | 00:07:32,135 --> 00:07:33,536 |
---|
669 | HE'S A GHOST. |
---|
670 | |
---|
671 | 150 |
---|
672 | 00:07:33,620 --> 00:07:36,506 |
---|
673 | GHOSTS AREN'T REAL. |
---|
674 | THIS GUY IS AND HE NEEDS TO PAY. |
---|
675 | |
---|
676 | 151 |
---|
677 | 00:07:36,539 --> 00:07:39,542 |
---|
678 | Don't lose sight of what |
---|
679 | you accomplished tonight. |
---|
680 | |
---|
681 | 152 |
---|
682 | 00:07:39,626 --> 00:07:41,945 |
---|
683 | Sarah's safe |
---|
684 | because of you three. |
---|
685 | |
---|
686 | 153 |
---|
687 | 00:07:42,028 --> 00:07:44,247 |
---|
688 | (Bosley) AHEM. |
---|
689 | |
---|
690 | 154 |
---|
691 | 00:07:44,280 --> 00:07:46,783 |
---|
692 | And, of course, you, Bosley. |
---|
693 | |
---|
694 | 155 |
---|
695 | 00:07:46,866 --> 00:07:47,984 |
---|
696 | (women chuckle) |
---|
697 | |
---|
698 | 156 |
---|
699 | 00:07:48,051 --> 00:07:49,285 |
---|
700 | Good night, Angels. |
---|
701 | |
---|
702 | 157 |
---|
703 | 00:07:49,369 --> 00:07:51,854 |
---|
704 | (women) GOOD NIGHT, CHARLIE. |
---|
705 | |
---|
706 | 158 |
---|
707 | 00:07:51,888 --> 00:07:54,991 |
---|
708 | OKAY, TIME TO GET THE PARTY ON. |
---|
709 | I'M SERIOUS. |
---|
710 | |
---|
711 | 159 |
---|
712 | 00:07:55,074 --> 00:07:56,492 |
---|
713 | I'M GONNA HAVE TO PASS. |
---|
714 | |
---|
715 | 160 |
---|
716 | 00:07:56,576 --> 00:07:57,577 |
---|
717 | HMM? |
---|
718 | |
---|
719 | 161 |
---|
720 | 00:07:57,577 --> 00:08:01,414 |
---|
721 | I, UH, GOT |
---|
722 | A PREVIOUS ENGAGEMENT. |
---|
723 | |
---|
724 | 162 |
---|
725 | 00:08:02,432 --> 00:08:04,300 |
---|
726 | POOL BABES? |
---|
727 | |
---|
728 | 163 |
---|
729 | 00:08:04,334 --> 00:08:06,703 |
---|
730 | UM... |
---|
731 | |
---|
732 | 164 |
---|
733 | 00:08:06,736 --> 00:08:08,004 |
---|
734 | GOOD NIGHT. |
---|
735 | (laughs) |
---|
736 | |
---|
737 | 165 |
---|
738 | 00:08:08,037 --> 00:08:09,472 |
---|
739 | OOH! |
---|
740 | |
---|
741 | 166 |
---|
742 | 00:08:09,505 --> 00:08:12,041 |
---|
743 | OKAY, WELL, |
---|
744 | WHERE ARE WE CELEBRATING? |
---|
745 | |
---|
746 | 167 |
---|
747 | 00:08:12,075 --> 00:08:13,977 |
---|
748 | UH, TIDEPOOL, RIPCORD? |
---|
749 | |
---|
750 | 168 |
---|
751 | 00:08:14,060 --> 00:08:17,163 |
---|
752 | OR IF WE GO TO THE DECK, |
---|
753 | I CAN SCORE US A V.I.P. TABLE. |
---|
754 | |
---|
755 | 169 |
---|
756 | 00:08:17,163 --> 00:08:19,983 |
---|
757 | SOUNDS GOOD. |
---|
758 | OH. IS YOUR FAVORITE BARTENDER |
---|
759 | WORKING TONIGHT? |
---|
760 | |
---|
761 | 170 |
---|
762 | 00:08:20,066 --> 00:08:21,351 |
---|
763 | SO FUNNY YOU SHOULD ASK. |
---|
764 | |
---|
765 | 171 |
---|
766 | 00:08:21,384 --> 00:08:24,053 |
---|
767 | ACTUALLY, HIS SHIFT DOES NOT END |
---|
768 | UNTIL 5:00 A.M. |
---|
769 | |
---|
770 | 172 |
---|
771 | 00:08:24,087 --> 00:08:26,589 |
---|
772 | HMM. |
---|
773 | |
---|
774 | 173 |
---|
775 | 00:08:26,673 --> 00:08:28,091 |
---|
776 | WHAT? |
---|
777 | |
---|
778 | 174 |
---|
779 | 00:08:28,174 --> 00:08:29,859 |
---|
780 | HE'S SINGLE, HE'S STRAIGHT, |
---|
781 | AND HE HAS A LIFE PLAN. |
---|
782 | |
---|
783 | 175 |
---|
784 | 00:08:29,892 --> 00:08:31,377 |
---|
785 | MIXING MOJITOS. |
---|
786 | |
---|
787 | 176 |
---|
788 | 00:08:31,377 --> 00:08:33,079 |
---|
789 | NO. HE IS SAVING HIS MONEY |
---|
790 | TO BUY A BOAT |
---|
791 | |
---|
792 | 177 |
---|
793 | 00:08:33,079 --> 00:08:35,665 |
---|
794 | AND SAIL AROUND THE WORLD. |
---|
795 | THAT IS A PLAN. |
---|
796 | |
---|
797 | 178 |
---|
798 | 00:08:35,698 --> 00:08:38,768 |
---|
799 | YOU DO REALIZE |
---|
800 | THAT IS NOT A LIFE PLAN. |
---|
801 | |
---|
802 | 179 |
---|
803 | 00:08:38,801 --> 00:08:41,421 |
---|
804 | OKAY, FINE. HE'S A DREAMER, |
---|
805 | AND THAT'S SEXY. |
---|
806 | |
---|
807 | 180 |
---|
808 | 00:08:41,454 --> 00:08:42,805 |
---|
809 | PLEASE, PLEASE, COME WITH ME. |
---|
810 | |
---|
811 | 181 |
---|
812 | 00:08:42,839 --> 00:08:44,223 |
---|
813 | (chuckles) |
---|
814 | ACTUALLY, GUYS, |
---|
815 | |
---|
816 | 182 |
---|
817 | 00:08:44,223 --> 00:08:46,776 |
---|
818 | I THINK I'M GOING TO SKIP |
---|
819 | THE VELVET ROPE TONIGHT. |
---|
820 | |
---|
821 | 183 |
---|
822 | 00:08:46,809 --> 00:08:48,211 |
---|
823 | NO, YOU'RE NOT. COME ON. |
---|
824 | YOU'RE COMING WITH US. LET'S GO. |
---|
825 | |
---|
826 | 184 |
---|
827 | 00:08:48,244 --> 00:08:51,214 |
---|
828 | NO. NO, NO, NO, NO. REALLY, |
---|
829 | REALLY. I-I'M COMPLETELY BEAT. |
---|
830 | |
---|
831 | 185 |
---|
832 | 00:08:51,297 --> 00:08:54,550 |
---|
833 | YOU GUYS GO. GO AND HAVE |
---|
834 | A MARGARITA FOR ME. |
---|
835 | |
---|
836 | 186 |
---|
837 | 00:08:54,584 --> 00:08:57,754 |
---|
838 | WEWILL HAVE |
---|
839 | TWO MARGARITAS FOR YOU. |
---|
840 | |
---|
841 | 187 |
---|
842 | 00:08:57,787 --> 00:08:59,238 |
---|
843 | YOU'RE MISSING OUT. |
---|
844 | |
---|
845 | 188 |
---|
846 | 00:08:59,238 --> 00:09:02,625 |
---|
847 | o/~ |
---|
848 | |
---|
849 | 189 |
---|
850 | 00:09:02,658 --> 00:09:05,661 |
---|
851 | I FOUND THESE IN YOUR TRASH. |
---|
852 | |
---|
853 | 190 |
---|
854 | 00:09:05,695 --> 00:09:07,563 |
---|
855 | WHEN YOU SAID YOUR DAD WAS |
---|
856 | REACHING OUT, YOU DIDN'T SAY |
---|
857 | |
---|
858 | 191 |
---|
859 | 00:09:07,597 --> 00:09:09,782 |
---|
860 | IT WAS A FULL-BLOWN |
---|
861 | LETTER WRITING CAMPAIGN. |
---|
862 | |
---|
863 | 192 |
---|
864 | 00:09:09,782 --> 00:09:12,085 |
---|
865 | THE GREAT WHITE SHARK OF |
---|
866 | WALL STREET CAN BE RELENTLESS, |
---|
867 | |
---|
868 | 193 |
---|
869 | 00:09:12,085 --> 00:09:13,603 |
---|
870 | EVEN IN CAPTIVITY. |
---|
871 | |
---|
872 | 194 |
---|
873 | 00:09:13,686 --> 00:09:16,272 |
---|
874 | AND I THREW THEM IN THERE |
---|
875 | FOR A REASON,DETECTIVE. |
---|
876 | |
---|
877 | 195 |
---|
878 | 00:09:16,305 --> 00:09:18,291 |
---|
879 | GOOD NIGHT. I'LL CATCH |
---|
880 | YOU LADIES TOMORROW. |
---|
881 | |
---|
882 | 196 |
---|
883 | 00:09:18,291 --> 00:09:20,810 |
---|
884 | ITISTOMORROW. |
---|
885 | |
---|
886 | 197 |
---|
887 | 00:09:20,893 --> 00:09:21,911 |
---|
888 | (blows kiss) |
---|
889 | |
---|
890 | 198 |
---|
891 | 00:09:21,994 --> 00:09:24,997 |
---|
892 | COME ON. IT'S YOUR DAD. |
---|
893 | |
---|
894 | 199 |
---|
895 | 00:09:24,997 --> 00:09:27,066 |
---|
896 | I USED TO STEAL WARHOLS |
---|
897 | TO GET THAT MAN'S-- |
---|
898 | |
---|
899 | 200 |
---|
900 | 00:09:27,100 --> 00:09:29,402 |
---|
901 | (loud explosion) |
---|
902 | (gasps) |
---|
903 | |
---|
904 | 201 |
---|
905 | 00:09:32,805 --> 00:09:34,123 |
---|
906 | GLORIA! |
---|
907 | |
---|
908 | 202 |
---|
909 | 00:09:38,778 --> 00:09:41,798 |
---|
910 | (sirens wailing, |
---|
911 | police radio chatter) |
---|
912 | |
---|
913 | 203 |
---|
914 | 00:09:50,990 --> 00:09:54,477 |
---|
915 | (cries) PLEASE TELL ME |
---|
916 | SHE'S NOT REALLY GONE... |
---|
917 | |
---|
918 | 204 |
---|
919 | 00:09:54,560 --> 00:09:55,661 |
---|
920 | (sniffles) |
---|
921 | |
---|
922 | 205 |
---|
923 | 00:09:55,695 --> 00:09:57,263 |
---|
924 | (cries) |
---|
925 | |
---|
926 | 206 |
---|
927 | 00:09:57,263 --> 00:10:00,049 |
---|
928 | AND THAT I'M JUST GONNA WAKE UP |
---|
929 | AND SEE HER AGAIN. |
---|
930 | |
---|
931 | 207 |
---|
932 | 00:10:05,321 --> 00:10:08,708 |
---|
933 | YOU KNOW, I-I NEVER THOUGHT |
---|
934 | MY HEART COULD... |
---|
935 | |
---|
936 | 208 |
---|
937 | 00:10:08,708 --> 00:10:10,409 |
---|
938 | (cries) HURT THIS MUCH. |
---|
939 | |
---|
940 | 209 |
---|
941 | 00:10:12,512 --> 00:10:15,214 |
---|
942 | SHE DOESN'T EVEN HAVE |
---|
943 | ANY FAMILY THAT WE CAN CALL. |
---|
944 | |
---|
945 | 210 |
---|
946 | 00:10:15,248 --> 00:10:17,767 |
---|
947 | (crying) |
---|
948 | |
---|
949 | 211 |
---|
950 | 00:10:17,800 --> 00:10:19,102 |
---|
951 | (cries) |
---|
952 | |
---|
953 | 212 |
---|
954 | 00:10:19,185 --> 00:10:21,154 |
---|
955 | (siren continues wailing) |
---|
956 | |
---|
957 | 213 |
---|
958 | 00:10:21,187 --> 00:10:24,607 |
---|
959 | WE WERE HER FAMILY. |
---|
960 | |
---|
961 | 214 |
---|
962 | 00:10:24,640 --> 00:10:26,626 |
---|
963 | SHE WAS OUR SISTER. |
---|
964 | |
---|
965 | 215 |
---|
966 | 00:10:34,750 --> 00:10:37,003 |
---|
967 | HOW'S CHARLIE? |
---|
968 | |
---|
969 | 216 |
---|
970 | 00:10:39,472 --> 00:10:40,990 |
---|
971 | DEVASTATED. |
---|
972 | |
---|
973 | 217 |
---|
974 | 00:10:43,176 --> 00:10:45,695 |
---|
975 | LOSING AN ANGEL |
---|
976 | IS HIS WORST NIGHTMARE. |
---|
977 | |
---|
978 | 218 |
---|
979 | 00:10:47,997 --> 00:10:49,332 |
---|
980 | IT'S MINE, TOO. |
---|
981 | |
---|
982 | 219 |
---|
983 | 00:10:52,902 --> 00:10:56,589 |
---|
984 | WE'RE GONNA FIND OUT |
---|
985 | WHO DID THIS. |
---|
986 | |
---|
987 | 220 |
---|
988 | 00:10:56,589 --> 00:10:57,874 |
---|
989 | IF IT'S THE LAST THING |
---|
990 | WE DO. |
---|
991 | |
---|
992 | 221 |
---|
993 | 00:10:57,907 --> 00:10:59,992 |
---|
994 | (sighs) |
---|
995 | |
---|
996 | 222 |
---|
997 | 00:11:00,009 --> 00:11:16,159 |
---|
998 | |
---|
999 | |
---|
1000 | 223 |
---|
1001 | 00:11:22,665 --> 00:11:22,698 |
---|
1002 | |
---|
1003 | |
---|
1004 | 224 |
---|
1005 | 00:11:22,698 --> 00:11:22,782 |
---|
1006 | [ |
---|
1007 | |
---|
1008 | 225 |
---|
1009 | 00:11:22,782 --> 00:11:22,798 |
---|
1010 | [ Fem |
---|
1011 | |
---|
1012 | 226 |
---|
1013 | 00:11:22,798 --> 00:11:22,849 |
---|
1014 | [ Femal |
---|
1015 | |
---|
1016 | 227 |
---|
1017 | 00:11:22,849 --> 00:11:22,882 |
---|
1018 | [ Female |
---|
1019 | |
---|
1020 | 228 |
---|
1021 | 00:11:22,882 --> 00:11:22,915 |
---|
1022 | [ Female An |
---|
1023 | |
---|
1024 | 229 |
---|
1025 | 00:11:22,915 --> 00:11:22,949 |
---|
1026 | [ Female Anno |
---|
1027 | |
---|
1028 | 230 |
---|
1029 | 00:11:22,949 --> 00:11:22,982 |
---|
1030 | [ Female Announ |
---|
1031 | |
---|
1032 | 231 |
---|
1033 | 00:11:22,982 --> 00:11:23,015 |
---|
1034 | [ Female Announc |
---|
1035 | |
---|
1036 | 232 |
---|
1037 | 00:11:23,015 --> 00:11:23,049 |
---|
1038 | [ Female Announcer |
---|
1039 | |
---|
1040 | 233 |
---|
1041 | 00:11:23,049 --> 00:11:23,082 |
---|
1042 | [ Female Announcer ] |
---|
1043 | |
---|
1044 | 234 |
---|
1045 | 00:11:23,082 --> 00:11:23,216 |
---|
1046 | [ Female Announcer ] |
---|
1047 | |
---|
1048 | 235 |
---|
1049 | 00:11:23,216 --> 00:11:23,249 |
---|
1050 | [ Female Announcer ] |
---|
1051 | |
---|
1052 | |
---|
1053 | 236 |
---|
1054 | 00:11:23,249 --> 00:11:23,282 |
---|
1055 | [ Female Announcer ] |
---|
1056 | IN |
---|
1057 | |
---|
1058 | 237 |
---|
1059 | 00:11:23,282 --> 00:11:23,316 |
---|
1060 | [ Female Announcer ] |
---|
1061 | INTR |
---|
1062 | |
---|
1063 | 238 |
---|
1064 | 00:11:23,316 --> 00:11:23,349 |
---|
1065 | [ Female Announcer ] |
---|
1066 | INTROD |
---|
1067 | |
---|
1068 | 239 |
---|
1069 | 00:11:23,349 --> 00:11:23,382 |
---|
1070 | [ Female Announcer ] |
---|
1071 | INTRODU |
---|
1072 | |
---|
1073 | 240 |
---|
1074 | 00:11:23,382 --> 00:11:23,416 |
---|
1075 | [ Female Announcer ] |
---|
1076 | INTRODUCI |
---|
1077 | |
---|
1078 | 241 |
---|
1079 | 00:11:23,416 --> 00:11:23,449 |
---|
1080 | [ Female Announcer ] |
---|
1081 | INTRODUCING |
---|
1082 | |
---|
1083 | 242 |
---|
1084 | 00:11:23,449 --> 00:11:23,482 |
---|
1085 | [ Female Announcer ] |
---|
1086 | INTRODUCING O |
---|
1087 | |
---|
1088 | 243 |
---|
1089 | 00:11:23,482 --> 00:11:23,516 |
---|
1090 | [ Female Announcer ] |
---|
1091 | INTRODUCING ONS |
---|
1092 | |
---|
1093 | 244 |
---|
1094 | 00:11:23,516 --> 00:11:23,549 |
---|
1095 | [ Female Announcer ] |
---|
1096 | INTRODUCING ONSTA |
---|
1097 | |
---|
1098 | 245 |
---|
1099 | 00:11:23,549 --> 00:11:23,583 |
---|
1100 | [ Female Announcer ] |
---|
1101 | INTRODUCING ONSTAR |
---|
1102 | |
---|
1103 | 246 |
---|
1104 | 00:11:23,583 --> 00:11:23,616 |
---|
1105 | [ Female Announcer ] |
---|
1106 | INTRODUCING ONSTAR FM |
---|
1107 | |
---|
1108 | 247 |
---|
1109 | 00:11:23,616 --> 00:11:23,649 |
---|
1110 | [ Female Announcer ] |
---|
1111 | INTRODUCING ONSTAR FMV |
---|
1112 | |
---|
1113 | 248 |
---|
1114 | 00:11:23,649 --> 00:11:25,268 |
---|
1115 | [ Female Announcer ] |
---|
1116 | INTRODUCING ONSTAR FMV. |
---|
1117 | |
---|
1118 | 249 |
---|
1119 | 00:11:25,334 --> 00:11:27,303 |
---|
1120 | THE NEW WAY TO ADD THE SAFETY |
---|
1121 | OF ONSTAR TO YOUR CAR. |
---|
1122 | |
---|
1123 | 250 |
---|
1124 | 00:11:27,420 --> 00:11:29,605 |
---|
1125 | [ Computer ] ONSTAR. |
---|
1126 | WE'RE LOOKING |
---|
1127 | FOR CITY HALL. |
---|
1128 | |
---|
1129 | 251 |
---|
1130 | 00:11:29,722 --> 00:11:31,090 |
---|
1131 | I'M SENDING DIRECTIONS |
---|
1132 | TO YOUR CAR. |
---|
1133 | |
---|
1134 | 252 |
---|
1135 | 00:11:31,157 --> 00:11:34,544 |
---|
1136 | TURN RIGHT ON HILL STREET. |
---|
1137 | GO NORTH FOR 2 MILES. |
---|
1138 | |
---|
1139 | 253 |
---|
1140 | 00:11:34,610 --> 00:11:37,163 |
---|
1141 | o/~ o/~ |
---|
1142 | |
---|
1143 | 254 |
---|
1144 | 00:11:37,230 --> 00:11:39,415 |
---|
1145 | THIS IS ONSTAR. I GOT A SIGNAL |
---|
1146 | THERE'S BEEN A CRASH. |
---|
1147 | |
---|
1148 | 255 |
---|
1149 | 00:11:39,532 --> 00:11:40,550 |
---|
1150 | DO YOU NEED HELP? |
---|
1151 | |
---|
1152 | 256 |
---|
1153 | 00:11:40,616 --> 00:11:42,235 |
---|
1154 | YES, PLEASE. |
---|
1155 | |
---|
1156 | 257 |
---|
1157 | 00:11:42,251 --> 00:11:43,920 |
---|
1158 | I'VE GOT YOUR GPS LOCATION. |
---|
1159 | I'M SENDING HELP. |
---|
1160 | |
---|
1161 | 258 |
---|
1162 | 00:11:43,986 --> 00:11:45,521 |
---|
1163 | o/~ o/~ |
---|
1164 | |
---|
1165 | 259 |
---|
1166 | 00:11:45,588 --> 00:11:47,256 |
---|
1167 | [ Female Announcer ] |
---|
1168 | FOR A LIMITED TIME, |
---|
1169 | |
---|
1170 | 260 |
---|
1171 | 00:11:47,323 --> 00:11:50,960 |
---|
1172 | GET AN ONSTAR FMV MIRROR |
---|
1173 | FOR ONLY $199 AFTER $100 OFF. |
---|
1174 | |
---|
1175 | 261 |
---|
1176 | 00:11:51,027 --> 00:11:52,144 |
---|
1177 | o/~ ALL RIGHT o/~ |
---|
1178 | |
---|
1179 | 262 |
---|
1180 | 00:11:52,662 --> 00:11:52,695 |
---|
1181 | |
---|
1182 | |
---|
1183 | 263 |
---|
1184 | 00:11:52,695 --> 00:11:52,728 |
---|
1185 | [ |
---|
1186 | |
---|
1187 | 264 |
---|
1188 | 00:11:52,728 --> 00:11:52,762 |
---|
1189 | [ Dr |
---|
1190 | |
---|
1191 | 265 |
---|
1192 | 00:11:52,762 --> 00:11:52,795 |
---|
1193 | [ Drew |
---|
1194 | |
---|
1195 | 266 |
---|
1196 | 00:11:52,795 --> 00:11:52,828 |
---|
1197 | [ Drew ] |
---|
1198 | |
---|
1199 | 267 |
---|
1200 | 00:11:52,828 --> 00:11:52,862 |
---|
1201 | [ Drew ] W |
---|
1202 | |
---|
1203 | 268 |
---|
1204 | 00:11:52,862 --> 00:11:52,895 |
---|
1205 | [ Drew ] WHA |
---|
1206 | |
---|
1207 | 269 |
---|
1208 | 00:11:52,895 --> 00:11:52,945 |
---|
1209 | [ Drew ] WHAT' |
---|
1210 | |
---|
1211 | 270 |
---|
1212 | 00:11:52,945 --> 00:11:52,962 |
---|
1213 | [ Drew ] WHAT'S TH |
---|
1214 | |
---|
1215 | 271 |
---|
1216 | 00:11:52,962 --> 00:11:53,045 |
---|
1217 | [ Drew ] WHAT'S THE |
---|
1218 | |
---|
1219 | 272 |
---|
1220 | 00:11:53,045 --> 00:11:53,062 |
---|
1221 | [ Drew ] WHAT'S THE LATE |
---|
1222 | |
---|
1223 | 273 |
---|
1224 | 00:11:53,062 --> 00:11:53,195 |
---|
1225 | [ Drew ] WHAT'S THE LATEST |
---|
1226 | |
---|
1227 | 274 |
---|
1228 | 00:11:53,195 --> 00:11:53,229 |
---|
1229 | [ Drew ] WHAT'S THE LATEST |
---|
1230 | |
---|
1231 | |
---|
1232 | 275 |
---|
1233 | 00:11:53,229 --> 00:11:53,262 |
---|
1234 | [ Drew ] WHAT'S THE LATEST |
---|
1235 | IN |
---|
1236 | |
---|
1237 | 276 |
---|
1238 | 00:11:53,262 --> 00:11:53,296 |
---|
1239 | [ Drew ] WHAT'S THE LATEST |
---|
1240 | IN E |
---|
1241 | |
---|
1242 | 277 |
---|
1243 | 00:11:53,296 --> 00:11:53,329 |
---|
1244 | [ Drew ] WHAT'S THE LATEST |
---|
1245 | IN EYE |
---|
1246 | |
---|
1247 | 278 |
---|
1248 | 00:11:53,329 --> 00:11:53,362 |
---|
1249 | [ Drew ] WHAT'S THE LATEST |
---|
1250 | IN EYE C |
---|
1251 | |
---|
1252 | 279 |
---|
1253 | 00:11:53,362 --> 00:11:53,396 |
---|
1254 | [ Drew ] WHAT'S THE LATEST |
---|
1255 | IN EYE COU |
---|
1256 | |
---|
1257 | 280 |
---|
1258 | 00:11:53,396 --> 00:11:53,429 |
---|
1259 | [ Drew ] WHAT'S THE LATEST |
---|
1260 | IN EYE COUTU |
---|
1261 | |
---|
1262 | 281 |
---|
1263 | 00:11:53,429 --> 00:11:53,462 |
---|
1264 | [ Drew ] WHAT'S THE LATEST |
---|
1265 | IN EYE COUTURE |
---|
1266 | |
---|
1267 | 282 |
---|
1268 | 00:11:53,462 --> 00:11:55,631 |
---|
1269 | [ Drew ] WHAT'S THE LATEST |
---|
1270 | IN EYE COUTURE? |
---|
1271 | |
---|
1272 | 283 |
---|
1273 | 00:11:55,631 --> 00:11:57,333 |
---|
1274 | NEW Intense ShadowBlast |
---|
1275 | FROM CoverGirl. |
---|
1276 | |
---|
1277 | 284 |
---|
1278 | 00:11:57,333 --> 00:12:00,670 |
---|
1279 | THE NEWS? IT'S EYE SHADOW |
---|
1280 | WITH PRIMER BUILT-IN |
---|
1281 | |
---|
1282 | 285 |
---|
1283 | 00:12:00,670 --> 00:12:01,854 |
---|
1284 | SO IT LASTS! |
---|
1285 | |
---|
1286 | 286 |
---|
1287 | 00:12:01,854 --> 00:12:04,774 |
---|
1288 | RICH COLOR THAT'S FADEPROOF, |
---|
1289 | WATERPROOF, |
---|
1290 | |
---|
1291 | 287 |
---|
1292 | 00:12:04,774 --> 00:12:05,858 |
---|
1293 | TOTALLY IGNORE-PROOF! |
---|
1294 | |
---|
1295 | 288 |
---|
1296 | 00:12:05,858 --> 00:12:07,143 |
---|
1297 | OH YES! |
---|
1298 | |
---|
1299 | 289 |
---|
1300 | 00:12:07,143 --> 00:12:08,978 |
---|
1301 | WITH NEW Intense ShadowBlast |
---|
1302 | |
---|
1303 | 290 |
---|
1304 | 00:12:08,978 --> 00:12:11,814 |
---|
1305 | EYE COUTURE IS READY TO WEAR |
---|
1306 | FOR HOURS! |
---|
1307 | |
---|
1308 | 291 |
---|
1309 | 00:12:11,814 --> 00:12:12,848 |
---|
1310 | AND HERE'S A TIP: |
---|
1311 | |
---|
1312 | 292 |
---|
1313 | 00:12:12,848 --> 00:12:14,800 |
---|
1314 | TO MAKE AN EVEN BIGGER STATEMENT |
---|
1315 | |
---|
1316 | 293 |
---|
1317 | 00:12:14,800 --> 00:12:17,086 |
---|
1318 | WEAR WITH LashBlast Fusion |
---|
1319 | MASCARA |
---|
1320 | |
---|
1321 | 294 |
---|
1322 | 00:12:17,086 --> 00:12:19,755 |
---|
1323 | LashBlast |
---|
1324 | AND NEW Intense ShadowBlast |
---|
1325 | |
---|
1326 | 295 |
---|
1327 | 00:12:19,755 --> 00:12:22,541 |
---|
1328 | FROM EASY, BREEZY, |
---|
1329 | BEAUTIFUL CoverGirl. |
---|
1330 | |
---|
1331 | 296 |
---|
1332 | 00:12:22,642 --> 00:12:22,658 |
---|
1333 | VO |
---|
1334 | |
---|
1335 | 297 |
---|
1336 | 00:12:22,658 --> 00:12:22,742 |
---|
1337 | VO: |
---|
1338 | |
---|
1339 | 298 |
---|
1340 | 00:12:22,742 --> 00:12:22,758 |
---|
1341 | VO: It's |
---|
1342 | |
---|
1343 | 299 |
---|
1344 | 00:12:22,758 --> 00:12:22,842 |
---|
1345 | VO: It's O |
---|
1346 | |
---|
1347 | 300 |
---|
1348 | 00:12:22,842 --> 00:12:22,858 |
---|
1349 | VO: It's Old N |
---|
1350 | |
---|
1351 | 301 |
---|
1352 | 00:12:22,858 --> 00:12:22,942 |
---|
1353 | VO: It's Old Nav |
---|
1354 | |
---|
1355 | 302 |
---|
1356 | 00:12:22,942 --> 00:12:22,959 |
---|
1357 | VO: It's Old Navy's |
---|
1358 | |
---|
1359 | 303 |
---|
1360 | 00:12:22,959 --> 00:12:23,042 |
---|
1361 | VO: It's Old Navy's St |
---|
1362 | |
---|
1363 | 304 |
---|
1364 | 00:12:23,042 --> 00:12:23,059 |
---|
1365 | VO: It's Old Navy's Storew |
---|
1366 | |
---|
1367 | 305 |
---|
1368 | 00:12:23,059 --> 00:12:23,125 |
---|
1369 | VO: It's Old Navy's Storewid |
---|
1370 | |
---|
1371 | 306 |
---|
1372 | 00:12:23,125 --> 00:12:23,192 |
---|
1373 | VO: It's Old Navy's Storewide |
---|
1374 | |
---|
1375 | 307 |
---|
1376 | 00:12:23,192 --> 00:12:23,226 |
---|
1377 | VO: It's Old Navy's Storewide |
---|
1378 | Bu |
---|
1379 | |
---|
1380 | 308 |
---|
1381 | 00:12:23,226 --> 00:12:23,259 |
---|
1382 | VO: It's Old Navy's Storewide |
---|
1383 | Buy |
---|
1384 | |
---|
1385 | 309 |
---|
1386 | 00:12:23,259 --> 00:12:23,292 |
---|
1387 | VO: It's Old Navy's Storewide |
---|
1388 | Buy On |
---|
1389 | |
---|
1390 | 310 |
---|
1391 | 00:12:23,292 --> 00:12:23,326 |
---|
1392 | VO: It's Old Navy's Storewide |
---|
1393 | Buy One |
---|
1394 | |
---|
1395 | 311 |
---|
1396 | 00:12:23,326 --> 00:12:23,359 |
---|
1397 | VO: It's Old Navy's Storewide |
---|
1398 | Buy One Ge |
---|
1399 | |
---|
1400 | 312 |
---|
1401 | 00:12:23,359 --> 00:12:23,392 |
---|
1402 | VO: It's Old Navy's Storewide |
---|
1403 | Buy One Get |
---|
1404 | |
---|
1405 | 313 |
---|
1406 | 00:12:23,392 --> 00:12:23,442 |
---|
1407 | VO: It's Old Navy's Storewide |
---|
1408 | Buy One Get On |
---|
1409 | |
---|
1410 | 314 |
---|
1411 | 00:12:23,442 --> 00:12:23,459 |
---|
1412 | VO: It's Old Navy's Storewide |
---|
1413 | Buy One Get One 75 |
---|
1414 | |
---|
1415 | 315 |
---|
1416 | 00:12:23,459 --> 00:12:23,542 |
---|
1417 | VO: It's Old Navy's Storewide |
---|
1418 | Buy One Get One 75% |
---|
1419 | |
---|
1420 | 316 |
---|
1421 | 00:12:23,542 --> 00:12:25,528 |
---|
1422 | VO: It's Old Navy's Storewide |
---|
1423 | Buy One Get One 75% Off! |
---|
1424 | |
---|
1425 | 317 |
---|
1426 | 00:12:25,628 --> 00:12:26,529 |
---|
1427 | Buy something! |
---|
1428 | |
---|
1429 | 318 |
---|
1430 | 00:12:26,629 --> 00:12:29,065 |
---|
1431 | And get another |
---|
1432 | something 75% Off! |
---|
1433 | |
---|
1434 | 319 |
---|
1435 | 00:12:29,131 --> 00:12:32,201 |
---|
1436 | Sale ends Sunday. So BO GO |
---|
1437 | before this deal is BO GONE! |
---|
1438 | |
---|
1439 | 320 |
---|
1440 | 00:12:32,301 --> 00:12:34,303 |
---|
1441 | It's Buy One Get One 75% Off! |
---|
1442 | |
---|
1443 | 321 |
---|
1444 | 00:12:37,707 --> 00:12:37,790 |
---|
1445 | |
---|
1446 | |
---|
1447 | 322 |
---|
1448 | 00:12:37,790 --> 00:12:37,807 |
---|
1449 | OUR |
---|
1450 | |
---|
1451 | 323 |
---|
1452 | 00:12:37,807 --> 00:12:37,890 |
---|
1453 | OUR T |
---|
1454 | |
---|
1455 | 324 |
---|
1456 | 00:12:37,890 --> 00:12:37,974 |
---|
1457 | OUR TWO |
---|
1458 | |
---|
1459 | 325 |
---|
1460 | 00:12:37,974 --> 00:12:38,007 |
---|
1461 | OUR TWO |
---|
1462 | |
---|
1463 | |
---|
1464 | 326 |
---|
1465 | 00:12:38,007 --> 00:12:38,090 |
---|
1466 | OUR TWO |
---|
1467 | F |
---|
1468 | |
---|
1469 | 327 |
---|
1470 | 00:12:38,090 --> 00:12:38,107 |
---|
1471 | OUR TWO |
---|
1472 | FAVOR |
---|
1473 | |
---|
1474 | 328 |
---|
1475 | 00:12:38,107 --> 00:12:38,190 |
---|
1476 | OUR TWO |
---|
1477 | FAVORIT |
---|
1478 | |
---|
1479 | 329 |
---|
1480 | 00:12:38,190 --> 00:12:38,207 |
---|
1481 | OUR TWO |
---|
1482 | FAVORITE TH |
---|
1483 | |
---|
1484 | 330 |
---|
1485 | 00:12:38,207 --> 00:12:38,291 |
---|
1486 | OUR TWO |
---|
1487 | FAVORITE THIN |
---|
1488 | |
---|
1489 | 331 |
---|
1490 | 00:12:38,291 --> 00:12:38,307 |
---|
1491 | OUR TWO |
---|
1492 | FAVORITE THINGS.. |
---|
1493 | |
---|
1494 | 332 |
---|
1495 | 00:12:38,307 --> 00:12:39,609 |
---|
1496 | OUR TWO |
---|
1497 | FAVORITE THINGS... |
---|
1498 | |
---|
1499 | 333 |
---|
1500 | 00:12:39,609 --> 00:12:41,294 |
---|
1501 | ...FANTASY FOOTBALL AND |
---|
1502 | PIZZA HUT'S TEN DOLLAR ANY DEAL. |
---|
1503 | |
---|
1504 | 334 |
---|
1505 | 00:12:41,294 --> 00:12:42,411 |
---|
1506 | ANY PIZZA, ANY SIZE, |
---|
1507 | |
---|
1508 | 335 |
---|
1509 | 00:12:42,411 --> 00:12:44,280 |
---|
1510 | ANY CRUST, ANY TOPPINGS. |
---|
1511 | JUST TEN BUCKS. |
---|
1512 | |
---|
1513 | 336 |
---|
1514 | 00:12:44,280 --> 00:12:47,400 |
---|
1515 | IT'S A SWEET DEAL! |
---|
1516 | SPEAKING OF SWEET DEALS, |
---|
1517 | I'LL GIVE YOU REGGIE BUSH, |
---|
1518 | |
---|
1519 | 337 |
---|
1520 | 00:12:47,400 --> 00:12:49,502 |
---|
1521 | FOR THAT PIZZA. |
---|
1522 | DONE. |
---|
1523 | |
---|
1524 | 338 |
---|
1525 | 00:12:49,502 --> 00:12:51,704 |
---|
1526 | HOLD UP! YOU JUST TRADED ME |
---|
1527 | FOR A PIZZA?! |
---|
1528 | |
---|
1529 | 339 |
---|
1530 | 00:12:51,704 --> 00:12:54,507 |
---|
1531 | A PIZZA HUT |
---|
1532 | SUPREME PIZZA. |
---|
1533 | |
---|
1534 | 340 |
---|
1535 | 00:12:54,507 --> 00:12:56,425 |
---|
1536 | MMMMMMM. |
---|
1537 | THATWASA GREAT TRADE. |
---|
1538 | |
---|
1539 | 341 |
---|
1540 | 00:12:56,425 --> 00:12:57,526 |
---|
1541 | THANKS, GUYS. |
---|
1542 | |
---|
1543 | 342 |
---|
1544 | 00:12:57,526 --> 00:12:59,528 |
---|
1545 | WHAT JUST HAPPENED? |
---|
1546 | |
---|
1547 | 343 |
---|
1548 | 00:12:59,528 --> 00:13:01,097 |
---|
1549 | [ Male Announcer ] RIGHT NOW, |
---|
1550 | 10 DOLLARS GETS YOU ANY PIZZA, |
---|
1551 | |
---|
1552 | 344 |
---|
1553 | 00:13:01,097 --> 00:13:02,398 |
---|
1554 | ANY SIZE, ANY CRUST |
---|
1555 | |
---|
1556 | 345 |
---|
1557 | 00:13:02,398 --> 00:13:03,299 |
---|
1558 | AND ANY TOPPINGS. |
---|
1559 | |
---|
1560 | 346 |
---|
1561 | 00:13:03,299 --> 00:13:04,934 |
---|
1562 | DELIVERY, CARRYOUT OR DINE-IN. |
---|
1563 | |
---|
1564 | 347 |
---|
1565 | 00:13:04,934 --> 00:13:06,018 |
---|
1566 | ONLY 10 BUCKS |
---|
1567 | |
---|
1568 | 348 |
---|
1569 | 00:13:06,018 --> 00:13:06,919 |
---|
1570 | AND ONLY AT YOUR PIZZA HUT. |
---|
1571 | |
---|
1572 | 349 |
---|
1573 | 00:13:53,215 --> 00:13:53,299 |
---|
1574 | I' |
---|
1575 | |
---|
1576 | 350 |
---|
1577 | 00:13:53,299 --> 00:13:53,316 |
---|
1578 | I'M SO |
---|
1579 | |
---|
1580 | 351 |
---|
1581 | 00:13:53,316 --> 00:13:53,399 |
---|
1582 | I'M SOFI |
---|
1583 | |
---|
1584 | 352 |
---|
1585 | 00:13:53,399 --> 00:13:53,416 |
---|
1586 | I'M SOFIA VE |
---|
1587 | |
---|
1588 | 353 |
---|
1589 | 00:13:53,416 --> 00:13:53,499 |
---|
1590 | I'M SOFIA VERG |
---|
1591 | |
---|
1592 | 354 |
---|
1593 | 00:13:53,499 --> 00:13:53,516 |
---|
1594 | I'M SOFIA VERGARA, |
---|
1595 | |
---|
1596 | 355 |
---|
1597 | 00:13:53,516 --> 00:13:53,599 |
---|
1598 | I'M SOFIA VERGARA, A |
---|
1599 | |
---|
1600 | 356 |
---|
1601 | 00:13:53,599 --> 00:13:53,616 |
---|
1602 | I'M SOFIA VERGARA, AND I |
---|
1603 | |
---|
1604 | 357 |
---|
1605 | 00:13:53,616 --> 00:13:53,716 |
---|
1606 | I'M SOFIA VERGARA, AND I'M |
---|
1607 | |
---|
1608 | 358 |
---|
1609 | 00:13:53,716 --> 00:13:53,799 |
---|
1610 | I'M SOFIA VERGARA, AND I'M |
---|
1611 | NO |
---|
1612 | |
---|
1613 | 359 |
---|
1614 | 00:13:53,799 --> 00:13:53,816 |
---|
1615 | I'M SOFIA VERGARA, AND I'M |
---|
1616 | NOT AF |
---|
1617 | |
---|
1618 | 360 |
---|
1619 | 00:13:53,816 --> 00:13:53,899 |
---|
1620 | I'M SOFIA VERGARA, AND I'M |
---|
1621 | NOT AFRA |
---|
1622 | |
---|
1623 | 361 |
---|
1624 | 00:13:53,899 --> 00:13:53,916 |
---|
1625 | I'M SOFIA VERGARA, AND I'M |
---|
1626 | NOT AFRAID T |
---|
1627 | |
---|
1628 | 362 |
---|
1629 | 00:13:53,916 --> 00:13:54,000 |
---|
1630 | I'M SOFIA VERGARA, AND I'M |
---|
1631 | NOT AFRAID TO |
---|
1632 | |
---|
1633 | 363 |
---|
1634 | 00:13:54,000 --> 00:13:54,016 |
---|
1635 | I'M SOFIA VERGARA, AND I'M |
---|
1636 | NOT AFRAID TO WORK |
---|
1637 | |
---|
1638 | 364 |
---|
1639 | 00:13:54,016 --> 00:13:54,100 |
---|
1640 | I'M SOFIA VERGARA, AND I'M |
---|
1641 | NOT AFRAID TO WORK W |
---|
1642 | |
---|
1643 | 365 |
---|
1644 | 00:13:54,100 --> 00:13:55,418 |
---|
1645 | I'M SOFIA VERGARA, AND I'M |
---|
1646 | NOT AFRAID TO WORK WITH |
---|
1647 | |
---|
1648 | 366 |
---|
1649 | 00:13:55,484 --> 00:13:58,104 |
---|
1650 | WHAT I'VE GOT. |
---|
1651 | |
---|
1652 | 367 |
---|
1653 | 00:13:58,120 --> 00:14:02,825 |
---|
1654 | YOU'RE A WOMAN, SO |
---|
1655 | DRESS LIKE A WOMAN. |
---|
1656 | |
---|
1657 | 368 |
---|
1658 | 00:14:02,892 --> 00:14:05,528 |
---|
1659 | MY COLLECTION IS AT KMART. |
---|
1660 | |
---|
1661 | 369 |
---|
1662 | 00:14:05,644 --> 00:14:07,396 |
---|
1663 | SO GO! |
---|
1664 | |
---|
1665 | 370 |
---|
1666 | 00:14:07,930 --> 00:14:07,997 |
---|
1667 | |
---|
1668 | |
---|
1669 | 371 |
---|
1670 | 00:14:07,997 --> 00:14:08,030 |
---|
1671 | [ |
---|
1672 | |
---|
1673 | 372 |
---|
1674 | 00:14:08,030 --> 00:14:08,064 |
---|
1675 | [ Fe |
---|
1676 | |
---|
1677 | 373 |
---|
1678 | 00:14:08,064 --> 00:14:08,097 |
---|
1679 | [ Fema |
---|
1680 | |
---|
1681 | 374 |
---|
1682 | 00:14:08,097 --> 00:14:08,130 |
---|
1683 | [ Female |
---|
1684 | |
---|
1685 | 375 |
---|
1686 | 00:14:08,130 --> 00:14:08,214 |
---|
1687 | [ Female A |
---|
1688 | |
---|
1689 | 376 |
---|
1690 | 00:14:08,214 --> 00:14:08,230 |
---|
1691 | [ Female Annou |
---|
1692 | |
---|
1693 | 377 |
---|
1694 | 00:14:08,230 --> 00:14:08,314 |
---|
1695 | [ Female Announc |
---|
1696 | |
---|
1697 | 378 |
---|
1698 | 00:14:08,314 --> 00:14:08,414 |
---|
1699 | [ Female Announcer ] |
---|
1700 | |
---|
1701 | 379 |
---|
1702 | 00:14:08,414 --> 00:14:08,431 |
---|
1703 | [ Female Announcer ] |
---|
1704 | |
---|
1705 | |
---|
1706 | 380 |
---|
1707 | 00:14:08,431 --> 00:14:08,514 |
---|
1708 | [ Female Announcer ] |
---|
1709 | HA |
---|
1710 | |
---|
1711 | 381 |
---|
1712 | 00:14:08,514 --> 00:14:08,531 |
---|
1713 | [ Female Announcer ] |
---|
1714 | HAVE Y |
---|
1715 | |
---|
1716 | 382 |
---|
1717 | 00:14:08,531 --> 00:14:08,614 |
---|
1718 | [ Female Announcer ] |
---|
1719 | HAVE YOU |
---|
1720 | |
---|
1721 | 383 |
---|
1722 | 00:14:08,614 --> 00:14:08,631 |
---|
1723 | [ Female Announcer ] |
---|
1724 | HAVE YOU MET |
---|
1725 | |
---|
1726 | 384 |
---|
1727 | 00:14:08,631 --> 00:14:08,714 |
---|
1728 | [ Female Announcer ] |
---|
1729 | HAVE YOU MET Y |
---|
1730 | |
---|
1731 | 385 |
---|
1732 | 00:14:08,714 --> 00:14:08,731 |
---|
1733 | [ Female Announcer ] |
---|
1734 | HAVE YOU MET YOUR |
---|
1735 | |
---|
1736 | 386 |
---|
1737 | 00:14:08,731 --> 00:14:08,798 |
---|
1738 | [ Female Announcer ] |
---|
1739 | HAVE YOU MET YOUR SK |
---|
1740 | |
---|
1741 | 387 |
---|
1742 | 00:14:08,798 --> 00:14:08,831 |
---|
1743 | [ Female Announcer ] |
---|
1744 | HAVE YOU MET YOUR SKIN |
---|
1745 | |
---|
1746 | 388 |
---|
1747 | 00:14:08,831 --> 00:14:08,864 |
---|
1748 | [ Female Announcer ] |
---|
1749 | HAVE YOU MET YOUR SKIN T |
---|
1750 | |
---|
1751 | 389 |
---|
1752 | 00:14:08,864 --> 00:14:08,898 |
---|
1753 | [ Female Announcer ] |
---|
1754 | HAVE YOU MET YOUR SKIN TWI |
---|
1755 | |
---|
1756 | 390 |
---|
1757 | 00:14:08,898 --> 00:14:09,899 |
---|
1758 | [ Female Announcer ] |
---|
1759 | HAVE YOU MET YOUR SKIN TWIN? |
---|
1760 | |
---|
1761 | 391 |
---|
1762 | 00:14:09,982 --> 00:14:10,783 |
---|
1763 | COVERGIRL TRUBLEND |
---|
1764 | |
---|
1765 | 392 |
---|
1766 | 00:14:10,800 --> 00:14:12,134 |
---|
1767 | HAS SKIN TWIN TECHNOLOGY. |
---|
1768 | |
---|
1769 | 393 |
---|
1770 | 00:14:12,168 --> 00:14:14,353 |
---|
1771 | OTHER MAKEUP CAN SIT |
---|
1772 | ON THE SURFACE OF YOUR SKIN, |
---|
1773 | |
---|
1774 | 394 |
---|
1775 | 00:14:14,353 --> 00:14:16,205 |
---|
1776 | SO IT LOOKS LIKE...MAKEUP. |
---|
1777 | |
---|
1778 | 395 |
---|
1779 | 00:14:16,238 --> 00:14:18,674 |
---|
1780 | BUT TRUBLEND |
---|
1781 | HAS SKIN TWIN TECHNOLOGY |
---|
1782 | |
---|
1783 | 396 |
---|
1784 | 00:14:18,708 --> 00:14:20,910 |
---|
1785 | TO ACTUALLY MERGE |
---|
1786 | WITH YOUR SKIN. |
---|
1787 | |
---|
1788 | 397 |
---|
1789 | 00:14:20,976 --> 00:14:23,079 |
---|
1790 | YOU GET SKIN TWIN COVERAGE |
---|
1791 | THAT'S PERFECTLY TRUE. |
---|
1792 | |
---|
1793 | 398 |
---|
1794 | 00:14:23,112 --> 00:14:25,197 |
---|
1795 | AND YOU'RE MORE PERFECTLY YOU. |
---|
1796 | |
---|
1797 | 399 |
---|
1798 | 00:14:25,197 --> 00:14:27,066 |
---|
1799 | [ Female Announcer ] |
---|
1800 | PLUS, WITH TRUBLEND, |
---|
1801 | |
---|
1802 | 400 |
---|
1803 | 00:14:27,066 --> 00:14:29,268 |
---|
1804 | YOU ALWAYS GET A PERFECT MATCH. |
---|
1805 | |
---|
1806 | 401 |
---|
1807 | 00:14:29,268 --> 00:14:30,953 |
---|
1808 | IF YOU'RE A SHADE 1 HERE, |
---|
1809 | |
---|
1810 | 402 |
---|
1811 | 00:14:31,053 --> 00:14:33,372 |
---|
1812 | YOU'RE A 1 HERE... |
---|
1813 | AND HERE. |
---|
1814 | |
---|
1815 | 403 |
---|
1816 | 00:14:33,372 --> 00:14:35,391 |
---|
1817 | HOW EASY BREEZY BEAUTIFUL |
---|
1818 | S THAT? |
---|
1819 | |
---|
1820 | 404 |
---|
1821 | 00:14:35,458 --> 00:14:51,574 |
---|
1822 | TRUBLEND...FROM COVERGIRL. |
---|
1823 | |
---|
1824 | 405 |
---|
1825 | 00:14:53,309 --> 00:14:53,392 |
---|
1826 | |
---|
1827 | |
---|
1828 | 406 |
---|
1829 | 00:14:56,695 --> 00:14:59,381 |
---|
1830 | (indistinct conversations) |
---|
1831 | |
---|
1832 | 407 |
---|
1833 | 00:15:01,967 --> 00:15:03,686 |
---|
1834 | (man) NOTHING HERE. |
---|
1835 | |
---|
1836 | 408 |
---|
1837 | 00:15:03,719 --> 00:15:04,920 |
---|
1838 | WE'RE GOOD. |
---|
1839 | |
---|
1840 | 409 |
---|
1841 | 00:15:04,970 --> 00:15:06,205 |
---|
1842 | (rapid beeps) |
---|
1843 | |
---|
1844 | 410 |
---|
1845 | 00:15:06,205 --> 00:15:09,825 |
---|
1846 | THEY JUST WALKED IN. |
---|
1847 | HOLD ON A SECOND. |
---|
1848 | |
---|
1849 | 411 |
---|
1850 | 00:15:09,909 --> 00:15:11,260 |
---|
1851 | (man) |
---|
1852 | WE'RE CLEAN ON THIS SIDE. |
---|
1853 | CAN WE HAVE THE ROOM? |
---|
1854 | |
---|
1855 | 412 |
---|
1856 | 00:15:11,293 --> 00:15:12,395 |
---|
1857 | (man) PHIL, |
---|
1858 | LET'S GET OUT OF HERE. |
---|
1859 | |
---|
1860 | 413 |
---|
1861 | 00:15:12,478 --> 00:15:14,397 |
---|
1862 | CLEAR THE ROOM. |
---|
1863 | |
---|
1864 | 414 |
---|
1865 | 00:15:16,298 --> 00:15:18,067 |
---|
1866 | (man speaks indistinctly) |
---|
1867 | |
---|
1868 | 415 |
---|
1869 | 00:15:18,100 --> 00:15:19,668 |
---|
1870 | (Bosley) OKAY, CHARLIE. |
---|
1871 | (door closes) |
---|
1872 | |
---|
1873 | 416 |
---|
1874 | 00:15:19,702 --> 00:15:22,671 |
---|
1875 | Bosley updated me. |
---|
1876 | Thank God you're okay. |
---|
1877 | |
---|
1878 | 417 |
---|
1879 | 00:15:22,705 --> 00:15:23,906 |
---|
1880 | WHO WERE THOSE PEOPLE? |
---|
1881 | |
---|
1882 | 418 |
---|
1883 | 00:15:23,989 --> 00:15:25,274 |
---|
1884 | It's just a precaution. |
---|
1885 | |
---|
1886 | 419 |
---|
1887 | 00:15:25,307 --> 00:15:26,909 |
---|
1888 | They're sweeping the agency. |
---|
1889 | |
---|
1890 | 420 |
---|
1891 | 00:15:26,992 --> 00:15:29,695 |
---|
1892 | I sent teams to your homes |
---|
1893 | as well. |
---|
1894 | |
---|
1895 | 421 |
---|
1896 | 00:15:29,695 --> 00:15:31,514 |
---|
1897 | YOU THINK WE'RE BEING TARGETED? |
---|
1898 | |
---|
1899 | 422 |
---|
1900 | 00:15:31,597 --> 00:15:33,115 |
---|
1901 | I can't confirm that you're not. |
---|
1902 | |
---|
1903 | 423 |
---|
1904 | 00:15:33,199 --> 00:15:34,817 |
---|
1905 | Gloria was family, |
---|
1906 | |
---|
1907 | 424 |
---|
1908 | 00:15:34,900 --> 00:15:38,204 |
---|
1909 | and her murder |
---|
1910 | is our most personal case. |
---|
1911 | |
---|
1912 | 425 |
---|
1913 | 00:15:38,204 --> 00:15:39,622 |
---|
1914 | I need to know |
---|
1915 | you're up for the fight. |
---|
1916 | |
---|
1917 | 426 |
---|
1918 | 00:15:39,705 --> 00:15:42,024 |
---|
1919 | BRING IT ON. |
---|
1920 | |
---|
1921 | 427 |
---|
1922 | 00:15:42,108 --> 00:15:43,526 |
---|
1923 | Just remember, |
---|
1924 | |
---|
1925 | 428 |
---|
1926 | 00:15:43,609 --> 00:15:45,327 |
---|
1927 | you're Angels of justice, |
---|
1928 | |
---|
1929 | 429 |
---|
1930 | 00:15:45,411 --> 00:15:48,013 |
---|
1931 | not Angels of vengeance. |
---|
1932 | |
---|
1933 | 430 |
---|
1934 | 00:15:48,013 --> 00:15:49,732 |
---|
1935 | CHECK THIS OUT. |
---|
1936 | |
---|
1937 | 431 |
---|
1938 | 00:15:52,435 --> 00:15:55,004 |
---|
1939 | I GAVE THE COPS ACCESS |
---|
1940 | TO ALL OF OUR SECURITY CAMERAS, |
---|
1941 | |
---|
1942 | 432 |
---|
1943 | 00:15:55,037 --> 00:15:56,338 |
---|
1944 | EXCEPT THESE. |
---|
1945 | |
---|
1946 | 433 |
---|
1947 | 00:15:56,422 --> 00:15:58,207 |
---|
1948 | SENDING IT TO YOU NOW. |
---|
1949 | |
---|
1950 | 434 |
---|
1951 | 00:15:58,240 --> 00:16:01,977 |
---|
1952 | THIS IS HALF AN HOUR BEFORE |
---|
1953 | YOU GUYS LEFT THE BUILDING. |
---|
1954 | |
---|
1955 | 435 |
---|
1956 | 00:16:02,011 --> 00:16:03,329 |
---|
1957 | CHECK OUT |
---|
1958 | THE WOMAN ON THE MOTORCYCLE |
---|
1959 | |
---|
1960 | 436 |
---|
1961 | 00:16:03,329 --> 00:16:04,930 |
---|
1962 | SCOPING GLORIA'S CAR. |
---|
1963 | |
---|
1964 | 437 |
---|
1965 | 00:16:04,930 --> 00:16:06,415 |
---|
1966 | SHE SPLIT |
---|
1967 | RIGHT AFTER THE EXPLOSION, |
---|
1968 | |
---|
1969 | 438 |
---|
1970 | 00:16:06,449 --> 00:16:09,318 |
---|
1971 | DIDN'T CALL 9-1-1 OR STICK |
---|
1972 | AROUND AND WAIT FOR THE POLICE |
---|
1973 | |
---|
1974 | 439 |
---|
1975 | 00:16:09,351 --> 00:16:11,320 |
---|
1976 | AND TALK TO THEM. |
---|
1977 | SHE JUST... TOOK OFF. |
---|
1978 | |
---|
1979 | 440 |
---|
1980 | 00:16:11,353 --> 00:16:13,539 |
---|
1981 | WHAT'S THAT'S SHADOW |
---|
1982 | ON THE BACK OF HER NECK? |
---|
1983 | |
---|
1984 | 441 |
---|
1985 | 00:16:13,539 --> 00:16:16,859 |
---|
1986 | (beeping) |
---|
1987 | |
---|
1988 | 442 |
---|
1989 | 00:16:16,942 --> 00:16:18,461 |
---|
1990 | LOOK AT THE INK. |
---|
1991 | |
---|
1992 | 443 |
---|
1993 | 00:16:18,544 --> 00:16:19,829 |
---|
1994 | SAME AS GLORIA'S. |
---|
1995 | |
---|
1996 | 444 |
---|
1997 | 00:16:19,862 --> 00:16:22,665 |
---|
1998 | MEANS THEY WERE MEMBERS |
---|
1999 | OF THE SAME CAR BOOSTING CREW. |
---|
2000 | |
---|
2001 | 445 |
---|
2002 | 00:16:22,748 --> 00:16:24,850 |
---|
2003 | I DON'T GET IT. GLORIA WAVED |
---|
2004 | GOOD-BYE TO THAT LIFE |
---|
2005 | |
---|
2006 | 446 |
---|
2007 | 00:16:24,850 --> 00:16:27,670 |
---|
2008 | WHEN SHE ENLISTED |
---|
2009 | WITH UNCLE SAM. |
---|
2010 | |
---|
2011 | 447 |
---|
2012 | 00:16:27,753 --> 00:16:29,371 |
---|
2013 | BOS, RUN HER FACE |
---|
2014 | |
---|
2015 | 448 |
---|
2016 | 00:16:29,455 --> 00:16:32,241 |
---|
2017 | AGAINST THE MIAMI-DADE |
---|
2018 | AUTO THEFT DATABASE. |
---|
2019 | |
---|
2020 | 449 |
---|
2021 | 00:16:32,274 --> 00:16:34,977 |
---|
2022 | LOG IN |
---|
2023 | UNDER DETECTIVE RAY GOODSON, |
---|
2024 | |
---|
2025 | 450 |
---|
2026 | 00:16:35,060 --> 00:16:36,378 |
---|
2027 | BADGE 4-1-9-7-6. |
---|
2028 | |
---|
2029 | 451 |
---|
2030 | 00:16:36,462 --> 00:16:37,646 |
---|
2031 | YOU'RE EX-FIANCE? |
---|
2032 | |
---|
2033 | 452 |
---|
2034 | 00:16:37,680 --> 00:16:39,682 |
---|
2035 | YES. |
---|
2036 | |
---|
2037 | 453 |
---|
2038 | 00:16:39,765 --> 00:16:41,250 |
---|
2039 | GUESS I CAN TAKE |
---|
2040 | IMPERSONATING A POLICE OFFICER |
---|
2041 | |
---|
2042 | 454 |
---|
2043 | 00:16:41,283 --> 00:16:43,185 |
---|
2044 | OFF MY BUCKET LIST. PASSWORD? |
---|
2045 | |
---|
2046 | 455 |
---|
2047 | 00:16:43,269 --> 00:16:44,653 |
---|
2048 | ALWAYS USES HIS BIRTHDAY. |
---|
2049 | |
---|
2050 | 456 |
---|
2051 | 00:16:44,687 --> 00:16:48,057 |
---|
2052 | 12-4-80. |
---|
2053 | |
---|
2054 | 457 |
---|
2055 | 00:16:48,090 --> 00:16:49,158 |
---|
2056 | (beeps) |
---|
2057 | |
---|
2058 | 458 |
---|
2059 | 00:16:49,191 --> 00:16:50,359 |
---|
2060 | ACCESS GRANTED. |
---|
2061 | |
---|
2062 | 459 |
---|
2063 | 00:16:51,894 --> 00:16:53,078 |
---|
2064 | (beeps) |
---|
2065 | |
---|
2066 | 460 |
---|
2067 | 00:16:53,078 --> 00:16:55,197 |
---|
2068 | EVE FRENCH-- |
---|
2069 | PLEADED NO CONTEST |
---|
2070 | |
---|
2071 | 461 |
---|
2072 | 00:16:55,281 --> 00:16:58,334 |
---|
2073 | TO GRAND THEFT AUTO |
---|
2074 | AND MANSLAUGHTER IN '05. |
---|
2075 | |
---|
2076 | 462 |
---|
2077 | 00:16:58,367 --> 00:17:00,736 |
---|
2078 | STOLE A LAMBORGHINI, |
---|
2079 | GOT INTO A HIGH-SPEED CHASE, |
---|
2080 | |
---|
2081 | 463 |
---|
2082 | 00:17:00,769 --> 00:17:05,407 |
---|
2083 | ENDED UP... HITTING A CAB |
---|
2084 | AND KILLING THE DRIVER. |
---|
2085 | |
---|
2086 | 464 |
---|
2087 | 00:17:05,491 --> 00:17:08,210 |
---|
2088 | DID FOUR YEARS AT TALLAHASSEE |
---|
2089 | WOMEN'S CORRECTIONAL. |
---|
2090 | |
---|
2091 | 465 |
---|
2092 | 00:17:08,294 --> 00:17:09,879 |
---|
2093 | HOW LONG SHE BEEN BACK |
---|
2094 | IN MIAMI? |
---|
2095 | |
---|
2096 | 466 |
---|
2097 | 00:17:09,912 --> 00:17:11,597 |
---|
2098 | PAROLED SIX MONTHS AGO. |
---|
2099 | |
---|
2100 | 467 |
---|
2101 | 00:17:11,597 --> 00:17:14,717 |
---|
2102 | LIVES ON A HOUSEBOAT, |
---|
2103 | BISCAYNE MARINA. |
---|
2104 | |
---|
2105 | 468 |
---|
2106 | 00:17:14,800 --> 00:17:17,219 |
---|
2107 | WHY WOULD SHE WANT |
---|
2108 | GLORIA DEAD? |
---|
2109 | |
---|
2110 | 469 |
---|
2111 | 00:17:17,303 --> 00:17:18,888 |
---|
2112 | LET'S GO ASK HER. |
---|
2113 | |
---|
2114 | 470 |
---|
2115 | 00:17:20,489 --> 00:17:22,758 |
---|
2116 | (clicking) |
---|
2117 | |
---|
2118 | 471 |
---|
2119 | 00:17:22,791 --> 00:17:25,895 |
---|
2120 | WHOA, WHOA. |
---|
2121 | REMEMBER WHAT CHARLIE SAID. |
---|
2122 | |
---|
2123 | 472 |
---|
2124 | 00:17:25,978 --> 00:17:28,631 |
---|
2125 | WHAT? THESE ARE |
---|
2126 | JUST CONVERSATION STARTERS. |
---|
2127 | |
---|
2128 | 473 |
---|
2129 | 00:17:28,664 --> 00:17:29,965 |
---|
2130 | GUYS. |
---|
2131 | |
---|
2132 | 474 |
---|
2133 | 00:17:29,999 --> 00:17:31,267 |
---|
2134 | JUST... |
---|
2135 | |
---|
2136 | 475 |
---|
2137 | 00:17:31,300 --> 00:17:33,068 |
---|
2138 | BE CAREFUL. |
---|
2139 | |
---|
2140 | 476 |
---|
2141 | 00:17:35,487 --> 00:17:37,072 |
---|
2142 | FOR ME. |
---|
2143 | |
---|
2144 | 477 |
---|
2145 | 00:18:04,183 --> 00:18:05,184 |
---|
2146 | (door bangs) |
---|
2147 | |
---|
2148 | 478 |
---|
2149 | 00:18:05,217 --> 00:18:08,053 |
---|
2150 | (both grunting) |
---|
2151 | |
---|
2152 | 479 |
---|
2153 | 00:18:14,660 --> 00:18:15,744 |
---|
2154 | (cocks gun) |
---|
2155 | |
---|
2156 | 480 |
---|
2157 | 00:18:15,828 --> 00:18:18,213 |
---|
2158 | OKAY, CALM DOWN. |
---|
2159 | WE JUST WANNA TALK. |
---|
2160 | |
---|
2161 | 481 |
---|
2162 | 00:18:18,247 --> 00:18:20,132 |
---|
2163 | TRY KNOCKING NEXT TIME. |
---|
2164 | |
---|
2165 | 482 |
---|
2166 | 00:18:20,132 --> 00:18:21,917 |
---|
2167 | WHY DID YOU KILL GLORIA? |
---|
2168 | |
---|
2169 | 483 |
---|
2170 | 00:18:21,951 --> 00:18:23,402 |
---|
2171 | I DIDN'T. |
---|
2172 | |
---|
2173 | 484 |
---|
2174 | 00:18:23,402 --> 00:18:24,520 |
---|
2175 | THEN WHY WERE YOU |
---|
2176 | IN STALKER MODE |
---|
2177 | |
---|
2178 | 485 |
---|
2179 | 00:18:24,553 --> 00:18:25,938 |
---|
2180 | OUTSIDE THE AGENCY LAST NIGHT? |
---|
2181 | |
---|
2182 | 486 |
---|
2183 | 00:18:25,938 --> 00:18:27,256 |
---|
2184 | WE CAUGHT YOU ON TAPE |
---|
2185 | FLEEING THE SCENE. |
---|
2186 | |
---|
2187 | 487 |
---|
2188 | 00:18:27,339 --> 00:18:28,624 |
---|
2189 | THAT DOESN'T MAKE ME GUILTY. |
---|
2190 | |
---|
2191 | 488 |
---|
2192 | 00:18:28,657 --> 00:18:30,559 |
---|
2193 | INNOCENT PEOPLE |
---|
2194 | DON'T USUALLY RUN AWAY. |
---|
2195 | |
---|
2196 | 489 |
---|
2197 | 00:18:30,643 --> 00:18:33,395 |
---|
2198 | I'M NOT PLAYING THIS GAME. |
---|
2199 | GLORIA WAS LIKE A SISTER TO ME. |
---|
2200 | |
---|
2201 | 490 |
---|
2202 | 00:18:33,429 --> 00:18:35,714 |
---|
2203 | (helicopter whirring) |
---|
2204 | |
---|
2205 | 491 |
---|
2206 | 00:18:35,714 --> 00:18:37,750 |
---|
2207 | WE NEED TO MOVE. |
---|
2208 | |
---|
2209 | 492 |
---|
2210 | 00:18:40,703 --> 00:18:42,121 |
---|
2211 | NOW! |
---|
2212 | |
---|
2213 | 493 |
---|
2214 | 00:18:42,154 --> 00:18:45,140 |
---|
2215 | (machine gunfire) |
---|
2216 | |
---|
2217 | 494 |
---|
2218 | 00:18:51,347 --> 00:18:53,782 |
---|
2219 | (gunfire continues) |
---|
2220 | |
---|
2221 | 495 |
---|
2222 | 00:19:01,423 --> 00:19:03,192 |
---|
2223 | (gunfire stops) |
---|
2224 | |
---|
2225 | 496 |
---|
2226 | 00:19:03,225 --> 00:19:05,778 |
---|
2227 | ALL RIGHT, WE GOT 'EM! |
---|
2228 | WE GOT 'EM. |
---|
2229 | |
---|
2230 | 497 |
---|
2231 | 00:19:12,601 --> 00:19:14,236 |
---|
2232 | (gasps) OH! |
---|
2233 | |
---|
2234 | 498 |
---|
2235 | 00:19:14,320 --> 00:19:16,205 |
---|
2236 | AH! (coughs) |
---|
2237 | |
---|
2238 | 499 |
---|
2239 | 00:19:16,238 --> 00:19:17,339 |
---|
2240 | (gasps) |
---|
2241 | |
---|
2242 | 500 |
---|
2243 | 00:19:21,026 --> 00:19:22,945 |
---|
2244 | WHO WERE THOSE SHOOTERS? |
---|
2245 | |
---|
2246 | 501 |
---|
2247 | 00:19:23,028 --> 00:19:24,680 |
---|
2248 | IN CASE YOU MISSED IT, |
---|
2249 | THEY TRIED TO KILL ME, TOO. |
---|
2250 | |
---|
2251 | 502 |
---|
2252 | 00:19:24,713 --> 00:19:26,482 |
---|
2253 | LOOK-- |
---|
2254 | EASY, ABBS. |
---|
2255 | |
---|
2256 | 503 |
---|
2257 | 00:19:26,515 --> 00:19:27,983 |
---|
2258 | LET'S DO THIS |
---|
2259 | BACK AT THE OFFICE. |
---|
2260 | |
---|
2261 | 504 |
---|
2262 | 00:19:28,017 --> 00:19:30,903 |
---|
2263 | NO, SHE STARTS FILLING IN |
---|
2264 | THE BLANKS RIGHT NOW. |
---|
2265 | |
---|
2266 | 505 |
---|
2267 | 00:19:30,903 --> 00:19:33,622 |
---|
2268 | I GOT A TEXT FROM GLORIA. |
---|
2269 | |
---|
2270 | 506 |
---|
2271 | 00:19:33,706 --> 00:19:35,124 |
---|
2272 | SHE WANTED ME TO MEET HER |
---|
2273 | AFTER WORK. |
---|
2274 | |
---|
2275 | 507 |
---|
2276 | 00:19:35,207 --> 00:19:37,710 |
---|
2277 | THEN WHY NOT COME IN INSTEAD |
---|
2278 | OF LURKING AROUND ON THE STREET? |
---|
2279 | |
---|
2280 | 508 |
---|
2281 | 00:19:37,710 --> 00:19:39,194 |
---|
2282 | I'M SHY. |
---|
2283 | |
---|
2284 | 509 |
---|
2285 | 00:19:39,228 --> 00:19:41,030 |
---|
2286 | (scoffs) |
---|
2287 | |
---|
2288 | 510 |
---|
2289 | 00:19:41,063 --> 00:19:42,481 |
---|
2290 | HEY, DID SHE SAY |
---|
2291 | WHAT SHE WANTED? |
---|
2292 | |
---|
2293 | 511 |
---|
2294 | 00:19:42,481 --> 00:19:44,099 |
---|
2295 | PERSONAL CASE |
---|
2296 | SHE WAS WORKING ON. |
---|
2297 | |
---|
2298 | 512 |
---|
2299 | 00:19:44,183 --> 00:19:46,402 |
---|
2300 | SHE WANTED |
---|
2301 | TO SHOW ME SOMETHING. |
---|
2302 | |
---|
2303 | 513 |
---|
2304 | 00:19:46,485 --> 00:19:49,738 |
---|
2305 | (sirens wailing in distance) |
---|
2306 | |
---|
2307 | 514 |
---|
2308 | 00:19:49,772 --> 00:19:52,758 |
---|
2309 | DEAL WITH THEM OR COME WITH US. |
---|
2310 | |
---|
2311 | 515 |
---|
2312 | 00:19:52,758 --> 00:19:54,960 |
---|
2313 | IT'S YOUR CALL. |
---|
2314 | |
---|
2315 | 516 |
---|
2316 | 00:19:54,977 --> 00:20:01,483 |
---|
2317 | |
---|
2318 | |
---|
2319 | 517 |
---|
2320 | 00:20:01,583 --> 00:20:01,667 |
---|
2321 | |
---|
2322 | |
---|
2323 | 518 |
---|
2324 | 00:20:01,667 --> 00:20:01,683 |
---|
2325 | [ |
---|
2326 | |
---|
2327 | 519 |
---|
2328 | 00:20:01,683 --> 00:20:01,767 |
---|
2329 | [ Ma |
---|
2330 | |
---|
2331 | 520 |
---|
2332 | 00:20:01,767 --> 00:20:01,784 |
---|
2333 | [ Male A |
---|
2334 | |
---|
2335 | 521 |
---|
2336 | 00:20:01,784 --> 00:20:01,817 |
---|
2337 | [ Male Ann |
---|
2338 | |
---|
2339 | 522 |
---|
2340 | 00:20:01,817 --> 00:20:01,850 |
---|
2341 | [ Male Annou |
---|
2342 | |
---|
2343 | 523 |
---|
2344 | 00:20:01,850 --> 00:20:01,884 |
---|
2345 | [ Male Announc |
---|
2346 | |
---|
2347 | 524 |
---|
2348 | 00:20:01,884 --> 00:20:01,917 |
---|
2349 | [ Male Announcer |
---|
2350 | |
---|
2351 | 525 |
---|
2352 | 00:20:01,917 --> 00:20:01,984 |
---|
2353 | [ Male Announcer ] |
---|
2354 | |
---|
2355 | 526 |
---|
2356 | 00:20:01,984 --> 00:20:02,051 |
---|
2357 | [ Male Announcer ] |
---|
2358 | |
---|
2359 | |
---|
2360 | 527 |
---|
2361 | 00:20:02,051 --> 00:20:02,084 |
---|
2362 | [ Male Announcer ] |
---|
2363 | UN |
---|
2364 | |
---|
2365 | 528 |
---|
2366 | 00:20:02,084 --> 00:20:02,117 |
---|
2367 | [ Male Announcer ] |
---|
2368 | UNDE |
---|
2369 | |
---|
2370 | 529 |
---|
2371 | 00:20:02,117 --> 00:20:02,151 |
---|
2372 | [ Male Announcer ] |
---|
2373 | UNDENI |
---|
2374 | |
---|
2375 | 530 |
---|
2376 | 00:20:02,151 --> 00:20:02,184 |
---|
2377 | [ Male Announcer ] |
---|
2378 | UNDENIAB |
---|
2379 | |
---|
2380 | 531 |
---|
2381 | 00:20:02,184 --> 00:20:02,217 |
---|
2382 | [ Male Announcer ] |
---|
2383 | UNDENIABLY |
---|
2384 | |
---|
2385 | 532 |
---|
2386 | 00:20:02,217 --> 00:20:02,251 |
---|
2387 | [ Male Announcer ] |
---|
2388 | UNDENIABLY C |
---|
2389 | |
---|
2390 | 533 |
---|
2391 | 00:20:02,251 --> 00:20:02,284 |
---|
2392 | [ Male Announcer ] |
---|
2393 | UNDENIABLY COL |
---|
2394 | |
---|
2395 | 534 |
---|
2396 | 00:20:02,284 --> 00:20:02,317 |
---|
2397 | [ Male Announcer ] |
---|
2398 | UNDENIABLY COLOR |
---|
2399 | |
---|
2400 | 535 |
---|
2401 | 00:20:02,317 --> 00:20:02,351 |
---|
2402 | [ Male Announcer ] |
---|
2403 | UNDENIABLY COLORFU |
---|
2404 | |
---|
2405 | 536 |
---|
2406 | 00:20:02,351 --> 00:20:03,769 |
---|
2407 | [ Male Announcer ] |
---|
2408 | UNDENIABLY COLORFUL, |
---|
2409 | |
---|
2410 | 537 |
---|
2411 | 00:20:03,802 --> 00:20:06,271 |
---|
2412 | SERIOUSLY SMOOTH |
---|
2413 | AND IN EXCELLENT CONDITION... |
---|
2414 | |
---|
2415 | 538 |
---|
2416 | 00:20:06,271 --> 00:20:07,456 |
---|
2417 | THOSE ARE YOUR LIPS |
---|
2418 | |
---|
2419 | 539 |
---|
2420 | 00:20:07,489 --> 00:20:09,808 |
---|
2421 | WITH COVERGIRL |
---|
2422 | LIP PERFECTION. |
---|
2423 | |
---|
2424 | 540 |
---|
2425 | 00:20:09,842 --> 00:20:11,777 |
---|
2426 | IT DOESN'T JUST GIVE YOU |
---|
2427 | BEAUTIFUL COLOR NOW, |
---|
2428 | |
---|
2429 | 541 |
---|
2430 | 00:20:11,810 --> 00:20:14,963 |
---|
2431 | IT GIVES YOU MORE BEAUTIFUL LIPS |
---|
2432 | IN 7 DAYS. |
---|
2433 | |
---|
2434 | 542 |
---|
2435 | 00:20:14,997 --> 00:20:18,434 |
---|
2436 | IN A SINGLE STROKE, |
---|
2437 | RICHCOLOR ROCKS YOUR LIPS. |
---|
2438 | |
---|
2439 | 543 |
---|
2440 | 00:20:18,467 --> 00:20:21,203 |
---|
2441 | IN A SINGLE WEEK, |
---|
2442 | "THE SILK MOISTURIZING COMPLEX |
---|
2443 | |
---|
2444 | 544 |
---|
2445 | 00:20:21,236 --> 00:20:23,105 |
---|
2446 | HELPS SMOOTH AND SOFTEN THEM. |
---|
2447 | |
---|
2448 | 545 |
---|
2449 | 00:20:23,188 --> 00:20:24,406 |
---|
2450 | HOW PERFECT! |
---|
2451 | |
---|
2452 | 546 |
---|
2453 | 00:20:24,440 --> 00:20:26,175 |
---|
2454 | [ Male Announcer ] |
---|
2455 | LIP PERFECTION. |
---|
2456 | |
---|
2457 | 547 |
---|
2458 | 00:20:26,258 --> 00:20:27,810 |
---|
2459 | IN 44 LIP PERFECTING SHADES |
---|
2460 | |
---|
2461 | 548 |
---|
2462 | 00:20:27,843 --> 00:20:30,729 |
---|
2463 | FROM EASY, BREEZE, BEAUTIFUL... |
---|
2464 | COVEGIRL. |
---|
2465 | |
---|
2466 | 549 |
---|
2467 | 00:21:31,406 --> 00:21:32,875 |
---|
2468 | GGGGGGGGGG |
---|
2469 | |
---|
2470 | 550 |
---|
2471 | 00:21:32,908 --> 00:21:34,176 |
---|
2472 | PASTA BOWL IS ALMOST OVER. |
---|
2473 | |
---|
2474 | 551 |
---|
2475 | 00:21:34,209 --> 00:21:36,094 |
---|
2476 | FOR JUST $8.95 TRY NEW SAUCES |
---|
2477 | |
---|
2478 | 552 |
---|
2479 | 00:21:36,094 --> 00:21:37,980 |
---|
2480 | LIKE ROASTED MUSHROOM PARMESAN |
---|
2481 | |
---|
2482 | 553 |
---|
2483 | 00:21:38,013 --> 00:21:39,414 |
---|
2484 | AND HEARTY PIZZAIOLA MEAT. |
---|
2485 | |
---|
2486 | 554 |
---|
2487 | 00:21:39,498 --> 00:21:41,283 |
---|
2488 | CHOOSE ALL THE SAUCE AND |
---|
2489 | PASTA COMBINATIONS YOU WANT |
---|
2490 | |
---|
2491 | 555 |
---|
2492 | 00:21:41,316 --> 00:21:42,918 |
---|
2493 | JUST |
---|
2494 | $8.95, |
---|
2495 | |
---|
2496 | 556 |
---|
2497 | 00:21:43,001 --> 00:21:44,403 |
---|
2498 | WITH UNLIMITED |
---|
2499 | SALAD AND BREADSTICKS. |
---|
2500 | |
---|
2501 | 557 |
---|
2502 | 00:21:44,403 --> 00:21:46,772 |
---|
2503 | SO HURRY IN TO OLIVE GARDEN. |
---|
2504 | |
---|
2505 | 558 |
---|
2506 | 00:21:47,105 --> 00:21:47,206 |
---|
2507 | |
---|
2508 | |
---|
2509 | 559 |
---|
2510 | 00:21:47,206 --> 00:21:47,239 |
---|
2511 | [ |
---|
2512 | |
---|
2513 | 560 |
---|
2514 | 00:21:47,239 --> 00:21:47,272 |
---|
2515 | [ Ma |
---|
2516 | |
---|
2517 | 561 |
---|
2518 | 00:21:47,272 --> 00:21:47,306 |
---|
2519 | [ Male |
---|
2520 | |
---|
2521 | 562 |
---|
2522 | 00:21:47,306 --> 00:21:47,339 |
---|
2523 | [ Male A |
---|
2524 | |
---|
2525 | 563 |
---|
2526 | 00:21:47,339 --> 00:21:47,372 |
---|
2527 | [ Male Ann |
---|
2528 | |
---|
2529 | 564 |
---|
2530 | 00:21:47,372 --> 00:21:47,406 |
---|
2531 | [ Male Annou |
---|
2532 | |
---|
2533 | 565 |
---|
2534 | 00:21:47,406 --> 00:21:47,439 |
---|
2535 | [ Male Announc |
---|
2536 | |
---|
2537 | 566 |
---|
2538 | 00:21:47,439 --> 00:21:47,473 |
---|
2539 | [ Male Announcer |
---|
2540 | |
---|
2541 | 567 |
---|
2542 | 00:21:47,473 --> 00:21:47,606 |
---|
2543 | [ Male Announcer ] |
---|
2544 | |
---|
2545 | 568 |
---|
2546 | 00:21:47,606 --> 00:21:47,706 |
---|
2547 | [ Male Announcer ] |
---|
2548 | |
---|
2549 | |
---|
2550 | 569 |
---|
2551 | 00:21:47,706 --> 00:21:47,739 |
---|
2552 | [ Male Announcer ] |
---|
2553 | TH |
---|
2554 | |
---|
2555 | 570 |
---|
2556 | 00:21:47,739 --> 00:21:47,773 |
---|
2557 | [ Male Announcer ] |
---|
2558 | THIS |
---|
2559 | |
---|
2560 | 571 |
---|
2561 | 00:21:47,773 --> 00:21:47,806 |
---|
2562 | [ Male Announcer ] |
---|
2563 | THIS I |
---|
2564 | |
---|
2565 | 572 |
---|
2566 | 00:21:47,806 --> 00:21:47,840 |
---|
2567 | [ Male Announcer ] |
---|
2568 | THIS IS |
---|
2569 | |
---|
2570 | 573 |
---|
2571 | 00:21:47,840 --> 00:21:47,873 |
---|
2572 | [ Male Announcer ] |
---|
2573 | THIS IS TH |
---|
2574 | |
---|
2575 | 574 |
---|
2576 | 00:21:47,873 --> 00:21:47,923 |
---|
2577 | [ Male Announcer ] |
---|
2578 | THIS IS THE |
---|
2579 | |
---|
2580 | 575 |
---|
2581 | 00:21:47,923 --> 00:21:47,956 |
---|
2582 | [ Male Announcer ] |
---|
2583 | THIS IS THE NE |
---|
2584 | |
---|
2585 | 576 |
---|
2586 | 00:21:47,956 --> 00:21:47,990 |
---|
2587 | [ Male Announcer ] |
---|
2588 | THIS IS THE NETW |
---|
2589 | |
---|
2590 | 577 |
---|
2591 | 00:21:47,990 --> 00:21:48,023 |
---|
2592 | [ Male Announcer ] |
---|
2593 | THIS IS THE NETWOR |
---|
2594 | |
---|
2595 | 578 |
---|
2596 | 00:21:48,023 --> 00:21:48,974 |
---|
2597 | [ Male Announcer ] |
---|
2598 | THIS IS THE NETWORK. |
---|
2599 | |
---|
2600 | 579 |
---|
2601 | 00:21:48,974 --> 00:21:50,125 |
---|
2602 | A NETWORK OF POSSIBILITIES... |
---|
2603 | |
---|
2604 | 580 |
---|
2605 | 00:21:50,125 --> 00:21:54,530 |
---|
2606 | o/~ o/~ |
---|
2607 | |
---|
2608 | 581 |
---|
2609 | 00:21:54,530 --> 00:21:57,382 |
---|
2610 | IN HERE, PETS NEVER GET LOST. |
---|
2611 | |
---|
2612 | 582 |
---|
2613 | 00:21:57,382 --> 00:21:58,884 |
---|
2614 | o/~ o/~ |
---|
2615 | |
---|
2616 | 583 |
---|
2617 | 00:21:58,884 --> 00:22:02,905 |
---|
2618 | IN HERE, EVERY CONTINENT |
---|
2619 | FITS IN ONE ROOM. |
---|
2620 | |
---|
2621 | 584 |
---|
2622 | 00:22:02,905 --> 00:22:05,407 |
---|
2623 | IT WAS FUN, |
---|
2624 | WE PLAYED FOOTBALL OUTSIDE. |
---|
2625 | |
---|
2626 | 585 |
---|
2627 | 00:22:05,407 --> 00:22:06,792 |
---|
2628 | WHY ARE YOU SITTING |
---|
2629 | IN THE DARK? |
---|
2630 | |
---|
2631 | 586 |
---|
2632 | 00:22:06,792 --> 00:22:08,794 |
---|
2633 | o/~ o/~ |
---|
2634 | |
---|
2635 | 587 |
---|
2636 | 00:22:08,794 --> 00:22:11,547 |
---|
2637 | [ Male Announcer ] IN HERE, |
---|
2638 | YOU'RE NEVER AWAY FROM HOME. |
---|
2639 | |
---|
2640 | 588 |
---|
2641 | 00:22:11,547 --> 00:22:13,182 |
---|
2642 | IT'S THE AT&T NETWORK. |
---|
2643 | |
---|
2644 | 589 |
---|
2645 | 00:22:13,182 --> 00:22:29,348 |
---|
2646 | AND WHAT'S POSSIBLE IN HERE |
---|
2647 | IS ALMOST IMPOSSIBLE TO SAY. |
---|
2648 | |
---|
2649 | 590 |
---|
2650 | 00:23:53,081 --> 00:23:55,250 |
---|
2651 | YOU GIRLS DECENT? |
---|
2652 | |
---|
2653 | 591 |
---|
2654 | 00:23:55,334 --> 00:23:57,002 |
---|
2655 | (Abby) YEAH, |
---|
2656 | I JUST UPDATED CHARLIE. |
---|
2657 | |
---|
2658 | 592 |
---|
2659 | 00:23:57,035 --> 00:24:00,806 |
---|
2660 | I'VE GOT GLORIA'S PHONE RECORDS. |
---|
2661 | SHE TEXTED EVE AT 12:35 A.M. |
---|
2662 | |
---|
2663 | 593 |
---|
2664 | 00:24:00,806 --> 00:24:03,392 |
---|
2665 | WOW. SHE WASN'T LYING |
---|
2666 | ABOUT YOUR MAD HACKING SKILLS. |
---|
2667 | |
---|
2668 | 594 |
---|
2669 | 00:24:03,425 --> 00:24:05,611 |
---|
2670 | OKAY, UH, I'M NOT A BIG FAN |
---|
2671 | OF THE "H" WORD. |
---|
2672 | |
---|
2673 | 595 |
---|
2674 | 00:24:05,611 --> 00:24:06,895 |
---|
2675 | IT'S LIKE TELLING PICASSO |
---|
2676 | |
---|
2677 | 596 |
---|
2678 | 00:24:06,929 --> 00:24:08,597 |
---|
2679 | HE'S GOOD AT THROWING PAINT |
---|
2680 | ONTO A CANVAS. |
---|
2681 | |
---|
2682 | 597 |
---|
2683 | 00:24:08,630 --> 00:24:10,933 |
---|
2684 | WAIT. GLORIA TALKED TO YOU |
---|
2685 | ABOUT US? |
---|
2686 | |
---|
2687 | 598 |
---|
2688 | 00:24:11,016 --> 00:24:13,418 |
---|
2689 | SAID YOU WERE THE BEST CREW |
---|
2690 | SHE EVER HAD. |
---|
2691 | |
---|
2692 | 599 |
---|
2693 | 00:24:13,418 --> 00:24:15,437 |
---|
2694 | SHE NEVER MENTIONED YOU ONCE. |
---|
2695 | |
---|
2696 | 600 |
---|
2697 | 00:24:15,520 --> 00:24:17,522 |
---|
2698 | THAT DOESN'T MEAN |
---|
2699 | WE WEREN'T CLOSE. |
---|
2700 | |
---|
2701 | 601 |
---|
2702 | 00:24:17,522 --> 00:24:19,241 |
---|
2703 | I MET GLORIA WHEN I WAS 5. |
---|
2704 | |
---|
2705 | 602 |
---|
2706 | 00:24:19,324 --> 00:24:21,643 |
---|
2707 | ST. THERESA'S ORPHANAGE |
---|
2708 | IN EL SALVADOR. |
---|
2709 | |
---|
2710 | 603 |
---|
2711 | 00:24:21,727 --> 00:24:23,712 |
---|
2712 | HOW DID YOU END UP |
---|
2713 | IN CENTRAL AMERICA? |
---|
2714 | |
---|
2715 | 604 |
---|
2716 | 00:24:23,745 --> 00:24:25,714 |
---|
2717 | MY PARENTS WERE AID WORKERS. |
---|
2718 | |
---|
2719 | 605 |
---|
2720 | 00:24:25,747 --> 00:24:28,016 |
---|
2721 | THEY WERE KILLED |
---|
2722 | IN THE CIVIL WAR DOWN THERE. |
---|
2723 | |
---|
2724 | 606 |
---|
2725 | 00:24:28,050 --> 00:24:29,434 |
---|
2726 | WHEN I GOT TO ST. T.'s, |
---|
2727 | |
---|
2728 | 607 |
---|
2729 | 00:24:29,434 --> 00:24:31,637 |
---|
2730 | GLORIA TOOK ME UNDER HER WING |
---|
2731 | AND PROTECTED ME. |
---|
2732 | |
---|
2733 | 608 |
---|
2734 | 00:24:31,637 --> 00:24:34,940 |
---|
2735 | WOW. FROM ORPHAN TO CAR THIEF |
---|
2736 | TO JAILBIRD. |
---|
2737 | |
---|
2738 | 609 |
---|
2739 | 00:24:34,940 --> 00:24:36,758 |
---|
2740 | YOU SHOULD HAVE |
---|
2741 | YOUR OWN REALITY SHOW. |
---|
2742 | |
---|
2743 | 610 |
---|
2744 | 00:24:38,543 --> 00:24:40,646 |
---|
2745 | I'M NOT BITTER ABOUT |
---|
2746 | THE CARDS I'VE BEEN DEALT. |
---|
2747 | |
---|
2748 | 611 |
---|
2749 | 00:24:40,646 --> 00:24:44,566 |
---|
2750 | IF YOU WANNA SURVIVE, |
---|
2751 | YOU HAVE TO ADAPT. |
---|
2752 | |
---|
2753 | 612 |
---|
2754 | 00:24:44,650 --> 00:24:47,569 |
---|
2755 | IS THAT WHAT YOU'RE DOING |
---|
2756 | RIGHT NOW? |
---|
2757 | |
---|
2758 | 613 |
---|
2759 | 00:24:47,653 --> 00:24:48,954 |
---|
2760 | I KNOW YOU'RE UPSET |
---|
2761 | |
---|
2762 | 614 |
---|
2763 | 00:24:48,954 --> 00:24:50,839 |
---|
2764 | BECAUSE GLORIA CAME TO ME |
---|
2765 | INSTEAD OF YOU. |
---|
2766 | |
---|
2767 | 615 |
---|
2768 | 00:24:50,872 --> 00:24:53,859 |
---|
2769 | BUT THE FACT THAT YOUR FEELINGS |
---|
2770 | ARE HURT ISN'T MY PROBLEM. |
---|
2771 | |
---|
2772 | 616 |
---|
2773 | 00:24:53,859 --> 00:24:55,677 |
---|
2774 | DING DING! |
---|
2775 | |
---|
2776 | 617 |
---|
2777 | 00:24:55,761 --> 00:24:57,062 |
---|
2778 | LOVE A CATFIGHT, BUT, LADIES, |
---|
2779 | |
---|
2780 | 618 |
---|
2781 | 00:24:57,062 --> 00:24:58,964 |
---|
2782 | PLEASE, BACK TO YOUR CORNERS. |
---|
2783 | MM. |
---|
2784 | |
---|
2785 | 619 |
---|
2786 | 00:25:01,183 --> 00:25:02,951 |
---|
2787 | EVE, ACCORDING TO |
---|
2788 | HER PHONE RECORDS, |
---|
2789 | |
---|
2790 | 620 |
---|
2791 | 00:25:02,985 --> 00:25:04,670 |
---|
2792 | YOU TWO HAVE BEEN |
---|
2793 | TALKING A LOT RECENTLY. |
---|
2794 | |
---|
2795 | 621 |
---|
2796 | 00:25:04,670 --> 00:25:06,488 |
---|
2797 | YEAH. WHEN I GOT PAROLED, |
---|
2798 | |
---|
2799 | 622 |
---|
2800 | 00:25:06,571 --> 00:25:09,074 |
---|
2801 | GLORIA WAS HELPING ME |
---|
2802 | GET BACK ON MY FEET. |
---|
2803 | |
---|
2804 | 623 |
---|
2805 | 00:25:09,074 --> 00:25:10,575 |
---|
2806 | I SWEPT HER HARD DRIVE, |
---|
2807 | |
---|
2808 | 624 |
---|
2809 | 00:25:10,575 --> 00:25:12,577 |
---|
2810 | IF SHE WAS WORKING A CASE ON |
---|
2811 | HER DOWNTIME, SHE LEFT NO TRACE. |
---|
2812 | |
---|
2813 | 625 |
---|
2814 | 00:25:12,577 --> 00:25:13,695 |
---|
2815 | (sighs) |
---|
2816 | |
---|
2817 | 626 |
---|
2818 | 00:25:13,779 --> 00:25:16,081 |
---|
2819 | DO YOU HAVE ANY IDEA |
---|
2820 | WHAT SHE WANTED TO SHOW YOU? |
---|
2821 | |
---|
2822 | 627 |
---|
2823 | 00:25:16,081 --> 00:25:19,484 |
---|
2824 | NO, BUT I THINK WE SHOULD |
---|
2825 | GO CHECK OUT HER APARTMENT. |
---|
2826 | |
---|
2827 | 628 |
---|
2828 | 00:25:20,702 --> 00:25:22,604 |
---|
2829 | LET'S DO IT. |
---|
2830 | |
---|
2831 | 629 |
---|
2832 | 00:25:28,143 --> 00:25:30,095 |
---|
2833 | (gears shift) |
---|
2834 | |
---|
2835 | 630 |
---|
2836 | 00:25:30,095 --> 00:25:31,680 |
---|
2837 | SINCE WHEN CAN THE COPS |
---|
2838 | SPARE EXTRA UNIFORMS |
---|
2839 | |
---|
2840 | 631 |
---|
2841 | 00:25:31,713 --> 00:25:33,682 |
---|
2842 | TO BABYSIT |
---|
2843 | A VICTIM'S APARTMENT? |
---|
2844 | |
---|
2845 | 632 |
---|
2846 | 00:25:33,715 --> 00:25:36,101 |
---|
2847 | LET'S FIND A WAY IN. |
---|
2848 | YEAH. |
---|
2849 | |
---|
2850 | 633 |
---|
2851 | 00:25:40,822 --> 00:25:43,125 |
---|
2852 | (Abby) THAT'S GLORIA'S BALCONY, |
---|
2853 | THIRD FLOOR. |
---|
2854 | |
---|
2855 | 634 |
---|
2856 | 00:25:43,208 --> 00:25:45,727 |
---|
2857 | LADIES, I GOT THIS. |
---|
2858 | |
---|
2859 | 635 |
---|
2860 | 00:25:45,811 --> 00:25:47,212 |
---|
2861 | HAND ME THE PRADA. |
---|
2862 | |
---|
2863 | 636 |
---|
2864 | 00:25:53,201 --> 00:25:57,089 |
---|
2865 | ABBY PUT THE "CAT" |
---|
2866 | IN "CAT BURGLAR." |
---|
2867 | |
---|
2868 | 637 |
---|
2869 | 00:26:20,095 --> 00:26:21,563 |
---|
2870 | (Abby scoffs) |
---|
2871 | |
---|
2872 | 638 |
---|
2873 | 00:26:21,646 --> 00:26:24,232 |
---|
2874 | NOW THE DOUGHNUT PATROL |
---|
2875 | MAKES SENSE. |
---|
2876 | |
---|
2877 | 639 |
---|
2878 | 00:26:24,266 --> 00:26:26,935 |
---|
2879 | SOMEBODY MADE IT |
---|
2880 | A CRIME SCENE. |
---|
2881 | |
---|
2882 | 640 |
---|
2883 | 00:26:26,968 --> 00:26:29,454 |
---|
2884 | BUT WHY TRASH HER PLACE? |
---|
2885 | |
---|
2886 | 641 |
---|
2887 | 00:26:42,617 --> 00:26:45,387 |
---|
2888 | THEY EVEN GUTTED HER GATOR. |
---|
2889 | |
---|
2890 | 642 |
---|
2891 | 00:26:45,420 --> 00:26:47,489 |
---|
2892 | I GAVE THIS TO HER |
---|
2893 | LAST CHRISTMAS. |
---|
2894 | |
---|
2895 | 643 |
---|
2896 | 00:26:49,908 --> 00:26:52,094 |
---|
2897 | THIS IS POINTLESS. |
---|
2898 | |
---|
2899 | 644 |
---|
2900 | 00:26:52,127 --> 00:26:54,429 |
---|
2901 | I WOULDN'T SAY THAT. |
---|
2902 | YOU GROW UP IN AN ORPHANAGE, |
---|
2903 | |
---|
2904 | 645 |
---|
2905 | 00:26:54,513 --> 00:26:56,431 |
---|
2906 | YOU LEARN HOW TO HIDE THINGS |
---|
2907 | THAT ARE VALUABLE. |
---|
2908 | |
---|
2909 | 646 |
---|
2910 | 00:27:03,188 --> 00:27:04,372 |
---|
2911 | HEY, GUYS. |
---|
2912 | |
---|
2913 | 647 |
---|
2914 | 00:27:04,406 --> 00:27:06,992 |
---|
2915 | SINCE WHEN DID |
---|
2916 | GLORIA HAVE A CAT? |
---|
2917 | |
---|
2918 | 648 |
---|
2919 | 00:27:06,992 --> 00:27:08,110 |
---|
2920 | SHE DIDN'T. |
---|
2921 | |
---|
2922 | 649 |
---|
2923 | 00:27:08,193 --> 00:27:09,878 |
---|
2924 | YEAH, SHE'S ALLERGIC. |
---|
2925 | |
---|
2926 | 650 |
---|
2927 | 00:27:09,911 --> 00:27:11,913 |
---|
2928 | THEN WHAT'S SHE DOING |
---|
2929 | WITH A KITTY LITTER BOX? |
---|
2930 | |
---|
2931 | 651 |
---|
2932 | 00:27:16,835 --> 00:27:18,553 |
---|
2933 | (grunts) |
---|
2934 | |
---|
2935 | 652 |
---|
2936 | 00:27:24,376 --> 00:27:25,727 |
---|
2937 | THAT'S MY GIRL. |
---|
2938 | |
---|
2939 | 653 |
---|
2940 | 00:27:27,162 --> 00:27:29,965 |
---|
2941 | NUNS FORCE YOU TO BE CRAFTY. |
---|
2942 | |
---|
2943 | 654 |
---|
2944 | 00:27:30,048 --> 00:27:33,552 |
---|
2945 | IT'S A CLASS "A" FLOOR SAFE. |
---|
2946 | |
---|
2947 | 655 |
---|
2948 | 00:27:33,552 --> 00:27:35,837 |
---|
2949 | BLAST-RESISTANT, |
---|
2950 | BIOMETRIC LOCK. |
---|
2951 | |
---|
2952 | 656 |
---|
2953 | 00:27:35,871 --> 00:27:36,938 |
---|
2954 | LAST TIME |
---|
2955 | I CRACKED ONE OF THESE, |
---|
2956 | |
---|
2957 | 657 |
---|
2958 | 00:27:36,972 --> 00:27:38,440 |
---|
2959 | IT WAS UNDER TWO MINUTES-- |
---|
2960 | |
---|
2961 | 658 |
---|
2962 | 00:27:38,507 --> 00:27:42,127 |
---|
2963 | BUT THAT WAS AFTER TWO COSMOS, |
---|
2964 | AND I WAS HANGING UPSIDE-DOWN. |
---|
2965 | |
---|
2966 | 659 |
---|
2967 | 00:27:42,127 --> 00:27:43,228 |
---|
2968 | (laughs) |
---|
2969 | |
---|
2970 | 660 |
---|
2971 | 00:27:44,830 --> 00:27:47,249 |
---|
2972 | (beeps) |
---|
2973 | |
---|
2974 | 661 |
---|
2975 | 00:27:51,937 --> 00:27:55,957 |
---|
2976 | (beeping) |
---|
2977 | |
---|
2978 | 662 |
---|
2979 | 00:27:56,041 --> 00:27:57,826 |
---|
2980 | (lock chirps) |
---|
2981 | |
---|
2982 | 663 |
---|
2983 | 00:27:57,859 --> 00:28:00,462 |
---|
2984 | (beeps) |
---|
2985 | |
---|
2986 | 664 |
---|
2987 | 00:28:00,545 --> 00:28:02,130 |
---|
2988 | (whoosh) |
---|
2989 | |
---|
2990 | 665 |
---|
2991 | 00:28:06,952 --> 00:28:08,770 |
---|
2992 | (metal clinks) |
---|
2993 | |
---|
2994 | 666 |
---|
2995 | 00:28:10,038 --> 00:28:13,425 |
---|
2996 | I KNOW THIS BOX. |
---|
2997 | THIS WAS HER MOM'S. |
---|
2998 | |
---|
2999 | 667 |
---|
3000 | 00:28:13,425 --> 00:28:15,744 |
---|
3001 | AT ST. T.'s ORPHANAGE, |
---|
3002 | SHE NEVER LET IT GO. |
---|
3003 | |
---|
3004 | 668 |
---|
3005 | 00:28:17,329 --> 00:28:19,514 |
---|
3006 | IT'S A D.N.A. ANALYSIS REPORT. |
---|
3007 | |
---|
3008 | 669 |
---|
3009 | 00:28:19,548 --> 00:28:22,434 |
---|
3010 | CAME BACK YESTERDAY. |
---|
3011 | GLORIA HAD TWO SAMPLES TESTED. |
---|
3012 | |
---|
3013 | 670 |
---|
3014 | 00:28:22,434 --> 00:28:24,352 |
---|
3015 | A FLAKE OF BLOOD FROM THE BOX |
---|
3016 | AND... |
---|
3017 | |
---|
3018 | 671 |
---|
3019 | 00:28:24,436 --> 00:28:25,921 |
---|
3020 | (plastic bag crinkles) |
---|
3021 | |
---|
3022 | 672 |
---|
3023 | 00:28:25,954 --> 00:28:27,739 |
---|
3024 | SALIVA FROM THIS SHOT GLASS. |
---|
3025 | |
---|
3026 | 673 |
---|
3027 | 00:28:27,739 --> 00:28:30,025 |
---|
3028 | LET'S SEE. |
---|
3029 | |
---|
3030 | 674 |
---|
3031 | 00:28:31,326 --> 00:28:33,061 |
---|
3032 | CLUB CYPHER. |
---|
3033 | |
---|
3034 | 675 |
---|
3035 | 00:28:33,144 --> 00:28:35,997 |
---|
3036 | THAT'S ON 10th AND COLLINS. |
---|
3037 | |
---|
3038 | 676 |
---|
3039 | 00:28:36,031 --> 00:28:38,934 |
---|
3040 | THE TWO SAMPLES MATCH. |
---|
3041 | I WONDER WHO THE BIG WINNER IS. |
---|
3042 | |
---|
3043 | 677 |
---|
3044 | 00:28:50,061 --> 00:28:52,180 |
---|
3045 | THIS IS NESTOR RODRIGO. |
---|
3046 | |
---|
3047 | 678 |
---|
3048 | 00:28:53,365 --> 00:28:56,067 |
---|
3049 | WHY WOULD GLORIA |
---|
3050 | BE TRACKING HIM? |
---|
3051 | |
---|
3052 | 679 |
---|
3053 | 00:28:56,067 --> 00:28:59,187 |
---|
3054 | OH, MY GOD. SHE FOUND HIM. |
---|
3055 | |
---|
3056 | 680 |
---|
3057 | 00:28:59,271 --> 00:29:00,855 |
---|
3058 | FOUND WHO? |
---|
3059 | |
---|
3060 | 681 |
---|
3061 | 00:29:00,889 --> 00:29:03,174 |
---|
3062 | PAJARO. |
---|
3063 | |
---|
3064 | 682 |
---|
3065 | 00:29:06,094 --> 00:29:07,562 |
---|
3066 | HOW DO YOU KNOW ABOUT HIM? |
---|
3067 | |
---|
3068 | 683 |
---|
3069 | 00:29:07,596 --> 00:29:11,483 |
---|
3070 | IT'S A LONG STORY. BUT I HAD |
---|
3071 | NO IDEA SHE TRACKED HIM DOWN. |
---|
3072 | |
---|
3073 | 684 |
---|
3074 | 00:29:11,483 --> 00:29:15,170 |
---|
3075 | TIME-OUT. |
---|
3076 | RODRIGO'S A MULTIMILLIONAIRE. |
---|
3077 | |
---|
3078 | 685 |
---|
3079 | 00:29:15,203 --> 00:29:17,973 |
---|
3080 | HE THROWS MORE WHITE PARTIES |
---|
3081 | THAN DIDDY. |
---|
3082 | |
---|
3083 | 686 |
---|
3084 | 00:29:18,006 --> 00:29:20,008 |
---|
3085 | YOU SURE HE'S PAJARO? |
---|
3086 | |
---|
3087 | 687 |
---|
3088 | 00:29:20,091 --> 00:29:22,394 |
---|
3089 | I SWEAR ON MY LIFE. |
---|
3090 | |
---|
3091 | 688 |
---|
3092 | 00:29:24,296 --> 00:29:25,880 |
---|
3093 | WE NEED TO CALL BOS. |
---|
3094 | |
---|
3095 | 689 |
---|
3096 | 00:29:25,914 --> 00:29:29,117 |
---|
3097 | YEAH, WE NEED TO LOOP IN |
---|
3098 | CHARLIE. |
---|
3099 | |
---|
3100 | 690 |
---|
3101 | 00:29:29,150 --> 00:29:31,019 |
---|
3102 | HEY! COME ON! |
---|
3103 | DROP THE GUN! |
---|
3104 | |
---|
3105 | 691 |
---|
3106 | 00:29:31,052 --> 00:29:32,621 |
---|
3107 | GIVE ME YOUR KEYS. |
---|
3108 | EVE. |
---|
3109 | |
---|
3110 | 692 |
---|
3111 | 00:29:34,039 --> 00:29:36,491 |
---|
3112 | EVE, WHAT ARE YOU DOING? |
---|
3113 | |
---|
3114 | 693 |
---|
3115 | 00:29:36,524 --> 00:29:38,310 |
---|
3116 | KEEPING A PROMISE I MADE |
---|
3117 | TO GLORIA A LONG TIME AGO. |
---|
3118 | |
---|
3119 | 694 |
---|
3120 | 00:29:38,310 --> 00:29:40,428 |
---|
3121 | I'M SERIOUS. |
---|
3122 | |
---|
3123 | 695 |
---|
3124 | 00:29:40,512 --> 00:29:42,998 |
---|
3125 | WHAT PROMISE DID YOU MAKE? |
---|
3126 | |
---|
3127 | 696 |
---|
3128 | 00:29:43,031 --> 00:29:44,916 |
---|
3129 | TO KILL PAJARO. |
---|
3130 | |
---|
3131 | 697 |
---|
3132 | 00:29:46,635 --> 00:29:51,022 |
---|
3133 | EVE, PUT THE GUN DOWN. |
---|
3134 | LET'S JUST TALK THIS THROUGH. |
---|
3135 | |
---|
3136 | 698 |
---|
3137 | 00:29:51,022 --> 00:29:53,024 |
---|
3138 | THERE'S NOTHING TO TALK ABOUT. |
---|
3139 | |
---|
3140 | 699 |
---|
3141 | 00:29:53,024 --> 00:29:55,043 |
---|
3142 | THAT'S WHY GLORIA CALLED ME |
---|
3143 | THE OTHER NIGHT. |
---|
3144 | |
---|
3145 | 700 |
---|
3146 | 00:29:55,126 --> 00:29:56,244 |
---|
3147 | SO WHAT'S YOUR BIG PLAN? |
---|
3148 | |
---|
3149 | 701 |
---|
3150 | 00:29:56,328 --> 00:29:58,546 |
---|
3151 | ROLL UP TO CLUB CYPHER |
---|
3152 | AND BLOW RODRIGO AWAY? |
---|
3153 | |
---|
3154 | 702 |
---|
3155 | 00:29:58,630 --> 00:29:59,948 |
---|
3156 | HE HAS TO PAY. |
---|
3157 | |
---|
3158 | 703 |
---|
3159 | 00:30:00,031 --> 00:30:01,349 |
---|
3160 | WE LOVED GLORIA, TOO. |
---|
3161 | |
---|
3162 | 704 |
---|
3163 | 00:30:01,433 --> 00:30:03,418 |
---|
3164 | WE WANNA GET JUSTICE, |
---|
3165 | BUT THIS ISN'T THE WAY TO DO IT. |
---|
3166 | |
---|
3167 | 705 |
---|
3168 | 00:30:03,451 --> 00:30:06,354 |
---|
3169 | YOU HAVE NO IDEA WHAT HE'S DONE. |
---|
3170 | |
---|
3171 | 706 |
---|
3172 | 00:30:06,438 --> 00:30:08,757 |
---|
3173 | HOW ABOUT TRAFFICKING |
---|
3174 | UNDERAGE GIRLS? |
---|
3175 | |
---|
3176 | 707 |
---|
3177 | 00:30:10,058 --> 00:30:12,243 |
---|
3178 | HE WAS BEHIND A CASE |
---|
3179 | WE JUST BROKE. |
---|
3180 | |
---|
3181 | 708 |
---|
3182 | 00:30:12,260 --> 00:30:13,845 |
---|
3183 | 16-YEAR-OLD RUNAWAY. |
---|
3184 | |
---|
3185 | 709 |
---|
3186 | 00:30:13,845 --> 00:30:15,847 |
---|
3187 | WE MANAGED TO HELP HER, |
---|
3188 | |
---|
3189 | 710 |
---|
3190 | 00:30:15,847 --> 00:30:18,733 |
---|
3191 | BUT THERE WERE OTHERS |
---|
3192 | WE COULDN'T SAVE. |
---|
3193 | |
---|
3194 | 711 |
---|
3195 | 00:30:20,552 --> 00:30:22,671 |
---|
3196 | WE CAN RESCUE THEM, |
---|
3197 | |
---|
3198 | 712 |
---|
3199 | 00:30:22,754 --> 00:30:25,357 |
---|
3200 | THEN TAKE DOWN |
---|
3201 | PAJARO'S ENTIRE OPERATION, |
---|
3202 | |
---|
3203 | 713 |
---|
3204 | 00:30:25,357 --> 00:30:27,275 |
---|
3205 | BUT NOT IF YOU KILL HIM. |
---|
3206 | |
---|
3207 | 714 |
---|
3208 | 00:30:28,660 --> 00:30:30,078 |
---|
3209 | HE CAN'T HURT ANOTHER GIRL. |
---|
3210 | |
---|
3211 | 715 |
---|
3212 | 00:30:31,763 --> 00:30:34,482 |
---|
3213 | HE WON'T. |
---|
3214 | YOU HAVE OUR WORD. |
---|
3215 | |
---|
3216 | 716 |
---|
3217 | 00:30:47,679 --> 00:30:47,779 |
---|
3218 | |
---|
3219 | |
---|
3220 | 717 |
---|
3221 | 00:30:47,779 --> 00:30:47,796 |
---|
3222 | [ M |
---|
3223 | |
---|
3224 | 718 |
---|
3225 | 00:30:47,796 --> 00:30:47,879 |
---|
3226 | [ Mal |
---|
3227 | |
---|
3228 | 719 |
---|
3229 | 00:30:47,879 --> 00:30:47,896 |
---|
3230 | [ Male An |
---|
3231 | |
---|
3232 | 720 |
---|
3233 | 00:30:47,896 --> 00:30:47,979 |
---|
3234 | [ Male Anno |
---|
3235 | |
---|
3236 | 721 |
---|
3237 | 00:30:47,979 --> 00:30:47,996 |
---|
3238 | [ Male Announce |
---|
3239 | |
---|
3240 | 722 |
---|
3241 | 00:30:47,996 --> 00:30:48,079 |
---|
3242 | [ Male Announcer |
---|
3243 | |
---|
3244 | 723 |
---|
3245 | 00:30:48,079 --> 00:30:48,163 |
---|
3246 | [ Male Announcer ] |
---|
3247 | |
---|
3248 | 724 |
---|
3249 | 00:30:48,163 --> 00:30:48,279 |
---|
3250 | [ Male Announcer ] |
---|
3251 | |
---|
3252 | |
---|
3253 | 725 |
---|
3254 | 00:30:48,279 --> 00:30:48,296 |
---|
3255 | [ Male Announcer ] |
---|
3256 | S |
---|
3257 | |
---|
3258 | 726 |
---|
3259 | 00:30:48,296 --> 00:30:48,380 |
---|
3260 | [ Male Announcer ] |
---|
3261 | SPR |
---|
3262 | |
---|
3263 | 727 |
---|
3264 | 00:30:48,380 --> 00:30:48,396 |
---|
3265 | [ Male Announcer ] |
---|
3266 | SPRINT |
---|
3267 | |
---|
3268 | 728 |
---|
3269 | 00:30:48,396 --> 00:30:48,480 |
---|
3270 | [ Male Announcer ] |
---|
3271 | SPRINT IN |
---|
3272 | |
---|
3273 | 729 |
---|
3274 | 00:30:48,480 --> 00:30:48,496 |
---|
3275 | [ Male Announcer ] |
---|
3276 | SPRINT INTROD |
---|
3277 | |
---|
3278 | 730 |
---|
3279 | 00:30:48,496 --> 00:30:48,580 |
---|
3280 | [ Male Announcer ] |
---|
3281 | SPRINT INTRODUC |
---|
3282 | |
---|
3283 | 731 |
---|
3284 | 00:30:48,580 --> 00:30:49,364 |
---|
3285 | [ Male Announcer ] |
---|
3286 | SPRINT INTRODUCES |
---|
3287 | |
---|
3288 | 732 |
---|
3289 | 00:30:49,364 --> 00:30:50,999 |
---|
3290 | AMERICA'S FIRST 3D PHONE. |
---|
3291 | |
---|
3292 | 733 |
---|
3293 | 00:30:50,999 --> 00:30:54,002 |
---|
3294 | NOW ANYONE CAN WATCH |
---|
3295 | AND SHOOT VIDEO IN 3D. |
---|
3296 | |
---|
3297 | 734 |
---|
3298 | 00:30:54,002 --> 00:30:56,571 |
---|
3299 | CUT, GUYS. UH, WE'RE NOT |
---|
3300 | MAKING EFFECTIVE USE |
---|
3301 | |
---|
3302 | 735 |
---|
3303 | 00:30:56,571 --> 00:30:58,106 |
---|
3304 | OF THE 3D TECHNOLOGY. |
---|
3305 | |
---|
3306 | 736 |
---|
3307 | 00:30:58,106 --> 00:30:59,574 |
---|
3308 | I THINK I CAN HELP. |
---|
3309 | |
---|
3310 | 737 |
---|
3311 | 00:30:59,574 --> 00:31:01,142 |
---|
3312 | YOU STAND OVER THERE |
---|
3313 | AND FILM DADDY. |
---|
3314 | |
---|
3315 | 738 |
---|
3316 | 00:31:01,142 --> 00:31:02,077 |
---|
3317 | VOLLEY FOR SERVE. |
---|
3318 | |
---|
3319 | 739 |
---|
3320 | 00:31:03,712 --> 00:31:04,979 |
---|
3321 | WHAT WAS THAT?! |
---|
3322 | |
---|
3323 | 740 |
---|
3324 | 00:31:04,979 --> 00:31:08,083 |
---|
3325 | THAT WAS 3D GOLD. |
---|
3326 | THAT'S WHAT THAT WAS. |
---|
3327 | |
---|
3328 | 741 |
---|
3329 | 00:31:08,083 --> 00:31:10,001 |
---|
3330 | o/~ o/~ |
---|
3331 | |
---|
3332 | 742 |
---|
3333 | 00:31:10,001 --> 00:31:12,604 |
---|
3334 | [ Male Announcer ] |
---|
3335 | LET'S MAKE HOMEMADE 3D |
---|
3336 | THE NEXT BIG THING. |
---|
3337 | |
---|
3338 | 743 |
---|
3339 | 00:31:12,604 --> 00:31:15,306 |
---|
3340 | THE NEW HTC EVO 3D. |
---|
3341 | NO GLASSES REQUIRED. |
---|
3342 | o/~ ALL TOGETHER |
---|
3343 | NOW o/~ |
---|
3344 | |
---|
3345 | 744 |
---|
3346 | 00:31:15,306 --> 00:31:16,825 |
---|
3347 | ONLY FROM SPRINT. |
---|
3348 | TROUBLE HEARING ON THE PHONE? |
---|
3349 | VISIT SPRINTRELAY.COM |
---|
3350 | |
---|
3351 | 745 |
---|
3352 | 00:31:17,992 --> 00:31:18,026 |
---|
3353 | [ |
---|
3354 | |
---|
3355 | 746 |
---|
3356 | 00:31:18,026 --> 00:31:18,109 |
---|
3357 | [ Dr |
---|
3358 | |
---|
3359 | 747 |
---|
3360 | 00:31:18,109 --> 00:31:18,209 |
---|
3361 | [ Drew ] |
---|
3362 | |
---|
3363 | 748 |
---|
3364 | 00:31:18,209 --> 00:31:18,226 |
---|
3365 | [ Drew ] |
---|
3366 | GI |
---|
3367 | |
---|
3368 | 749 |
---|
3369 | 00:31:18,226 --> 00:31:18,309 |
---|
3370 | [ Drew ] |
---|
3371 | GIVE |
---|
3372 | |
---|
3373 | 750 |
---|
3374 | 00:31:18,309 --> 00:31:18,326 |
---|
3375 | [ Drew ] |
---|
3376 | GIVE ME |
---|
3377 | |
---|
3378 | 751 |
---|
3379 | 00:31:18,326 --> 00:31:18,410 |
---|
3380 | [ Drew ] |
---|
3381 | GIVE ME VO |
---|
3382 | |
---|
3383 | 752 |
---|
3384 | 00:31:18,410 --> 00:31:18,426 |
---|
3385 | [ Drew ] |
---|
3386 | GIVE ME VOLUME |
---|
3387 | |
---|
3388 | 753 |
---|
3389 | 00:31:18,426 --> 00:31:19,627 |
---|
3390 | [ Drew ] |
---|
3391 | GIVE ME VOLUME. |
---|
3392 | |
---|
3393 | 754 |
---|
3394 | 00:31:20,311 --> 00:31:21,596 |
---|
3395 | NOT CLUMPS OR GAPS. |
---|
3396 | |
---|
3397 | 755 |
---|
3398 | 00:31:21,629 --> 00:31:23,198 |
---|
3399 | THE ANSWER... |
---|
3400 | |
---|
3401 | 756 |
---|
3402 | 00:31:23,231 --> 00:31:24,699 |
---|
3403 | IT'S ALL IN THE WRAP. |
---|
3404 | |
---|
3405 | 757 |
---|
3406 | 00:31:25,300 --> 00:31:29,037 |
---|
3407 | COVERGIRL INTRODUCES |
---|
3408 | NEW LASHPERFECTION MASCARA. |
---|
3409 | |
---|
3410 | 758 |
---|
3411 | 00:31:29,120 --> 00:31:30,422 |
---|
3412 | "THE SECRET" -- |
---|
3413 | |
---|
3414 | 759 |
---|
3415 | 00:31:30,422 --> 00:31:33,725 |
---|
3416 | THE LASHWRAP BRUSH |
---|
3417 | PERFECTLY WRAPS EACH LASH |
---|
3418 | |
---|
3419 | 760 |
---|
3420 | 00:31:33,725 --> 00:31:35,643 |
---|
3421 | FOR UP TO 3X MORE VOLUME. |
---|
3422 | |
---|
3423 | 761 |
---|
3424 | 00:31:35,727 --> 00:31:38,947 |
---|
3425 | INDIVIDUAL VOLUME |
---|
3426 | FOR "EVERY LITTLE LASH." |
---|
3427 | |
---|
3428 | 762 |
---|
3429 | 00:31:39,030 --> 00:31:40,115 |
---|
3430 | WRAP IT UP. |
---|
3431 | |
---|
3432 | 763 |
---|
3433 | 00:31:40,148 --> 00:31:41,316 |
---|
3434 | I'LL TAKE IT. |
---|
3435 | |
---|
3436 | 764 |
---|
3437 | 00:31:41,349 --> 00:31:43,835 |
---|
3438 | NEW LASHPERFECTION |
---|
3439 | |
---|
3440 | 765 |
---|
3441 | 00:31:43,835 --> 00:31:45,954 |
---|
3442 | FROM EASY, BREEZY, BEAUTIFUL |
---|
3443 | |
---|
3444 | 766 |
---|
3445 | 00:31:46,037 --> 00:31:47,722 |
---|
3446 | COVERGIRL. |
---|
3447 | |
---|
3448 | 767 |
---|
3449 | 00:31:48,640 --> 00:31:49,858 |
---|
3450 | GET YOUR CASH BACK! |
---|
3451 | |
---|
3452 | 768 |
---|
3453 | 00:31:49,941 --> 00:31:50,825 |
---|
3454 | OH, HI. |
---|
3455 | |
---|
3456 | 769 |
---|
3457 | 00:31:50,859 --> 00:31:52,160 |
---|
3458 | WHICH CASH BACK BOOTH |
---|
3459 | LOOKS BETTER TO YOU, |
---|
3460 | |
---|
3461 | 770 |
---|
3462 | 00:31:52,243 --> 00:31:54,362 |
---|
3463 | CHASE FREEDOM OR THE |
---|
3464 | LARGEST CASHBACK CARD? |
---|
3465 | |
---|
3466 | 771 |
---|
3467 | 00:31:54,446 --> 00:31:55,964 |
---|
3468 | OH, I'LL TRY THE LARGEST. |
---|
3469 | |
---|
3470 | 772 |
---|
3471 | 00:31:56,047 --> 00:31:57,048 |
---|
3472 | OH, THAT IS TOO BAD. |
---|
3473 | |
---|
3474 | 773 |
---|
3475 | 00:31:57,048 --> 00:31:58,249 |
---|
3476 | APPARENTLY YOU DON'T KNOW |
---|
3477 | |
---|
3478 | 774 |
---|
3479 | 00:31:58,249 --> 00:32:00,869 |
---|
3480 | CHASE FREEDOM GUARANTEES |
---|
3481 | YOU 1% CASH BACK. |
---|
3482 | |
---|
3483 | 775 |
---|
3484 | 00:32:00,952 --> 00:32:03,471 |
---|
3485 | 4 TIMES MORE THAN THE |
---|
3486 | LARGEST CASH BACK CARD, |
---|
3487 | |
---|
3488 | 776 |
---|
3489 | 00:32:03,555 --> 00:32:04,873 |
---|
3490 | WHICH ONLY GIVES YOU |
---|
3491 | A QUARTER PERCENT |
---|
3492 | |
---|
3493 | 777 |
---|
3494 | 00:32:04,956 --> 00:32:07,375 |
---|
3495 | UNTIL YOU SPEND |
---|
3496 | $3,000 EVERY YEAR. |
---|
3497 | |
---|
3498 | 778 |
---|
3499 | 00:32:08,460 --> 00:32:10,378 |
---|
3500 | BUT HAVE FUN. |
---|
3501 | |
---|
3502 | 779 |
---|
3503 | 00:32:10,462 --> 00:32:13,047 |
---|
3504 | BOB AND WEAVE ONCE |
---|
3505 | YOU'RE IN THERE. |
---|
3506 | |
---|
3507 | 780 |
---|
3508 | 00:32:13,081 --> 00:32:15,450 |
---|
3509 | DON'T GET SHORT CHANGED. |
---|
3510 | GET YOUR CASH BACK. |
---|
3511 | |
---|
3512 | 781 |
---|
3513 | 00:32:15,483 --> 00:32:17,035 |
---|
3514 | CHASE FREEDOM. |
---|
3515 | |
---|
3516 | 782 |
---|
3517 | 00:34:52,991 --> 00:34:54,876 |
---|
3518 | (indistinct conversations) |
---|
3519 | |
---|
3520 | 783 |
---|
3521 | 00:34:54,909 --> 00:34:56,160 |
---|
3522 | AHEM. |
---|
3523 | |
---|
3524 | 784 |
---|
3525 | 00:34:56,194 --> 00:34:59,180 |
---|
3526 | ALL RIGHT. |
---|
3527 | I GOT CONFIRMATION. |
---|
3528 | |
---|
3529 | 785 |
---|
3530 | 00:34:59,213 --> 00:35:02,900 |
---|
3531 | THE PRINTS ON THAT SHOT GLASS |
---|
3532 | ARENESTOR RODRIGO'S. |
---|
3533 | |
---|
3534 | 786 |
---|
3535 | 00:35:04,302 --> 00:35:06,487 |
---|
3536 | JUST SO WE'RE CLEAR, EVE, |
---|
3537 | YOU'RE ACCUSING |
---|
3538 | |
---|
3539 | 787 |
---|
3540 | 00:35:06,521 --> 00:35:08,790 |
---|
3541 | ONE OF THE BIGGEST DEVELOPERS |
---|
3542 | IN SOUTH FLORIDA |
---|
3543 | |
---|
3544 | 788 |
---|
3545 | 00:35:08,823 --> 00:35:10,408 |
---|
3546 | OF TRAFFICKING KIDS. |
---|
3547 | |
---|
3548 | 789 |
---|
3549 | 00:35:10,408 --> 00:35:13,061 |
---|
3550 | YOU'RE SURE |
---|
3551 | THIS IS THE SAME GUY? |
---|
3552 | |
---|
3553 | 790 |
---|
3554 | 00:35:14,712 --> 00:35:17,031 |
---|
3555 | BEFORE RODRIGO |
---|
3556 | WAS ON MAGAZINE COVERS, |
---|
3557 | |
---|
3558 | 791 |
---|
3559 | 00:35:17,115 --> 00:35:20,118 |
---|
3560 | HE LED A DEATH SQUAD |
---|
3561 | IN EL SALVADOR. |
---|
3562 | |
---|
3563 | 792 |
---|
3564 | 00:35:20,118 --> 00:35:22,837 |
---|
3565 | I KNOW BECAUSE I SAW HIM |
---|
3566 | WITH MY OWN EYES. |
---|
3567 | |
---|
3568 | 793 |
---|
3569 | 00:35:22,920 --> 00:35:26,641 |
---|
3570 | GLORIA DARED ME TO SNEAK INTO |
---|
3571 | THE CHAPEL AT THE ORPHANAGE. |
---|
3572 | |
---|
3573 | 794 |
---|
3574 | 00:35:26,724 --> 00:35:28,810 |
---|
3575 | THERE WAS |
---|
3576 | A WOODEN ANGEL ON THE ALTAR, |
---|
3577 | |
---|
3578 | 795 |
---|
3579 | 00:35:28,843 --> 00:35:32,380 |
---|
3580 | AND WE WERE GONNA CARVE |
---|
3581 | OUR INITIALS IN THE BACK OF IT. |
---|
3582 | |
---|
3583 | 796 |
---|
3584 | 00:35:32,413 --> 00:35:36,484 |
---|
3585 | THAT'S WHEN THE TRUCKS CAME. |
---|
3586 | |
---|
3587 | 797 |
---|
3588 | 00:35:36,517 --> 00:35:38,836 |
---|
3589 | PAJARO WAS THERE |
---|
3590 | TO STEAL THE GIRLS... |
---|
3591 | (men shouting in Spanish) |
---|
3592 | |
---|
3593 | 798 |
---|
3594 | 00:35:38,836 --> 00:35:40,772 |
---|
3595 | AND HE MURDERED THE NUNS |
---|
3596 | AND THE BOYS. |
---|
3597 | |
---|
3598 | 799 |
---|
3599 | 00:35:40,805 --> 00:35:42,090 |
---|
3600 | (woman screams) |
---|
3601 | |
---|
3602 | 800 |
---|
3603 | 00:35:42,123 --> 00:35:43,174 |
---|
3604 | THEY WORE MASKS |
---|
3605 | |
---|
3606 | 801 |
---|
3607 | 00:35:43,174 --> 00:35:45,259 |
---|
3608 | AND ATTACKED WITHOUT WARNING. |
---|
3609 | |
---|
3610 | 802 |
---|
3611 | 00:35:45,293 --> 00:35:47,078 |
---|
3612 | WAIT. |
---|
3613 | |
---|
3614 | 803 |
---|
3615 | 00:35:47,078 --> 00:35:50,698 |
---|
3616 | IF RODRIGO WORE A MASK, |
---|
3617 | HOW CAN YOU BE SURE IT'S HIM? |
---|
3618 | |
---|
3619 | 804 |
---|
3620 | 00:35:50,782 --> 00:35:54,969 |
---|
3621 | I HAVE AN ANGEL |
---|
3622 | TO THANK FOR THAT. |
---|
3623 | |
---|
3624 | 805 |
---|
3625 | 00:35:55,003 --> 00:35:56,771 |
---|
3626 | WE HID UNDER THE ALTAR. |
---|
3627 | |
---|
3628 | 806 |
---|
3629 | 00:35:56,804 --> 00:35:59,407 |
---|
3630 | GLORIA WAS CLUTCHING |
---|
3631 | HER BUTTERFLY BOX SO TIGHT, |
---|
3632 | |
---|
3633 | 807 |
---|
3634 | 00:35:59,440 --> 00:36:02,310 |
---|
3635 | I THOUGHT SHE'D BREAK IT. |
---|
3636 | |
---|
3637 | 808 |
---|
3638 | 00:36:02,343 --> 00:36:05,346 |
---|
3639 | PAJARO CAME IN |
---|
3640 | TO SEARCH THE CHAPEL, |
---|
3641 | |
---|
3642 | 809 |
---|
3643 | 00:36:05,380 --> 00:36:09,984 |
---|
3644 | AND THAT'S WHEN I SAW HIS FACE, |
---|
3645 | AND SO DID GLORIA. |
---|
3646 | |
---|
3647 | 810 |
---|
3648 | 00:36:10,018 --> 00:36:13,021 |
---|
3649 | (men shouting in Spanish, |
---|
3650 | girls screaming) |
---|
3651 | |
---|
3652 | 811 |
---|
3653 | 00:36:16,224 --> 00:36:18,159 |
---|
3654 | I KNEW WHAT HE WAS GONNA |
---|
3655 | DO WITH US, |
---|
3656 | |
---|
3657 | 812 |
---|
3658 | 00:36:18,176 --> 00:36:19,560 |
---|
3659 | SO I HIT HIM WITH THE ANGEL. |
---|
3660 | |
---|
3661 | 813 |
---|
3662 | 00:36:19,644 --> 00:36:21,145 |
---|
3663 | UHH! |
---|
3664 | |
---|
3665 | 814 |
---|
3666 | 00:36:21,145 --> 00:36:22,997 |
---|
3667 | AND THEN WE RAN FOR OUR LIVES. |
---|
3668 | |
---|
3669 | 815 |
---|
3670 | 00:36:23,031 --> 00:36:25,800 |
---|
3671 | (girls screaming, gunshots) |
---|
3672 | |
---|
3673 | 816 |
---|
3674 | 00:36:25,883 --> 00:36:29,804 |
---|
3675 | THE FACES OF THE GIRLS |
---|
3676 | WE LEFT BEHIND STILL HAUNT ME. |
---|
3677 | |
---|
3678 | 817 |
---|
3679 | 00:36:37,662 --> 00:36:42,784 |
---|
3680 | IS THAT WHY YOU AND GLORIA |
---|
3681 | MADE YOUR PACT TO KILL PAJARO? |
---|
3682 | |
---|
3683 | 818 |
---|
3684 | 00:36:42,817 --> 00:36:46,087 |
---|
3685 | I GET IT. |
---|
3686 | YOU WANTED HIM TO PAY. |
---|
3687 | |
---|
3688 | 819 |
---|
3689 | 00:36:49,207 --> 00:36:51,025 |
---|
3690 | HOW ARE WE GONNA NAIL THIS GUY? |
---|
3691 | |
---|
3692 | 820 |
---|
3693 | 00:36:51,109 --> 00:36:53,528 |
---|
3694 | WEAREN'T. |
---|
3695 | |
---|
3696 | 821 |
---|
3697 | 00:36:53,611 --> 00:36:55,997 |
---|
3698 | ABBY, BOS, AND I |
---|
3699 | WILL TAKE IT FROM HERE. |
---|
3700 | |
---|
3701 | 822 |
---|
3702 | 00:36:56,030 --> 00:36:58,332 |
---|
3703 | WHAT? |
---|
3704 | |
---|
3705 | 823 |
---|
3706 | 00:36:58,416 --> 00:37:00,318 |
---|
3707 | THIS ISN'T ABOUT REVENGE, |
---|
3708 | EVE. |
---|
3709 | |
---|
3710 | 824 |
---|
3711 | 00:37:00,318 --> 00:37:01,719 |
---|
3712 | IF WE'RE GONNA SHUT DOWN |
---|
3713 | RODRIGO'S OPERATION, |
---|
3714 | |
---|
3715 | 825 |
---|
3716 | 00:37:01,719 --> 00:37:03,237 |
---|
3717 | WE NEED HIM ALIVE. |
---|
3718 | |
---|
3719 | 826 |
---|
3720 | 00:37:03,321 --> 00:37:05,773 |
---|
3721 | ABOUT TONIGHT, I'M SORRY. |
---|
3722 | |
---|
3723 | 827 |
---|
3724 | 00:37:05,807 --> 00:37:07,709 |
---|
3725 | TOO LATE. YOU'RE BENCHED. |
---|
3726 | |
---|
3727 | 828 |
---|
3728 | 00:37:07,792 --> 00:37:11,112 |
---|
3729 | RODRIGO'S BEEN GIVING THE COPS |
---|
3730 | THE MIDDLE FINGER FOR YEARS. |
---|
3731 | |
---|
3732 | 829 |
---|
3733 | 00:37:11,195 --> 00:37:13,381 |
---|
3734 | WE DON'T EXACTLY |
---|
3735 | PLAY BY THE RULES EITHER. |
---|
3736 | |
---|
3737 | 830 |
---|
3738 | 00:37:13,414 --> 00:37:16,684 |
---|
3739 | YEAH, WE'RE ANGELS, |
---|
3740 | NOT SAINTS. |
---|
3741 | |
---|
3742 | 831 |
---|
3743 | 00:37:23,207 --> 00:37:26,127 |
---|
3744 | (Charlie) I ran Nestor Rodrigo |
---|
3745 | past my intelligence sources. |
---|
3746 | |
---|
3747 | 832 |
---|
3748 | 00:37:26,160 --> 00:37:28,446 |
---|
3749 | LET ME GUESS. |
---|
3750 | HE'S SQUEAKY-CLEAN. |
---|
3751 | |
---|
3752 | 833 |
---|
3753 | 00:37:28,446 --> 00:37:29,731 |
---|
3754 | Spotless. |
---|
3755 | |
---|
3756 | 834 |
---|
3757 | 00:37:29,764 --> 00:37:32,049 |
---|
3758 | Sarah Daniels is |
---|
3759 | the only one of Pajaro's victims |
---|
3760 | |
---|
3761 | 835 |
---|
3762 | 00:37:32,049 --> 00:37:33,951 |
---|
3763 | that has ever been saved. |
---|
3764 | |
---|
3765 | 836 |
---|
3766 | 00:37:33,951 --> 00:37:36,571 |
---|
3767 | Abby, was she able |
---|
3768 | to give you any insight? |
---|
3769 | |
---|
3770 | 837 |
---|
3771 | 00:37:36,654 --> 00:37:39,056 |
---|
3772 | SHE SAID SHE WAS CHAINED |
---|
3773 | TO SOME OTHER GIRLS. |
---|
3774 | |
---|
3775 | 838 |
---|
3776 | 00:37:39,056 --> 00:37:41,676 |
---|
3777 | MOST OF THEM |
---|
3778 | WERE SPEAKING SPANISH. |
---|
3779 | |
---|
3780 | 839 |
---|
3781 | 00:37:41,759 --> 00:37:43,361 |
---|
3782 | HERE'S AN INTERESTING FACT. |
---|
3783 | |
---|
3784 | 840 |
---|
3785 | 00:37:43,361 --> 00:37:46,481 |
---|
3786 | HIS FOUNDATION BUILDS ORPHANAGES |
---|
3787 | IN CENTRAL AMERICA. |
---|
3788 | |
---|
3789 | 841 |
---|
3790 | 00:37:46,564 --> 00:37:47,682 |
---|
3791 | RODRIGO MUST BE USING IT |
---|
3792 | |
---|
3793 | 842 |
---|
3794 | 00:37:47,765 --> 00:37:49,867 |
---|
3795 | TO FUNNEL GIRLS INTO THE COUNTRY |
---|
3796 | FOR TRAFFICKING. |
---|
3797 | |
---|
3798 | 843 |
---|
3799 | 00:37:49,867 --> 00:37:51,469 |
---|
3800 | I SQUEEGEED HIS DATABASE. |
---|
3801 | |
---|
3802 | 844 |
---|
3803 | 00:37:51,469 --> 00:37:54,071 |
---|
3804 | SOMEHOW HE'S KEEPING ALL OF HIS |
---|
3805 | ILLEGAL ACTIVITY OFF THE GRID. |
---|
3806 | |
---|
3807 | 845 |
---|
3808 | 00:37:54,071 --> 00:37:57,475 |
---|
3809 | THE MAN RUNS A CRIMINAL |
---|
3810 | ENTERPRISE IN THE 21st CENTURY. |
---|
3811 | |
---|
3812 | 846 |
---|
3813 | 00:37:57,475 --> 00:37:59,477 |
---|
3814 | THE INFORMATION HAS |
---|
3815 | TO BE THERE SOMEWHERE. |
---|
3816 | |
---|
3817 | 847 |
---|
3818 | 00:37:59,477 --> 00:38:01,479 |
---|
3819 | Actually, it's insomeone. |
---|
3820 | |
---|
3821 | 848 |
---|
3822 | 00:38:01,479 --> 00:38:06,584 |
---|
3823 | Her name is Nadia Kozlova. |
---|
3824 | She has a photographic memory. |
---|
3825 | |
---|
3826 | 849 |
---|
3827 | 00:38:06,584 --> 00:38:08,302 |
---|
3828 | ONE OF MY BUDDIES AT M.I.T. |
---|
3829 | TOLD ME ABOUT HER. |
---|
3830 | |
---|
3831 | 850 |
---|
3832 | 00:38:08,386 --> 00:38:09,887 |
---|
3833 | THOUGHT SHE WAS |
---|
3834 | AN URBAN LEGEND. |
---|
3835 | |
---|
3836 | 851 |
---|
3837 | 00:38:09,887 --> 00:38:13,207 |
---|
3838 | She absconded with $14 million |
---|
3839 | from the Russian mob. |
---|
3840 | |
---|
3841 | 852 |
---|
3842 | 00:38:13,291 --> 00:38:16,110 |
---|
3843 | Rodrigo's bodyguards aren't only |
---|
3844 | for his protection. |
---|
3845 | |
---|
3846 | 853 |
---|
3847 | 00:38:16,194 --> 00:38:17,495 |
---|
3848 | They're for hers. |
---|
3849 | |
---|
3850 | 854 |
---|
3851 | 00:38:17,495 --> 00:38:19,180 |
---|
3852 | (elevator bell dings) |
---|
3853 | They go with her everywhere, |
---|
3854 | |
---|
3855 | 855 |
---|
3856 | 00:38:19,213 --> 00:38:21,599 |
---|
3857 | except inside |
---|
3858 | his Star Island compound. |
---|
3859 | |
---|
3860 | 856 |
---|
3861 | 00:38:25,703 --> 00:38:29,390 |
---|
3862 | DID WE SAY THAT |
---|
3863 | YOU WERE BENCHED OR NO? |
---|
3864 | |
---|
3865 | 857 |
---|
3866 | 00:38:29,423 --> 00:38:31,425 |
---|
3867 | Actually, I thought Miss French |
---|
3868 | could assist you. |
---|
3869 | |
---|
3870 | 858 |
---|
3871 | 00:38:31,509 --> 00:38:34,896 |
---|
3872 | GLORIA WAS THE ONLY FAMILY |
---|
3873 | I HAD. I WANNA HELP. |
---|
3874 | |
---|
3875 | 859 |
---|
3876 | 00:38:34,929 --> 00:38:39,300 |
---|
3877 | It's fortunate for you that |
---|
3878 | I believe in second chances. |
---|
3879 | |
---|
3880 | 860 |
---|
3881 | 00:38:39,333 --> 00:38:41,319 |
---|
3882 | Don't let me down. |
---|
3883 | I WON'T. |
---|
3884 | |
---|
3885 | 861 |
---|
3886 | 00:38:41,319 --> 00:38:43,938 |
---|
3887 | IS THIS OKAY WITH YOU GUYS? |
---|
3888 | |
---|
3889 | 862 |
---|
3890 | 00:38:46,324 --> 00:38:48,442 |
---|
3891 | IT'S CHARLIE'S CALL. |
---|
3892 | |
---|
3893 | 863 |
---|
3894 | 00:38:50,628 --> 00:38:52,747 |
---|
3895 | ACCORDING |
---|
3896 | TO HIS TWITTER FEED, |
---|
3897 | |
---|
3898 | 864 |
---|
3899 | 00:38:52,830 --> 00:38:55,149 |
---|
3900 | RODRIGO IS HOSTING |
---|
3901 | A CHARITY FUND-RAISER |
---|
3902 | |
---|
3903 | 865 |
---|
3904 | 00:38:55,233 --> 00:38:57,618 |
---|
3905 | AT HIS MANSION |
---|
3906 | TOMORROW NIGHT. |
---|
3907 | |
---|
3908 | 866 |
---|
3909 | 00:38:57,652 --> 00:38:59,871 |
---|
3910 | THEME IS HEAVEN AND HELL. |
---|
3911 | |
---|
3912 | 867 |
---|
3913 | 00:38:59,871 --> 00:39:02,573 |
---|
3914 | SOUNDS LIKE |
---|
3915 | WE'LL BLEND RIGHT IN. |
---|
3916 | |
---|
3917 | 868 |
---|
3918 | 00:39:02,573 --> 00:39:05,459 |
---|
3919 | BIG PARTY, |
---|
3920 | LOTS OF SECURITY DISTRACTIONS. |
---|
3921 | |
---|
3922 | 869 |
---|
3923 | 00:39:05,493 --> 00:39:08,963 |
---|
3924 | WE GO UNDERCOVER |
---|
3925 | AND GRAB NADIA. |
---|
3926 | |
---|
3927 | 870 |
---|
3928 | 00:39:08,996 --> 00:39:10,464 |
---|
3929 | HATE TO BUZZKILL THE PLAN, |
---|
3930 | |
---|
3931 | 871 |
---|
3932 | 00:39:10,498 --> 00:39:12,900 |
---|
3933 | BUT DON'T YOU THINK POLICE |
---|
3934 | MIGHT CONSIDER THAT KIDNAPPING? |
---|
3935 | |
---|
3936 | 872 |
---|
3937 | 00:39:12,984 --> 00:39:14,669 |
---|
3938 | The police need evidence. |
---|
3939 | |
---|
3940 | 873 |
---|
3941 | 00:39:14,702 --> 00:39:16,404 |
---|
3942 | I only need certainty. |
---|
3943 | |
---|
3944 | 874 |
---|
3945 | 00:39:16,487 --> 00:39:17,772 |
---|
3946 | Nadia is the best way |
---|
3947 | |
---|
3948 | 875 |
---|
3949 | 00:39:17,805 --> 00:39:20,191 |
---|
3950 | to link Rodrigo to his crimes |
---|
3951 | and take him down. |
---|
3952 | |
---|
3953 | 876 |
---|
3954 | 00:39:20,191 --> 00:39:21,893 |
---|
3955 | Watch your backs, Angels. |
---|
3956 | |
---|
3957 | 877 |
---|
3958 | 00:39:21,893 --> 00:39:24,395 |
---|
3959 | (singsongy) GOOD-BYE, CHARLIE. |
---|
3960 | THANKS, CHARLIE. |
---|
3961 | |
---|
3962 | 878 |
---|
3963 | 00:39:24,395 --> 00:39:25,496 |
---|
3964 | GOOD-BYE, CHARLIE. |
---|
3965 | |
---|
3966 | 879 |
---|
3967 | 00:39:25,496 --> 00:39:27,949 |
---|
3968 | BYE. (chuckles) |
---|
3969 | |
---|
3970 | 880 |
---|
3971 | 00:39:27,982 --> 00:39:29,984 |
---|
3972 | o/~ LET ME INTRODUCE YOU o/~ |
---|
3973 | |
---|
3974 | 881 |
---|
3975 | 00:39:30,051 --> 00:39:32,153 |
---|
3976 | o/~ TO MY PARTY PEOPLE o/~ |
---|
3977 | |
---|
3978 | 882 |
---|
3979 | 00:39:32,220 --> 00:39:34,555 |
---|
3980 | o/~ IN THE CLUB o/~ |
---|
3981 | |
---|
3982 | 883 |
---|
3983 | 00:39:34,589 --> 00:39:35,957 |
---|
3984 | o/~ LA-LA-LA LA LA LA o/~ |
---|
3985 | |
---|
3986 | 884 |
---|
3987 | 00:39:35,990 --> 00:39:38,709 |
---|
3988 | o/~ LA LA LA LA LA LA LA LA LA o/~ |
---|
3989 | |
---|
3990 | 885 |
---|
3991 | 00:39:38,743 --> 00:39:41,546 |
---|
3992 | o/~ TONIGHT WE GON' BE IT |
---|
3993 | ON THE FLOOR o/~ |
---|
3994 | |
---|
3995 | 886 |
---|
3996 | 00:39:41,546 --> 00:39:43,347 |
---|
3997 | o/~ LA-LA-LA LA LA LA o/~ |
---|
3998 | |
---|
3999 | 887 |
---|
4000 | 00:39:43,347 --> 00:39:45,433 |
---|
4001 | o/~ LA LA LA LA LA LA LA LA LA o/~ |
---|
4002 | |
---|
4003 | 888 |
---|
4004 | 00:39:45,466 --> 00:39:47,969 |
---|
4005 | o/~ TONIGHT WE GON' BE IT |
---|
4006 | ON THE FLOOR o/~ |
---|
4007 | |
---|
4008 | 889 |
---|
4009 | 00:39:48,052 --> 00:39:49,754 |
---|
4010 | (indistinct conversations) |
---|
4011 | |
---|
4012 | 890 |
---|
4013 | 00:39:49,754 --> 00:39:52,373 |
---|
4014 | (Eve) THERE'S RODRIGO. |
---|
4015 | |
---|
4016 | 891 |
---|
4017 | 00:39:52,456 --> 00:39:54,175 |
---|
4018 | o/~ |
---|
4019 | |
---|
4020 | 892 |
---|
4021 | 00:39:54,258 --> 00:39:55,760 |
---|
4022 | BOS, ARE YOU SET? |
---|
4023 | |
---|
4024 | 893 |
---|
4025 | 00:39:55,760 --> 00:39:58,379 |
---|
4026 | TRUCK'S IN POSITION |
---|
4027 | IN THE BACK BY THE BATHROOMS. |
---|
4028 | |
---|
4029 | 894 |
---|
4030 | 00:39:58,462 --> 00:39:59,881 |
---|
4031 | ONCE THE SPRAY |
---|
4032 | HITS NADIA'S STOMACH, |
---|
4033 | |
---|
4034 | 895 |
---|
4035 | 00:39:59,964 --> 00:40:02,066 |
---|
4036 | SHE'LL START CRAMPING |
---|
4037 | WITHIN 30 SECONDS. |
---|
4038 | |
---|
4039 | 896 |
---|
4040 | 00:40:02,066 --> 00:40:03,351 |
---|
4041 | (filtered voice) |
---|
4042 | When she heads to the bathroom, |
---|
4043 | |
---|
4044 | 897 |
---|
4045 | 00:40:03,384 --> 00:40:04,685 |
---|
4046 | that's when we'll grab her |
---|
4047 | |
---|
4048 | 898 |
---|
4049 | 00:40:04,769 --> 00:40:06,070 |
---|
4050 | and get her |
---|
4051 | to the catering truck. |
---|
4052 | |
---|
4053 | 899 |
---|
4054 | 00:40:06,070 --> 00:40:08,489 |
---|
4055 | EVE, STAY ON RODRIGO. |
---|
4056 | LET US KNOW IF HE MOVES. |
---|
4057 | |
---|
4058 | 900 |
---|
4059 | 00:40:08,573 --> 00:40:09,857 |
---|
4060 | GOT IT. |
---|
4061 | |
---|
4062 | 901 |
---|
4063 | 00:40:09,891 --> 00:40:11,058 |
---|
4064 | o/~ GET ON THE FLOOR o/~ |
---|
4065 | |
---|
4066 | 902 |
---|
4067 | 00:40:11,142 --> 00:40:12,526 |
---|
4068 | o/~ STRAIGHT TO L.A., NEW YORK o/~ |
---|
4069 | |
---|
4070 | 903 |
---|
4071 | 00:40:12,560 --> 00:40:14,929 |
---|
4072 | o/~ VEGAS TO AFRICA o/~ |
---|
4073 | |
---|
4074 | 904 |
---|
4075 | 00:40:14,962 --> 00:40:16,147 |
---|
4076 | ABBS? |
---|
4077 | HMM? |
---|
4078 | |
---|
4079 | 905 |
---|
4080 | 00:40:16,147 --> 00:40:18,466 |
---|
4081 | YOU WANNA TAKE THE FIRST SHOT |
---|
4082 | AT NADIA? |
---|
4083 | |
---|
4084 | 906 |
---|
4085 | 00:40:18,549 --> 00:40:20,351 |
---|
4086 | SHE'S RIGHT BY |
---|
4087 | THE ICE SCULPTURE. |
---|
4088 | |
---|
4089 | 907 |
---|
4090 | 00:40:20,351 --> 00:40:22,053 |
---|
4091 | HMM. |
---|
4092 | |
---|
4093 | 908 |
---|
4094 | 00:40:22,053 --> 00:40:23,638 |
---|
4095 | CAN HARDLY TELL THE TWO APART. |
---|
4096 | |
---|
4097 | 909 |
---|
4098 | 00:40:23,671 --> 00:40:25,323 |
---|
4099 | (spritzes) |
---|
4100 | |
---|
4101 | 910 |
---|
4102 | 00:40:29,093 --> 00:40:31,062 |
---|
4103 | LOOKS JUST LIKE HER. |
---|
4104 | |
---|
4105 | 911 |
---|
4106 | 00:40:32,113 --> 00:40:33,414 |
---|
4107 | ABBY SAMPSON? |
---|
4108 | |
---|
4109 | 912 |
---|
4110 | 00:40:33,497 --> 00:40:36,217 |
---|
4111 | BRIDGET AND PRISCELLA. |
---|
4112 | UH, DALTON PREP? |
---|
4113 | |
---|
4114 | 913 |
---|
4115 | 00:40:36,300 --> 00:40:38,519 |
---|
4116 | UH, YEAH. THE WENTWORTH SISTERS. |
---|
4117 | |
---|
4118 | 914 |
---|
4119 | 00:40:38,603 --> 00:40:40,521 |
---|
4120 | SURE. HI. |
---|
4121 | |
---|
4122 | 915 |
---|
4123 | 00:40:40,605 --> 00:40:41,689 |
---|
4124 | IT'S BEEN, UH, |
---|
4125 | IT'S BEEN FOREVER. |
---|
4126 | |
---|
4127 | 916 |
---|
4128 | 00:40:41,722 --> 00:40:43,190 |
---|
4129 | (Priscella) YEAH, CUTE OUTFIT. |
---|
4130 | |
---|
4131 | 917 |
---|
4132 | 00:40:43,224 --> 00:40:45,092 |
---|
4133 | UH... |
---|
4134 | ARE YOU ONE OF THE SERVERS? |
---|
4135 | |
---|
4136 | 918 |
---|
4137 | 00:40:45,126 --> 00:40:46,427 |
---|
4138 | (laughs) |
---|
4139 | YEAH. |
---|
4140 | |
---|
4141 | 919 |
---|
4142 | 00:40:46,510 --> 00:40:48,129 |
---|
4143 | YEAH. RECESSION'S A BITCH, |
---|
4144 | YOU KNOW. |
---|
4145 | |
---|
4146 | 920 |
---|
4147 | 00:40:48,212 --> 00:40:51,499 |
---|
4148 | OH. CONSIDERING WHAT YOUR FATHER |
---|
4149 | DID, I'D CALL IT PAYBACK. |
---|
4150 | |
---|
4151 | 921 |
---|
4152 | 00:40:51,532 --> 00:40:54,619 |
---|
4153 | DO YOU KNOW HOW MUCH MONEY |
---|
4154 | HE SCREWED OUR UNCLE OUT OF? |
---|
4155 | |
---|
4156 | 922 |
---|
4157 | 00:40:54,619 --> 00:40:56,337 |
---|
4158 | UH, NO IDEA. |
---|
4159 | |
---|
4160 | 923 |
---|
4161 | 00:40:56,420 --> 00:40:58,506 |
---|
4162 | I, UH, I HAVEN'T SPOKEN |
---|
4163 | TO MY DAD IN... |
---|
4164 | (camera shutter clicks) |
---|
4165 | |
---|
4166 | 924 |
---|
4167 | 00:40:58,589 --> 00:41:00,791 |
---|
4168 | OH. THAT'S FOR MY FACEBOOK PAGE. |
---|
4169 | |
---|
4170 | 925 |
---|
4171 | 00:41:00,791 --> 00:41:02,593 |
---|
4172 | I'M SURE |
---|
4173 | ALL YOUR OLD DALTON FRIENDS |
---|
4174 | |
---|
4175 | 926 |
---|
4176 | 00:41:02,593 --> 00:41:04,795 |
---|
4177 | WOULD LOVE TO SEE |
---|
4178 | WHAT YOU'VE BEEN UP TO. |
---|
4179 | |
---|
4180 | 927 |
---|
4181 | 00:41:04,795 --> 00:41:06,914 |
---|
4182 | YEAH. |
---|
4183 | |
---|
4184 | 928 |
---|
4185 | 00:41:06,998 --> 00:41:07,915 |
---|
4186 | BLINI? |
---|
4187 | |
---|
4188 | 929 |
---|
4189 | 00:41:07,999 --> 00:41:10,785 |
---|
4190 | OOH! YEAH. |
---|
4191 | OH, SURE. |
---|
4192 | |
---|
4193 | 930 |
---|
4194 | 00:41:10,818 --> 00:41:11,919 |
---|
4195 | THANKS. |
---|
4196 | |
---|
4197 | 931 |
---|
4198 | 00:41:11,953 --> 00:41:13,137 |
---|
4199 | BYE. |
---|
4200 | |
---|
4201 | 932 |
---|
4202 | 00:41:13,137 --> 00:41:14,322 |
---|
4203 | YOU ARESOWELCOME. |
---|
4204 | |
---|
4205 | 933 |
---|
4206 | 00:41:17,925 --> 00:41:19,593 |
---|
4207 | NICE FRIENDS. |
---|
4208 | YEAH. |
---|
4209 | |
---|
4210 | 934 |
---|
4211 | 00:41:19,627 --> 00:41:20,594 |
---|
4212 | YOU ALL RIGHT? |
---|
4213 | |
---|
4214 | 935 |
---|
4215 | 00:41:20,628 --> 00:41:23,314 |
---|
4216 | I WILL BE |
---|
4217 | IN ABOUT 30 SECONDS. |
---|
4218 | |
---|
4219 | 936 |
---|
4220 | 00:41:23,314 --> 00:41:24,915 |
---|
4221 | OH, MY GOD. |
---|
4222 | |
---|
4223 | 937 |
---|
4224 | 00:41:24,915 --> 00:41:26,767 |
---|
4225 | (Abby) INSTANT EX-LAX. |
---|
4226 | |
---|
4227 | 938 |
---|
4228 | 00:41:26,851 --> 00:41:29,270 |
---|
4229 | WELL, AT LEAST WE KNOW |
---|
4230 | THE GUT JUICE WORKS. |
---|
4231 | |
---|
4232 | 939 |
---|
4233 | 00:41:29,353 --> 00:41:32,707 |
---|
4234 | NO WONDER GLORIA LIKED YOU. |
---|
4235 | |
---|
4236 | 940 |
---|
4237 | 00:41:35,376 --> 00:41:36,777 |
---|
4238 | (Abby) You're up next, Kate. |
---|
4239 | |
---|
4240 | 941 |
---|
4241 | 00:41:36,811 --> 00:41:38,362 |
---|
4242 | (spritzing) |
---|
4243 | |
---|
4244 | 942 |
---|
4245 | 00:41:40,781 --> 00:41:42,550 |
---|
4246 | HORS D'OEUVRE? |
---|
4247 | |
---|
4248 | 943 |
---|
4249 | 00:41:42,583 --> 00:41:45,152 |
---|
4250 | NO, THANK YOU. |
---|
4251 | |
---|
4252 | 944 |
---|
4253 | 00:41:45,186 --> 00:41:47,288 |
---|
4254 | WE MISSED OUR WINDOW. |
---|
4255 | |
---|
4256 | 945 |
---|
4257 | 00:41:47,371 --> 00:41:48,556 |
---|
4258 | TIME FOR PLAN "B." |
---|
4259 | |
---|
4260 | 946 |
---|
4261 | 00:41:48,589 --> 00:41:50,775 |
---|
4262 | AS IN, UH, PLAN BOSLEY? |
---|
4263 | |
---|
4264 | 947 |
---|
4265 | 00:41:50,775 --> 00:41:52,276 |
---|
4266 | (clears throat) |
---|
4267 | |
---|
4268 | 948 |
---|
4269 | 00:41:52,276 --> 00:41:54,478 |
---|
4270 | WHOA. WHOA, WHOA, WHOA. WE NEVER |
---|
4271 | FULLY DISCUSSED PLAN BOSLEY. |
---|
4272 | |
---|
4273 | 949 |
---|
4274 | 00:41:54,478 --> 00:41:57,398 |
---|
4275 | WELL, WE KNOW HER DEAL WITH |
---|
4276 | RODRIGO IS STRICTLY BUSINESS. |
---|
4277 | |
---|
4278 | 950 |
---|
4279 | 00:41:57,431 --> 00:41:59,817 |
---|
4280 | BUT CHARLIE'S INTEL |
---|
4281 | SUGGESTS SHE HAS |
---|
4282 | |
---|
4283 | 951 |
---|
4284 | 00:41:59,817 --> 00:42:02,303 |
---|
4285 | ahealthyappetite |
---|
4286 | for the opposite sex. |
---|
4287 | |
---|
4288 | 952 |
---|
4289 | 00:42:02,336 --> 00:42:05,206 |
---|
4290 | I'D SAY BOSLEY TRUMPS BELUGA |
---|
4291 | ANY DAY OF THE WEEK. |
---|
4292 | |
---|
4293 | 953 |
---|
4294 | 00:42:05,239 --> 00:42:07,975 |
---|
4295 | I'll meet you |
---|
4296 | at the catering truck. |
---|
4297 | |
---|
4298 | 954 |
---|
4299 | 00:42:08,009 --> 00:42:09,360 |
---|
4300 | ALL RIGHT. |
---|
4301 | |
---|
4302 | 955 |
---|
4303 | 00:42:09,393 --> 00:42:12,663 |
---|
4304 | o/~ |
---|
4305 | |
---|
4306 | 956 |
---|
4307 | 00:42:17,852 --> 00:42:20,321 |
---|
4308 | 287. |
---|
4309 | |
---|
4310 | 957 |
---|
4311 | 00:42:20,404 --> 00:42:22,523 |
---|
4312 | THAT'S THE TOTAL NUMBER |
---|
4313 | OF GUESTS. |
---|
4314 | |
---|
4315 | 958 |
---|
4316 | 00:42:22,606 --> 00:42:28,195 |
---|
4317 | 58 SERVERS, 29 BUSBOYS, |
---|
4318 | 16 VALETS, 2 ICE SCULPTURES, |
---|
4319 | |
---|
4320 | 959 |
---|
4321 | 00:42:28,229 --> 00:42:30,498 |
---|
4322 | AND ONE VERY BEAUTIFUL WOMAN. |
---|
4323 | |
---|
4324 | 960 |
---|
4325 | 00:42:30,531 --> 00:42:31,899 |
---|
4326 | (Russian accent) |
---|
4327 | WHAT ARE YOU? |
---|
4328 | |
---|
4329 | 961 |
---|
4330 | 00:42:31,932 --> 00:42:36,303 |
---|
4331 | DOCTOR, LAWYER, |
---|
4332 | INTERNET BILLIONAIRE? |
---|
4333 | |
---|
4334 | 962 |
---|
4335 | 00:42:36,337 --> 00:42:38,239 |
---|
4336 | STARVING GRAD STUDENT. |
---|
4337 | |
---|
4338 | 963 |
---|
4339 | 00:42:38,322 --> 00:42:39,623 |
---|
4340 | MY BUDDY'S |
---|
4341 | ONE OF THE CATERERS, |
---|
4342 | |
---|
4343 | 964 |
---|
4344 | 00:42:39,623 --> 00:42:41,742 |
---|
4345 | SO I TAGGED ALONG |
---|
4346 | FOR THE FREE FOOD |
---|
4347 | |
---|
4348 | 965 |
---|
4349 | 00:42:41,826 --> 00:42:45,112 |
---|
4350 | AND TO WATCH THE RICH AND FAMOUS |
---|
4351 | IN THEIR NATURAL HABITAT. |
---|
4352 | |
---|
4353 | 966 |
---|
4354 | 00:42:45,146 --> 00:42:49,650 |
---|
4355 | AND WHAT DO YOU THINK |
---|
4356 | OF THE WILDLIFE SO FAR? |
---|
4357 | |
---|
4358 | 967 |
---|
4359 | 00:42:49,734 --> 00:42:53,254 |
---|
4360 | JUST GOT MORE EXOTIC. |
---|
4361 | |
---|
4362 | 968 |
---|
4363 | 00:42:53,287 --> 00:42:56,924 |
---|
4364 | o/~ |
---|
4365 | |
---|
4366 | 969 |
---|
4367 | 00:42:58,142 --> 00:43:00,461 |
---|
4368 | GUYS, RODRIGO'S ON THE MOVE. |
---|
4369 | |
---|
4370 | 970 |
---|
4371 | 00:43:00,544 --> 00:43:02,763 |
---|
4372 | HE COULD BE LOOKING |
---|
4373 | FOR NADIA. |
---|
4374 | |
---|
4375 | 971 |
---|
4376 | 00:43:02,847 --> 00:43:06,200 |
---|
4377 | BOS, TIME TO PUT THE PARTY |
---|
4378 | ON WHEELS. |
---|
4379 | |
---|
4380 | 972 |
---|
4381 | 00:43:06,233 --> 00:43:08,102 |
---|
4382 | Get Nadia to the catering truck. |
---|
4383 | |
---|
4384 | 973 |
---|
4385 | 00:43:08,135 --> 00:43:10,087 |
---|
4386 | WHY DON'T WE FIND A PLACE |
---|
4387 | WITH A LITTLE MORE PRIVACY? |
---|
4388 | |
---|
4389 | 974 |
---|
4390 | 00:43:10,087 --> 00:43:14,508 |
---|
4391 | YEAH. THE GUEST HOUSE IS ON |
---|
4392 | THE OTHER END OF THE COMPOUND. |
---|
4393 | |
---|
4394 | 975 |
---|
4395 | 00:43:14,542 --> 00:43:16,594 |
---|
4396 | MY BUDDY'S CATERING TRUCK'S |
---|
4397 | RIGHT THERE. |
---|
4398 | |
---|
4399 | 976 |
---|
4400 | 00:43:16,594 --> 00:43:18,579 |
---|
4401 | (panting) |
---|
4402 | |
---|
4403 | 977 |
---|
4404 | 00:43:19,613 --> 00:43:21,382 |
---|
4405 | DOWN AND DIRTY'S |
---|
4406 | NOT MY STYLE. |
---|
4407 | |
---|
4408 | 978 |
---|
4409 | 00:43:21,415 --> 00:43:22,883 |
---|
4410 | (click) |
---|
4411 | |
---|
4412 | 979 |
---|
4413 | 00:43:22,967 --> 00:43:24,869 |
---|
4414 | OKAY. OKAY. NOT DOWN AND DIRTY. |
---|
4415 | WE'LL KEEP IT NICE AND CLEAN. |
---|
4416 | |
---|
4417 | 980 |
---|
4418 | 00:43:24,869 --> 00:43:27,388 |
---|
4419 | YOU HAVE FIVE SECONDS |
---|
4420 | TO TELL ME WHO YOU REALLY ARE. |
---|
4421 | |
---|
4422 | 981 |
---|
4423 | 00:43:27,471 --> 00:43:30,090 |
---|
4424 | FINE. |
---|
4425 | |
---|
4426 | 982 |
---|
4427 | 00:43:30,174 --> 00:43:31,325 |
---|
4428 | I'M A HEARTBREAKER. |
---|
4429 | |
---|
4430 | 983 |
---|
4431 | 00:43:31,358 --> 00:43:33,094 |
---|
4432 | UHH! |
---|
4433 | AHH. |
---|
4434 | |
---|
4435 | 984 |
---|
4436 | 00:43:33,127 --> 00:43:34,562 |
---|
4437 | (panting) |
---|
4438 | (groans) |
---|
4439 | |
---|
4440 | 985 |
---|
4441 | 00:43:34,595 --> 00:43:35,930 |
---|
4442 | NICE JOB, CASANOVA. |
---|
4443 | |
---|
4444 | 986 |
---|
4445 | 00:43:35,963 --> 00:43:37,231 |
---|
4446 | TOOK YOU LONG ENOUGH. |
---|
4447 | |
---|
4448 | 987 |
---|
4449 | 00:43:37,264 --> 00:43:39,800 |
---|
4450 | GUYS, I LOST RODRIGO. |
---|
4451 | |
---|
4452 | 988 |
---|
4453 | 00:43:39,834 --> 00:43:41,552 |
---|
4454 | (Abby) Never mind. |
---|
4455 | We got Nadia. |
---|
4456 | |
---|
4457 | 989 |
---|
4458 | 00:43:41,552 --> 00:43:43,571 |
---|
4459 | JUST GET CHANGED |
---|
4460 | AND GET THE HELL OUT OF THERE. |
---|
4461 | |
---|
4462 | 990 |
---|
4463 | 00:43:45,439 --> 00:43:46,640 |
---|
4464 | OH! (chuckles) SEE? |
---|
4465 | |
---|
4466 | 991 |
---|
4467 | 00:43:46,674 --> 00:43:50,010 |
---|
4468 | I KNEW THE DEVIL WOULD |
---|
4469 | GET ME EVENTUALLY. |
---|
4470 | |
---|
4471 | 992 |
---|
4472 | 00:43:55,599 --> 00:43:57,001 |
---|
4473 | EVE, WHERE ARE YOU? |
---|
4474 | |
---|
4475 | 993 |
---|
4476 | 00:43:57,001 --> 00:43:58,486 |
---|
4477 | COMING. |
---|
4478 | |
---|
4479 | 994 |
---|
4480 | 00:44:03,023 --> 00:44:05,609 |
---|
4481 | Eve, we have to move now. |
---|
4482 | |
---|
4483 | 995 |
---|
4484 | 00:44:05,609 --> 00:44:07,928 |
---|
4485 | I'M DELAYED. DON'T WAIT. |
---|
4486 | |
---|
4487 | 996 |
---|
4488 | 00:44:08,012 --> 00:44:11,031 |
---|
4489 | (sighs) LET'S GO. |
---|
4490 | |
---|
4491 | 997 |
---|
4492 | 00:44:20,291 --> 00:44:23,194 |
---|
4493 | I KEPT THAT AS A REMINDER |
---|
4494 | |
---|
4495 | 998 |
---|
4496 | 00:44:23,194 --> 00:44:25,996 |
---|
4497 | OF WHEN I LET TWO LITTLE GIRLS |
---|
4498 | GET AWAY. |
---|
4499 | |
---|
4500 | 999 |
---|
4501 | 00:44:29,700 --> 00:44:31,385 |
---|
4502 | YOU KILLED MY BEST FRIEND. |
---|
4503 | |
---|
4504 | 1000 |
---|
4505 | 00:44:31,418 --> 00:44:33,521 |
---|
4506 | IT WAS HER OWN FAULT. |
---|
4507 | |
---|
4508 | 1001 |
---|
4509 | 00:44:37,007 --> 00:44:38,926 |
---|
4510 | SHE SHOULD'VE |
---|
4511 | LEFT THE PAST ALONE. |
---|
4512 | |
---|
4513 | 1002 |
---|
4514 | 00:44:39,009 --> 00:44:40,895 |
---|
4515 | (radio chatter) |
---|
4516 | NADIA'S MISSING. |
---|
4517 | |
---|
4518 | 1003 |
---|
4519 | 00:44:44,515 --> 00:44:47,518 |
---|
4520 | YOUR PAST IS ABOUT TO |
---|
4521 | CATCH UP WITH YOU... |
---|
4522 | |
---|
4523 | 1004 |
---|
4524 | 00:44:47,518 --> 00:44:49,320 |
---|
4525 | PAJARO. |
---|
4526 | |
---|
4527 | 1005 |
---|
4528 | 00:44:49,320 --> 00:44:50,304 |
---|
4529 | HMM. |
---|
4530 | |
---|
4531 | 1006 |
---|
4532 | 00:44:53,974 --> 00:44:55,175 |
---|
4533 | OHH! |
---|
4534 | |
---|
4535 | 1007 |
---|
4536 | 00:44:55,209 --> 00:44:56,794 |
---|
4537 | (Kate) Eve, can you hear me? |
---|
4538 | |
---|
4539 | 1008 |
---|
4540 | 00:44:56,827 --> 00:44:59,113 |
---|
4541 | WHAT HAVE WE HERE? |
---|
4542 | |
---|
4543 | 1009 |
---|
4544 | 00:44:59,163 --> 00:45:01,315 |
---|
4545 | YOU'RE FULL OF SURPRISES. |
---|
4546 | |
---|
4547 | 1010 |
---|
4548 | 00:45:01,348 --> 00:45:02,533 |
---|
4549 | Eve, are you there? |
---|
4550 | |
---|
4551 | 1011 |
---|
4552 | 00:45:02,566 --> 00:45:03,551 |
---|
4553 | (snaps) |
---|
4554 | |
---|
4555 | 1012 |
---|
4556 | 00:45:03,584 --> 00:45:06,687 |
---|
4557 | (feedback whining) |
---|
4558 | AH! |
---|
4559 | |
---|
4560 | 1013 |
---|
4561 | 00:45:06,787 --> 00:45:15,846 |
---|
4562 | |
---|
4563 | |
---|
4564 | 1014 |
---|
4565 | 00:45:18,282 --> 00:45:19,550 |
---|
4566 | SO THE SHOW WENT LATE IN TULSA |
---|
4567 | |
---|
4568 | 1015 |
---|
4569 | 00:45:19,583 --> 00:45:20,918 |
---|
4570 | AND I WOKE UP IN |
---|
4571 | THE VAN IN OMAHA. |
---|
4572 | |
---|
4573 | 1016 |
---|
4574 | 00:45:20,968 --> 00:45:22,286 |
---|
4575 | THAT'S LIFE IN A BAND. |
---|
4576 | |
---|
4577 | 1017 |
---|
4578 | 00:45:22,319 --> 00:45:23,170 |
---|
4579 | GOT ONLINE AND GOT US |
---|
4580 | |
---|
4581 | 1018 |
---|
4582 | 00:45:23,203 --> 00:45:23,904 |
---|
4583 | TO THE NEXT GIG. |
---|
4584 | |
---|
4585 | 1019 |
---|
4586 | 00:45:23,938 --> 00:45:24,555 |
---|
4587 | SOUND CHECK, |
---|
4588 | |
---|
4589 | 1020 |
---|
4590 | 00:45:24,555 --> 00:45:25,539 |
---|
4591 | EQUIPMENT CHECK, |
---|
4592 | |
---|
4593 | 1021 |
---|
4594 | 00:45:25,573 --> 00:45:27,007 |
---|
4595 | TWEAKED THE T-SHIRT |
---|
4596 | DESIGNS. NICE. |
---|
4597 | |
---|
4598 | 1022 |
---|
4599 | 00:45:27,041 --> 00:45:29,877 |
---|
4600 | SHOWTIME. SMALL PLACE, |
---|
4601 | MASSIVE CROWD. |
---|
4602 | |
---|
4603 | 1023 |
---|
4604 | 00:45:29,910 --> 00:45:32,029 |
---|
4605 | THEY SEEMED INTO IT EXCEPT |
---|
4606 | FOR THE GUY THROWING STUFF. |
---|
4607 | |
---|
4608 | 1024 |
---|
4609 | 00:45:32,062 --> 00:45:33,264 |
---|
4610 | MORON. |
---|
4611 | |
---|
4612 | 1025 |
---|
4613 | 00:45:33,297 --> 00:45:35,165 |
---|
4614 | LAPTOP FELL BUT DIDN'T |
---|
4615 | CRASH. GOOD THING. |
---|
4616 | |
---|
4617 | 1026 |
---|
4618 | 00:45:35,199 --> 00:45:36,050 |
---|
4619 | WE KILLED IT. |
---|
4620 | |
---|
4621 | 1027 |
---|
4622 | 00:45:36,083 --> 00:45:37,384 |
---|
4623 | PICKED UP A FEW NEW FANS. |
---|
4624 | |
---|
4625 | 1028 |
---|
4626 | 00:45:37,468 --> 00:45:38,619 |
---|
4627 | SHOW ENDED BUT |
---|
4628 | THE NIGHT DIDN'T. |
---|
4629 | |
---|
4630 | 1029 |
---|
4631 | 00:45:38,652 --> 00:45:40,571 |
---|
4632 | WE DROVE A FEW HOURS |
---|
4633 | BEFORE CAMPING OUT |
---|
4634 | |
---|
4635 | 1030 |
---|
4636 | 00:45:40,571 --> 00:45:42,473 |
---|
4637 | THEN WATCHED THE FIRST |
---|
4638 | CUT OF OUR FIRST VIDEO. |
---|
4639 | |
---|
4640 | 1031 |
---|
4641 | 00:45:42,473 --> 00:45:43,390 |
---|
4642 | NOT A BAD DAY. |
---|
4643 | |
---|
4644 | 1032 |
---|
4645 | 00:45:43,424 --> 00:45:45,876 |
---|
4646 | LENOVO. FOR THOSE WHO DO. |
---|
4647 | |
---|
4648 | 1033 |
---|
4649 | 00:45:45,976 --> 00:45:45,993 |
---|
4650 | VO |
---|
4651 | |
---|
4652 | 1034 |
---|
4653 | 00:45:45,993 --> 00:45:46,076 |
---|
4654 | VO: |
---|
4655 | |
---|
4656 | 1035 |
---|
4657 | 00:45:46,076 --> 00:45:46,093 |
---|
4658 | VO: It's |
---|
4659 | |
---|
4660 | 1036 |
---|
4661 | 00:45:46,093 --> 00:45:46,176 |
---|
4662 | VO: It's O |
---|
4663 | |
---|
4664 | 1037 |
---|
4665 | 00:45:46,176 --> 00:45:46,193 |
---|
4666 | VO: It's Old N |
---|
4667 | |
---|
4668 | 1038 |
---|
4669 | 00:45:46,193 --> 00:45:46,277 |
---|
4670 | VO: It's Old Nav |
---|
4671 | |
---|
4672 | 1039 |
---|
4673 | 00:45:46,277 --> 00:45:46,293 |
---|
4674 | VO: It's Old Navy's |
---|
4675 | |
---|
4676 | 1040 |
---|
4677 | 00:45:46,293 --> 00:45:46,360 |
---|
4678 | VO: It's Old Navy's St |
---|
4679 | |
---|
4680 | 1041 |
---|
4681 | 00:45:46,360 --> 00:45:46,393 |
---|
4682 | VO: It's Old Navy's Stor |
---|
4683 | |
---|
4684 | 1042 |
---|
4685 | 00:45:46,393 --> 00:45:46,427 |
---|
4686 | VO: It's Old Navy's Storew |
---|
4687 | |
---|
4688 | 1043 |
---|
4689 | 00:45:46,427 --> 00:45:46,460 |
---|
4690 | VO: It's Old Navy's Storewid |
---|
4691 | |
---|
4692 | 1044 |
---|
4693 | 00:45:46,460 --> 00:45:46,527 |
---|
4694 | VO: It's Old Navy's Storewide |
---|
4695 | |
---|
4696 | 1045 |
---|
4697 | 00:45:46,527 --> 00:45:46,560 |
---|
4698 | VO: It's Old Navy's Storewide |
---|
4699 | Bu |
---|
4700 | |
---|
4701 | 1046 |
---|
4702 | 00:45:46,560 --> 00:45:46,594 |
---|
4703 | VO: It's Old Navy's Storewide |
---|
4704 | Buy |
---|
4705 | |
---|
4706 | 1047 |
---|
4707 | 00:45:46,594 --> 00:45:46,627 |
---|
4708 | VO: It's Old Navy's Storewide |
---|
4709 | Buy On |
---|
4710 | |
---|
4711 | 1048 |
---|
4712 | 00:45:46,627 --> 00:45:46,660 |
---|
4713 | VO: It's Old Navy's Storewide |
---|
4714 | Buy One |
---|
4715 | |
---|
4716 | 1049 |
---|
4717 | 00:45:46,660 --> 00:45:46,694 |
---|
4718 | VO: It's Old Navy's Storewide |
---|
4719 | Buy One Ge |
---|
4720 | |
---|
4721 | 1050 |
---|
4722 | 00:45:46,694 --> 00:45:46,727 |
---|
4723 | VO: It's Old Navy's Storewide |
---|
4724 | Buy One Get |
---|
4725 | |
---|
4726 | 1051 |
---|
4727 | 00:45:46,727 --> 00:45:46,760 |
---|
4728 | VO: It's Old Navy's Storewide |
---|
4729 | Buy One Get On |
---|
4730 | |
---|
4731 | 1052 |
---|
4732 | 00:45:46,760 --> 00:45:46,794 |
---|
4733 | VO: It's Old Navy's Storewide |
---|
4734 | Buy One Get One |
---|
4735 | |
---|
4736 | 1053 |
---|
4737 | 00:45:46,794 --> 00:45:46,827 |
---|
4738 | VO: It's Old Navy's Storewide |
---|
4739 | Buy One Get One 75 |
---|
4740 | |
---|
4741 | 1054 |
---|
4742 | 00:45:46,827 --> 00:45:46,877 |
---|
4743 | VO: It's Old Navy's Storewide |
---|
4744 | Buy One Get One 75% |
---|
4745 | |
---|
4746 | 1055 |
---|
4747 | 00:45:46,877 --> 00:45:48,862 |
---|
4748 | VO: It's Old Navy's Storewide |
---|
4749 | Buy One Get One 75% Off! |
---|
4750 | |
---|
4751 | 1056 |
---|
4752 | 00:45:48,963 --> 00:45:49,863 |
---|
4753 | Buy something! |
---|
4754 | |
---|
4755 | 1057 |
---|
4756 | 00:45:49,964 --> 00:45:52,366 |
---|
4757 | And get another |
---|
4758 | something 75% Off! |
---|
4759 | |
---|
4760 | 1058 |
---|
4761 | 00:45:52,466 --> 00:45:55,536 |
---|
4762 | Sale ends Sunday. So BO GO |
---|
4763 | before this deal is BO GONE! |
---|
4764 | |
---|
4765 | 1059 |
---|
4766 | 00:45:55,636 --> 00:45:57,688 |
---|
4767 | It's Buy One Get One 75% Off! |
---|
4768 | |
---|
4769 | 1060 |
---|
4770 | 00:46:46,070 --> 00:46:46,086 |
---|
4771 | Cap |
---|
4772 | |
---|
4773 | 1061 |
---|
4774 | 00:46:46,086 --> 00:46:46,170 |
---|
4775 | Capit |
---|
4776 | |
---|
4777 | 1062 |
---|
4778 | 00:46:46,170 --> 00:46:46,186 |
---|
4779 | Capital O |
---|
4780 | |
---|
4781 | 1063 |
---|
4782 | 00:46:46,186 --> 00:46:46,270 |
---|
4783 | Capital One |
---|
4784 | |
---|
4785 | 1064 |
---|
4786 | 00:46:46,270 --> 00:46:46,287 |
---|
4787 | Capital One's N |
---|
4788 | |
---|
4789 | 1065 |
---|
4790 | 00:46:46,287 --> 00:46:46,387 |
---|
4791 | Capital One's NEW |
---|
4792 | |
---|
4793 | 1066 |
---|
4794 | 00:46:46,387 --> 00:46:46,470 |
---|
4795 | Capital One's NEW |
---|
4796 | Ca |
---|
4797 | |
---|
4798 | 1067 |
---|
4799 | 00:46:46,470 --> 00:46:46,487 |
---|
4800 | Capital One's NEW |
---|
4801 | Cash R |
---|
4802 | |
---|
4803 | 1068 |
---|
4804 | 00:46:46,487 --> 00:46:46,570 |
---|
4805 | Capital One's NEW |
---|
4806 | Cash Rew |
---|
4807 | |
---|
4808 | 1069 |
---|
4809 | 00:46:46,570 --> 00:46:46,587 |
---|
4810 | Capital One's NEW |
---|
4811 | Cash Rewards |
---|
4812 | |
---|
4813 | 1070 |
---|
4814 | 00:46:46,587 --> 00:46:46,670 |
---|
4815 | Capital One's NEW |
---|
4816 | Cash Rewards C |
---|
4817 | |
---|
4818 | 1071 |
---|
4819 | 00:46:46,670 --> 00:46:47,755 |
---|
4820 | Capital One's NEW |
---|
4821 | Cash Rewards Card |
---|
4822 | |
---|
4823 | 1072 |
---|
4824 | 00:46:47,755 --> 00:46:49,490 |
---|
4825 | GIVES YOU A 50 PERCENT |
---|
4826 | ANNUAL BONUS. |
---|
4827 | |
---|
4828 | 1073 |
---|
4829 | 00:46:49,490 --> 00:46:51,959 |
---|
4830 | SO YOU EARN 50 PERCENT |
---|
4831 | MORE CASH. |
---|
4832 | |
---|
4833 | 1074 |
---|
4834 | 00:46:51,959 --> 00:46:55,112 |
---|
4835 | IF YOU'RE NOT SATISFIED WITH 50% |
---|
4836 | MORE CASH, SEND IT BACK! |
---|
4837 | |
---|
4838 | 1075 |
---|
4839 | 00:46:55,112 --> 00:46:57,231 |
---|
4840 | I'LL BE RIGHT HERE, |
---|
4841 | WAITING FOR IT. |
---|
4842 | |
---|
4843 | 1076 |
---|
4844 | 00:46:57,231 --> 00:46:59,733 |
---|
4845 | WHO WOULDN'T WANT MORE CASH? |
---|
4846 | |
---|
4847 | 1077 |
---|
4848 | 00:46:59,733 --> 00:47:00,734 |
---|
4849 | [ insects chirping ] |
---|
4850 | |
---|
4851 | 1078 |
---|
4852 | 00:47:00,734 --> 00:47:01,969 |
---|
4853 | I'LL TAKE IT. |
---|
4854 | |
---|
4855 | 1079 |
---|
4856 | 00:47:01,969 --> 00:47:04,355 |
---|
4857 | I'LL MAKE IT RAIN UP IN HERE. |
---|
4858 | |
---|
4859 | 1080 |
---|
4860 | 00:47:04,355 --> 00:47:06,507 |
---|
4861 | [ Male Announcer ] THE NEW |
---|
4862 | Capital One Cash Rewards Card. |
---|
4863 | |
---|
4864 | 1081 |
---|
4865 | 00:47:06,507 --> 00:47:10,044 |
---|
4866 | THE CARD FOR PEOPLE |
---|
4867 | WHO WANT 50% MORE CASH. |
---|
4868 | |
---|
4869 | 1082 |
---|
4870 | 00:47:10,044 --> 00:47:11,829 |
---|
4871 | WHAT'S IN YOUR WALLET? |
---|
4872 | |
---|
4873 | 1083 |
---|
4874 | 00:47:11,829 --> 00:47:13,931 |
---|
4875 | SORRY I'LL CLEAN THIS UP. |
---|
4876 | |
---|
4877 | 1084 |
---|
4878 | 00:47:13,931 --> 00:47:15,632 |
---|
4879 | SHOULDN'T HAVE MADE IT RAIN. |
---|
4880 | |
---|
4881 | 1085 |
---|
4882 | 00:47:16,016 --> 00:47:16,133 |
---|
4883 | |
---|
4884 | |
---|
4885 | 1086 |
---|
4886 | 00:47:16,133 --> 00:47:16,233 |
---|
4887 | o/~ |
---|
4888 | |
---|
4889 | 1087 |
---|
4890 | 00:47:16,233 --> 00:47:18,936 |
---|
4891 | o/~ o/~ |
---|
4892 | |
---|
4893 | 1088 |
---|
4894 | 00:47:18,936 --> 00:47:22,906 |
---|
4895 | o/~ HANDS, SHOULDERS, KNEES |
---|
4896 | AND TOES o/~ |
---|
4897 | |
---|
4898 | 1089 |
---|
4899 | 00:47:22,906 --> 00:47:27,227 |
---|
4900 | o/~ THIGHS AND HEELS, HIPS, ANKLES |
---|
4901 | AND ELBOWS o/~ |
---|
4902 | |
---|
4903 | 1090 |
---|
4904 | 00:47:27,227 --> 00:47:29,063 |
---|
4905 | o/~ HANDS, SHOULDERS, KNEES |
---|
4906 | AND TOES o/~ |
---|
4907 | |
---|
4908 | 1091 |
---|
4909 | 00:47:29,063 --> 00:47:30,447 |
---|
4910 | [ Female Announcer ] YOUR SKIN |
---|
4911 | |
---|
4912 | 1092 |
---|
4913 | 00:47:30,447 --> 00:47:32,066 |
---|
4914 | WILL LOVE THE FRESH FEEL |
---|
4915 | OF THE 100% NATURAL, |
---|
4916 | |
---|
4917 | 1093 |
---|
4918 | 00:47:32,066 --> 00:47:34,668 |
---|
4919 | NON-GREASY |
---|
4920 | MOISTURIZERS |
---|
4921 | |
---|
4922 | 1094 |
---|
4923 | 00:47:34,668 --> 00:47:36,036 |
---|
4924 | IN ST. IVES LOTIONS. |
---|
4925 | |
---|
4926 | 1095 |
---|
4927 | 00:47:36,036 --> 00:47:37,054 |
---|
4928 | THEY INSTANTLY HELP HEAL, |
---|
4929 | |
---|
4930 | 1096 |
---|
4931 | 00:47:37,054 --> 00:47:38,305 |
---|
4932 | SEAL AND SOOTHE |
---|
4933 | |
---|
4934 | 1097 |
---|
4935 | 00:47:38,305 --> 00:47:40,174 |
---|
4936 | EVEN THE DRIEST SKIN, |
---|
4937 | |
---|
4938 | 1098 |
---|
4939 | 00:47:40,174 --> 00:47:41,358 |
---|
4940 | FROM HEAD TO TOE. |
---|
4941 | |
---|
4942 | 1099 |
---|
4943 | 00:47:41,358 --> 00:47:42,643 |
---|
4944 | ST. IVES. FRESH. |
---|
4945 | |
---|
4946 | 1100 |
---|
4947 | 00:47:42,643 --> 00:47:43,660 |
---|
4948 | BETTER. |
---|
4949 | |
---|
4950 | 1101 |
---|
4951 | 00:47:43,660 --> 00:47:45,179 |
---|
4952 | NATURALLY. |
---|
4953 | |
---|
4954 | 1102 |
---|
4955 | 00:47:46,196 --> 00:47:46,296 |
---|
4956 | |
---|
4957 | |
---|
4958 | 1103 |
---|
4959 | 00:47:46,363 --> 00:47:46,397 |
---|
4960 | BR |
---|
4961 | |
---|
4962 | 1104 |
---|
4963 | 00:47:46,397 --> 00:47:46,430 |
---|
4964 | BRAD |
---|
4965 | |
---|
4966 | 1105 |
---|
4967 | 00:47:46,430 --> 00:47:46,463 |
---|
4968 | BRAD, |
---|
4969 | |
---|
4970 | 1106 |
---|
4971 | 00:47:46,463 --> 00:47:46,497 |
---|
4972 | BRAD, WH |
---|
4973 | |
---|
4974 | 1107 |
---|
4975 | 00:47:46,497 --> 00:47:46,530 |
---|
4976 | BRAD, WHER |
---|
4977 | |
---|
4978 | 1108 |
---|
4979 | 00:47:46,530 --> 00:47:46,563 |
---|
4980 | BRAD, WHERE |
---|
4981 | |
---|
4982 | 1109 |
---|
4983 | 00:47:46,563 --> 00:47:46,597 |
---|
4984 | BRAD, WHERE WE |
---|
4985 | |
---|
4986 | 1110 |
---|
4987 | 00:47:46,597 --> 00:47:46,630 |
---|
4988 | BRAD, WHERE WE G |
---|
4989 | |
---|
4990 | 1111 |
---|
4991 | 00:47:46,630 --> 00:47:46,647 |
---|
4992 | BRAD, WHERE WE GOI |
---|
4993 | |
---|
4994 | 1112 |
---|
4995 | 00:47:46,647 --> 00:47:46,680 |
---|
4996 | BRAD, WHERE WE GOING |
---|
4997 | |
---|
4998 | 1113 |
---|
4999 | 00:47:46,680 --> 00:47:47,848 |
---|
5000 | BRAD, WHERE WE GOING? |
---|
5001 | |
---|
5002 | 1114 |
---|
5003 | 00:47:47,931 --> 00:47:50,217 |
---|
5004 | JUST A SECOND. |
---|
5005 | JUST, JUST ONE SECOND. |
---|
5006 | |
---|
5007 | 1115 |
---|
5008 | 00:47:50,250 --> 00:47:51,719 |
---|
5009 | o/~ o/~ |
---|
5010 | |
---|
5011 | 1116 |
---|
5012 | 00:47:51,752 --> 00:47:53,020 |
---|
5013 | WHAT ARE YOU LOOKING AT? |
---|
5014 | DON'T LOOK UP THERE. |
---|
5015 | |
---|
5016 | 1117 |
---|
5017 | 00:47:53,053 --> 00:47:54,621 |
---|
5018 | WHY ARE YOU LOOKING UP? |
---|
5019 | |
---|
5020 | 1118 |
---|
5021 | 00:47:54,705 --> 00:47:56,990 |
---|
5022 | o/~ o/~ |
---|
5023 | |
---|
5024 | 1119 |
---|
5025 | 00:47:57,024 --> 00:47:59,393 |
---|
5026 | GET OUTTA THE CAR. |
---|
5027 | |
---|
5028 | 1120 |
---|
5029 | 00:47:59,426 --> 00:48:00,828 |
---|
5030 | GET OUTTA THE CAR. |
---|
5031 | |
---|
5032 | 1121 |
---|
5033 | 00:48:00,911 --> 00:48:05,449 |
---|
5034 | o/~ o/~ |
---|
5035 | |
---|
5036 | 1122 |
---|
5037 | 00:48:05,449 --> 00:48:06,667 |
---|
5038 | ARE YOU OK? |
---|
5039 | |
---|
5040 | 1123 |
---|
5041 | 00:48:06,750 --> 00:48:08,452 |
---|
5042 | THE... |
---|
5043 | |
---|
5044 | 1124 |
---|
5045 | 00:48:08,452 --> 00:48:10,537 |
---|
5046 | GET IN THE CAR. |
---|
5047 | GET IN THE CAR! |
---|
5048 | |
---|
5049 | 1125 |
---|
5050 | 00:48:10,571 --> 00:48:12,840 |
---|
5051 | [ Male Announcer ] THE EPA |
---|
5052 | ESTIMATED 42 MPG HIGHWAY |
---|
5053 | |
---|
5054 | 1126 |
---|
5055 | 00:48:12,873 --> 00:48:14,475 |
---|
5056 | CHEVY CRUZE ECO. |
---|
5057 | |
---|
5058 | 1127 |
---|
5059 | 00:48:14,558 --> 00:48:31,892 |
---|
5060 | FOR WHEREVER LIFE TAKES YOU. |
---|
5061 | |
---|
5062 | 1128 |
---|
5063 | 00:49:36,156 --> 00:49:36,240 |
---|
5064 | |
---|
5065 | |
---|
5066 | 1129 |
---|
5067 | 00:49:38,458 --> 00:49:40,027 |
---|
5068 | ONCE I BRING THE ICE PRINCESS |
---|
5069 | OUT OF SLEEP MODE, |
---|
5070 | |
---|
5071 | 1130 |
---|
5072 | 00:49:40,060 --> 00:49:41,695 |
---|
5073 | SHE'S ALL YOURS, DETECTIVE. |
---|
5074 | |
---|
5075 | 1131 |
---|
5076 | 00:49:41,778 --> 00:49:42,830 |
---|
5077 | (inhales deeply) |
---|
5078 | |
---|
5079 | 1132 |
---|
5080 | 00:49:42,913 --> 00:49:43,897 |
---|
5081 | (gasps) |
---|
5082 | |
---|
5083 | 1133 |
---|
5084 | 00:49:43,981 --> 00:49:44,965 |
---|
5085 | HI. |
---|
5086 | |
---|
5087 | 1134 |
---|
5088 | 00:49:44,998 --> 00:49:45,966 |
---|
5089 | EASY. |
---|
5090 | |
---|
5091 | 1135 |
---|
5092 | 00:49:45,999 --> 00:49:47,468 |
---|
5093 | (panting) |
---|
5094 | |
---|
5095 | 1136 |
---|
5096 | 00:49:47,501 --> 00:49:49,586 |
---|
5097 | THE CAPTAIN HASN'T TURNED OFF |
---|
5098 | THE "FASTEN SEAT BELT" SIGN. |
---|
5099 | |
---|
5100 | 1137 |
---|
5101 | 00:49:49,586 --> 00:49:51,405 |
---|
5102 | WHERE ARE YOU TAKING ME? |
---|
5103 | |
---|
5104 | 1138 |
---|
5105 | 00:49:51,488 --> 00:49:53,907 |
---|
5106 | YOU'RE 25,000 FEET |
---|
5107 | ABOVE THE ATLANTIC |
---|
5108 | |
---|
5109 | 1139 |
---|
5110 | 00:49:53,991 --> 00:49:56,310 |
---|
5111 | EN ROUTE TO ST. PETERSBURG. |
---|
5112 | |
---|
5113 | 1140 |
---|
5114 | 00:49:56,393 --> 00:49:57,978 |
---|
5115 | RIPPING OFF A RUSSIAN CRIME BOSS |
---|
5116 | |
---|
5117 | 1141 |
---|
5118 | 00:49:58,011 --> 00:50:00,397 |
---|
5119 | WASN'T EXACTLY |
---|
5120 | THE SMARTEST IDEA. |
---|
5121 | |
---|
5122 | 1142 |
---|
5123 | 00:50:00,397 --> 00:50:02,416 |
---|
5124 | PETROVSKI SENT YOU? |
---|
5125 | |
---|
5126 | 1143 |
---|
5127 | 00:50:07,104 --> 00:50:11,708 |
---|
5128 | THESE DAYS, HE HIRES |
---|
5129 | PRETTY GIRLS TO DO A MAN'S JOB. |
---|
5130 | |
---|
5131 | 1144 |
---|
5132 | 00:50:11,708 --> 00:50:14,294 |
---|
5133 | YOU HEAR THAT, ABBS? |
---|
5134 | |
---|
5135 | 1145 |
---|
5136 | 00:50:14,411 --> 00:50:16,196 |
---|
5137 | SHE CALLED US PRETTY. |
---|
5138 | |
---|
5139 | 1146 |
---|
5140 | 00:50:16,230 --> 00:50:18,131 |
---|
5141 | SUCH A SWEETHEART. |
---|
5142 | |
---|
5143 | 1147 |
---|
5144 | 00:50:18,215 --> 00:50:20,817 |
---|
5145 | WHATEVER HE'S PAYING YOU, |
---|
5146 | |
---|
5147 | 1148 |
---|
5148 | 00:50:20,817 --> 00:50:22,502 |
---|
5149 | I'LL DOUBLE IT. |
---|
5150 | |
---|
5151 | 1149 |
---|
5152 | 00:50:24,621 --> 00:50:25,873 |
---|
5153 | SO TURN THE PLANE AROUND. |
---|
5154 | |
---|
5155 | 1150 |
---|
5156 | 00:50:27,941 --> 00:50:32,479 |
---|
5157 | RODRIGO GRABBED ONE OF OUR TEAM. |
---|
5158 | WHERE WOULD HE TAKE HER? |
---|
5159 | |
---|
5160 | 1151 |
---|
5161 | 00:50:34,398 --> 00:50:37,417 |
---|
5162 | AS SOON AS WE LAND IN MIAMI, |
---|
5163 | |
---|
5164 | 1152 |
---|
5165 | 00:50:37,501 --> 00:50:39,002 |
---|
5166 | I'LL TELL YOU. |
---|
5167 | |
---|
5168 | 1153 |
---|
5169 | 00:50:39,002 --> 00:50:41,121 |
---|
5170 | YOU'RE LYING. |
---|
5171 | |
---|
5172 | 1154 |
---|
5173 | 00:50:41,205 --> 00:50:42,873 |
---|
5174 | SHE'LL BE DEAD BY THEN. |
---|
5175 | |
---|
5176 | 1155 |
---|
5177 | 00:50:42,906 --> 00:50:46,093 |
---|
5178 | IT'S MY BEST OFFER. |
---|
5179 | |
---|
5180 | 1156 |
---|
5181 | 00:50:49,746 --> 00:50:52,232 |
---|
5182 | HERE'S SOME |
---|
5183 | IN-FLIGHT ENTERTAINMENT. |
---|
5184 | |
---|
5185 | 1157 |
---|
5186 | 00:50:52,266 --> 00:50:55,352 |
---|
5187 | IT'S A HOME MOVIE OF THE LAST |
---|
5188 | GUY WHO CROSSED PETROVSKI. |
---|
5189 | |
---|
5190 | 1158 |
---|
5191 | 00:50:55,352 --> 00:50:56,753 |
---|
5192 | HOPE YOU'RE NOT SQUEAMISH. |
---|
5193 | |
---|
5194 | 1159 |
---|
5195 | 00:50:56,753 --> 00:50:58,855 |
---|
5196 | (man screaming, gunshots) |
---|
5197 | |
---|
5198 | 1160 |
---|
5199 | 00:50:58,855 --> 00:51:00,240 |
---|
5200 | (scoffs) NOW THAT GUY |
---|
5201 | IS AN ARTIST |
---|
5202 | |
---|
5203 | 1161 |
---|
5204 | 00:51:00,274 --> 00:51:01,542 |
---|
5205 | WITH A NAIL GUN. |
---|
5206 | |
---|
5207 | 1162 |
---|
5208 | 00:51:01,575 --> 00:51:04,278 |
---|
5209 | (screaming continues) |
---|
5210 | |
---|
5211 | 1163 |
---|
5212 | 00:51:04,361 --> 00:51:07,481 |
---|
5213 | YOU THINK THAT SCARES ME? |
---|
5214 | HMM? |
---|
5215 | |
---|
5216 | 1164 |
---|
5217 | 00:51:07,514 --> 00:51:11,418 |
---|
5218 | WELL, YOU SHOULD HEAR |
---|
5219 | WHAT HE HAS IN STORE FOR YOU. |
---|
5220 | |
---|
5221 | 1165 |
---|
5222 | 00:51:11,501 --> 00:51:13,904 |
---|
5223 | (sighs) IF IT MAKES YOU |
---|
5224 | FEEL ANY BETTER, |
---|
5225 | |
---|
5226 | 1166 |
---|
5227 | 00:51:13,904 --> 00:51:17,507 |
---|
5228 | HE'S ALL BENT UP ABOUT HAVING |
---|
5229 | TO KILL HIS LITTLE BABUSHKA. |
---|
5230 | |
---|
5231 | 1167 |
---|
5232 | 00:51:17,507 --> 00:51:19,092 |
---|
5233 | ISN'T THAT WHAT HE USED |
---|
5234 | TO CALL YOU? |
---|
5235 | |
---|
5236 | 1168 |
---|
5237 | 00:51:19,126 --> 00:51:21,094 |
---|
5238 | HOW DID YOU KNOW THAT? |
---|
5239 | |
---|
5240 | 1169 |
---|
5241 | 00:51:23,847 --> 00:51:27,451 |
---|
5242 | (speaks Russian) |
---|
5243 | |
---|
5244 | 1170 |
---|
5245 | 00:51:30,971 --> 00:51:33,257 |
---|
5246 | ENJOY YOUR FLIGHT. |
---|
5247 | |
---|
5248 | 1171 |
---|
5249 | 00:51:33,290 --> 00:51:35,842 |
---|
5250 | OH, WAIT. |
---|
5251 | |
---|
5252 | 1172 |
---|
5253 | 00:51:37,628 --> 00:51:41,014 |
---|
5254 | FLAMINGO BOAT YARD. |
---|
5255 | |
---|
5256 | 1173 |
---|
5257 | 00:51:41,048 --> 00:51:43,634 |
---|
5258 | HE WOULD HAVE TAKEN |
---|
5259 | YOUR FRIENDS THERE. |
---|
5260 | |
---|
5261 | 1174 |
---|
5262 | 00:51:43,634 --> 00:51:46,236 |
---|
5263 | OKAY, BOS, IT'S TIME TO BAIL. |
---|
5264 | |
---|
5265 | 1175 |
---|
5266 | 00:51:49,306 --> 00:51:51,975 |
---|
5267 | DON'T OPEN THAT DOOR! |
---|
5268 | ARE YOU INSANE? |
---|
5269 | |
---|
5270 | 1176 |
---|
5271 | 00:51:57,798 --> 00:51:59,800 |
---|
5272 | (gasps) |
---|
5273 | |
---|
5274 | 1177 |
---|
5275 | 00:51:59,883 --> 00:52:02,436 |
---|
5276 | HEY, RELAX. |
---|
5277 | |
---|
5278 | 1178 |
---|
5279 | 00:52:02,469 --> 00:52:04,037 |
---|
5280 | AT LEAST |
---|
5281 | YOU'RE NOT IN COACH. |
---|
5282 | |
---|
5283 | 1179 |
---|
5284 | 00:52:09,126 --> 00:52:11,278 |
---|
5285 | (mouths words) |
---|
5286 | |
---|
5287 | 1180 |
---|
5288 | 00:52:21,688 --> 00:52:23,423 |
---|
5289 | WHO TOOK NADIA? |
---|
5290 | |
---|
5291 | 1181 |
---|
5292 | 00:52:23,457 --> 00:52:25,375 |
---|
5293 | TELL ME WHERE |
---|
5294 | THEY TOOK NADIA. |
---|
5295 | |
---|
5296 | 1182 |
---|
5297 | 00:52:25,375 --> 00:52:28,395 |
---|
5298 | WHO TOOK NADIA?! |
---|
5299 | (electricity crackles) |
---|
5300 | |
---|
5301 | 1183 |
---|
5302 | 00:52:28,428 --> 00:52:30,564 |
---|
5303 | (screaming) |
---|
5304 | |
---|
5305 | 1184 |
---|
5306 | 00:52:30,597 --> 00:52:32,783 |
---|
5307 | YOU HAD ENOUGH? HMM? |
---|
5308 | |
---|
5309 | 1185 |
---|
5310 | 00:52:32,783 --> 00:52:34,501 |
---|
5311 | (panting) |
---|
5312 | |
---|
5313 | 1186 |
---|
5314 | 00:52:34,584 --> 00:52:38,672 |
---|
5315 | JUST... GETTING... |
---|
5316 | WARMED... UP. |
---|
5317 | |
---|
5318 | 1187 |
---|
5319 | 00:52:38,705 --> 00:52:42,376 |
---|
5320 | (laughs) |
---|
5321 | JUST GETTING WARMED UP. |
---|
5322 | |
---|
5323 | 1188 |
---|
5324 | 00:52:51,702 --> 00:52:54,488 |
---|
5325 | OH, MY GOD. LOOK. |
---|
5326 | |
---|
5327 | 1189 |
---|
5328 | 00:52:54,521 --> 00:52:57,157 |
---|
5329 | THIS IS WHERE RODRIGO MUST BE |
---|
5330 | STORING THE GIRLS HE TRAFFICS. |
---|
5331 | |
---|
5332 | 1190 |
---|
5333 | 00:52:57,190 --> 00:52:59,092 |
---|
5334 | (Eve screaming, |
---|
5335 | Rodrigo shouting indistinctly) |
---|
5336 | |
---|
5337 | 1191 |
---|
5338 | 00:52:59,176 --> 00:53:02,162 |
---|
5339 | EVE'S RUNNING OUT OF TIME. |
---|
5340 | WE GOTTA MOVE NOW. |
---|
5341 | |
---|
5342 | 1192 |
---|
5343 | 00:53:02,195 --> 00:53:05,515 |
---|
5344 | NEW PLAN. YOU GET THE GIRLS. |
---|
5345 | I'LL GET EVE. GO. |
---|
5346 | |
---|
5347 | 1193 |
---|
5348 | 00:53:05,515 --> 00:53:08,018 |
---|
5349 | UHH! |
---|
5350 | AAH! |
---|
5351 | |
---|
5352 | 1194 |
---|
5353 | 00:53:08,018 --> 00:53:09,836 |
---|
5354 | WHO TOOK NADIA?! |
---|
5355 | |
---|
5356 | 1195 |
---|
5357 | 00:53:19,262 --> 00:53:20,997 |
---|
5358 | TELL ME WHO TOOK NADIA! |
---|
5359 | |
---|
5360 | 1196 |
---|
5361 | 00:53:21,031 --> 00:53:23,383 |
---|
5362 | (grunting and gasping) |
---|
5363 | |
---|
5364 | 1197 |
---|
5365 | 00:53:23,467 --> 00:53:25,852 |
---|
5366 | WHO TOOK NADIA? |
---|
5367 | |
---|
5368 | 1198 |
---|
5369 | 00:53:25,886 --> 00:53:28,872 |
---|
5370 | (grunts) |
---|
5371 | |
---|
5372 | 1199 |
---|
5373 | 00:53:28,872 --> 00:53:32,292 |
---|
5374 | NADIA'S NOT AS TOUGH |
---|
5375 | AS THIS ONE. |
---|
5376 | |
---|
5377 | 1200 |
---|
5378 | 00:53:32,376 --> 00:53:33,493 |
---|
5379 | SHE'LL BREAK. |
---|
5380 | |
---|
5381 | 1201 |
---|
5382 | 00:53:33,577 --> 00:53:34,795 |
---|
5383 | TIME TO SLASH AND BURN. |
---|
5384 | |
---|
5385 | 1202 |
---|
5386 | 00:53:34,828 --> 00:53:36,830 |
---|
5387 | AND KILL HER. |
---|
5388 | |
---|
5389 | 1203 |
---|
5390 | 00:53:43,403 --> 00:53:46,823 |
---|
5391 | UHH! |
---|
5392 | (grunts) |
---|
5393 | |
---|
5394 | 1204 |
---|
5395 | 00:53:46,857 --> 00:53:51,061 |
---|
5396 | (grunting) |
---|
5397 | |
---|
5398 | 1205 |
---|
5399 | 00:53:53,547 --> 00:53:55,265 |
---|
5400 | (bones crack) |
---|
5401 | |
---|
5402 | 1206 |
---|
5403 | 00:53:55,298 --> 00:53:57,784 |
---|
5404 | (grunting continues) |
---|
5405 | |
---|
5406 | 1207 |
---|
5407 | 00:54:06,977 --> 00:54:08,161 |
---|
5408 | (gun cocks) |
---|
5409 | BOS! |
---|
5410 | |
---|
5411 | 1208 |
---|
5412 | 00:54:08,195 --> 00:54:09,229 |
---|
5413 | UHH! |
---|
5414 | |
---|
5415 | 1209 |
---|
5416 | 00:54:09,262 --> 00:54:12,749 |
---|
5417 | (all grunting) |
---|
5418 | |
---|
5419 | 1210 |
---|
5420 | 00:54:17,637 --> 00:54:18,638 |
---|
5421 | (bones crack) |
---|
5422 | |
---|
5423 | 1211 |
---|
5424 | 00:54:18,672 --> 00:54:21,425 |
---|
5425 | (screams) |
---|
5426 | |
---|
5427 | 1212 |
---|
5428 | 00:54:21,458 --> 00:54:24,344 |
---|
5429 | (grunting continues) |
---|
5430 | |
---|
5431 | 1213 |
---|
5432 | 00:54:27,330 --> 00:54:29,850 |
---|
5433 | (metal clanks) |
---|
5434 | |
---|
5435 | 1214 |
---|
5436 | 00:54:44,965 --> 00:54:48,068 |
---|
5437 | (women scream) |
---|
5438 | |
---|
5439 | 1215 |
---|
5440 | 00:54:48,151 --> 00:54:51,838 |
---|
5441 | (women gasping) |
---|
5442 | |
---|
5443 | 1216 |
---|
5444 | 00:54:51,872 --> 00:54:55,358 |
---|
5445 | (whimpering) |
---|
5446 | |
---|
5447 | 1217 |
---|
5448 | 00:54:55,358 --> 00:54:58,879 |
---|
5449 | (speaks Spanish) |
---|
5450 | |
---|
5451 | 1218 |
---|
5452 | 00:55:04,084 --> 00:55:06,553 |
---|
5453 | COME ON! |
---|
5454 | |
---|
5455 | 1219 |
---|
5456 | 00:55:09,506 --> 00:55:10,791 |
---|
5457 | (crackles) |
---|
5458 | |
---|
5459 | 1220 |
---|
5460 | 00:55:10,824 --> 00:55:11,992 |
---|
5461 | (engine starts) |
---|
5462 | |
---|
5463 | 1221 |
---|
5464 | 00:55:12,025 --> 00:55:14,978 |
---|
5465 | (screeching) |
---|
5466 | |
---|
5467 | 1222 |
---|
5468 | 00:55:18,598 --> 00:55:20,400 |
---|
5469 | (gunshots) |
---|
5470 | |
---|
5471 | 1223 |
---|
5472 | 00:55:28,775 --> 00:55:31,044 |
---|
5473 | (grunting) |
---|
5474 | |
---|
5475 | 1224 |
---|
5476 | 00:55:36,850 --> 00:55:40,370 |
---|
5477 | (moaning) |
---|
5478 | |
---|
5479 | 1225 |
---|
5480 | 00:55:42,172 --> 00:55:44,157 |
---|
5481 | YOU'LL SPEND THE REST |
---|
5482 | OF YOUR LIFE IN A CAGE. |
---|
5483 | |
---|
5484 | 1226 |
---|
5485 | 00:55:44,191 --> 00:55:46,593 |
---|
5486 | THAT'S WHAT YOU DESERVE, |
---|
5487 | PAJARO. |
---|
5488 | |
---|
5489 | 1227 |
---|
5490 | 00:56:05,779 --> 00:56:09,049 |
---|
5491 | AHA. |
---|
5492 | |
---|
5493 | 1228 |
---|
5494 | 00:56:09,082 --> 00:56:10,483 |
---|
5495 | THOUGHT I MIGHT |
---|
5496 | FIND YOU HERE. |
---|
5497 | |
---|
5498 | 1229 |
---|
5499 | 00:56:10,567 --> 00:56:13,653 |
---|
5500 | GLORIA'S UNCLE USED |
---|
5501 | TO OWN THIS GARAGE, RIGHT? |
---|
5502 | |
---|
5503 | 1230 |
---|
5504 | 00:56:13,687 --> 00:56:17,507 |
---|
5505 | YEAH. I REBUILT MY FIRST ENGINE |
---|
5506 | HERE WHEN I WAS 13. |
---|
5507 | |
---|
5508 | 1231 |
---|
5509 | 00:56:17,541 --> 00:56:20,927 |
---|
5510 | BUT YOU'RE NOT HERE |
---|
5511 | TO TALK ABOUT CARS. |
---|
5512 | |
---|
5513 | 1232 |
---|
5514 | 00:56:22,846 --> 00:56:24,431 |
---|
5515 | CHARLIE TOLD ME |
---|
5516 | HE CALLED YOU. |
---|
5517 | |
---|
5518 | 1233 |
---|
5519 | 00:56:24,464 --> 00:56:26,600 |
---|
5520 | CAME BY TO SEE IF YOU'VE |
---|
5521 | CONSIDERED HIS OFFER. |
---|
5522 | |
---|
5523 | 1234 |
---|
5524 | 00:56:26,683 --> 00:56:28,685 |
---|
5525 | YEAH. UM... |
---|
5526 | |
---|
5527 | 1235 |
---|
5528 | 00:56:28,685 --> 00:56:30,387 |
---|
5529 | I'M JUST NOT SURE |
---|
5530 | WHY HE'D WANT ME. |
---|
5531 | |
---|
5532 | 1236 |
---|
5533 | 00:56:30,387 --> 00:56:34,074 |
---|
5534 | WELL, HE KEEPS HIS CRITERIA |
---|
5535 | CLOSE TO THE VEST. |
---|
5536 | |
---|
5537 | 1237 |
---|
5538 | 00:56:34,107 --> 00:56:36,076 |
---|
5539 | MY BET--HE'S IMPRESSED |
---|
5540 | WITH YOUR ABILITIES |
---|
5541 | |
---|
5542 | 1238 |
---|
5543 | 00:56:36,109 --> 00:56:37,377 |
---|
5544 | TO ADAPT TO SITUATIONS, |
---|
5545 | |
---|
5546 | 1239 |
---|
5547 | 00:56:37,410 --> 00:56:39,930 |
---|
5548 | YOUR ABOVE AVERAGE |
---|
5549 | DRIVING SKILLS, |
---|
5550 | |
---|
5551 | 1240 |
---|
5552 | 00:56:39,963 --> 00:56:41,915 |
---|
5553 | AND THE FACT THAT |
---|
5554 | YOUR EMPLOYMENT OPTIONS |
---|
5555 | |
---|
5556 | 1241 |
---|
5557 | 00:56:41,948 --> 00:56:43,383 |
---|
5558 | ARE EXTREMELY LIMITED. |
---|
5559 | |
---|
5560 | 1242 |
---|
5561 | 00:56:43,416 --> 00:56:46,486 |
---|
5562 | MM, YES, |
---|
5563 | IS THAT HOW HE GOT YOU? |
---|
5564 | |
---|
5565 | 1243 |
---|
5566 | 00:56:46,570 --> 00:56:48,572 |
---|
5567 | o/~ |
---|
5568 | |
---|
5569 | 1244 |
---|
5570 | 00:56:48,572 --> 00:56:50,373 |
---|
5571 | I WAS STARING |
---|
5572 | AT A 20-YEAR SENTENCE |
---|
5573 | |
---|
5574 | 1245 |
---|
5575 | 00:56:50,373 --> 00:56:52,359 |
---|
5576 | FOR TAX FRAUD. |
---|
5577 | |
---|
5578 | 1246 |
---|
5579 | 00:56:52,392 --> 00:56:54,361 |
---|
5580 | PLANTED A VIRUS |
---|
5581 | IN THE I.R.S. MAINFRAME, |
---|
5582 | |
---|
5583 | 1247 |
---|
5584 | 00:56:54,394 --> 00:56:57,497 |
---|
5585 | SKIMMED A PENNY |
---|
5586 | OFF EVERYBODY'S TAX RETURN. |
---|
5587 | |
---|
5588 | 1248 |
---|
5589 | 00:56:57,581 --> 00:56:59,282 |
---|
5590 | MY OWN PERSONAL |
---|
5591 | STIMULUS PACKAGE. |
---|
5592 | |
---|
5593 | 1249 |
---|
5594 | 00:56:59,282 --> 00:57:01,801 |
---|
5595 | I'VE ALREADY DONE MY TIME, |
---|
5596 | |
---|
5597 | 1250 |
---|
5598 | 00:57:01,885 --> 00:57:03,470 |
---|
5599 | AND WORKING |
---|
5600 | FOR A VOICE IN A BOX |
---|
5601 | |
---|
5602 | 1251 |
---|
5603 | 00:57:03,503 --> 00:57:05,105 |
---|
5604 | ISN'T REALLY MY STYLE. |
---|
5605 | |
---|
5606 | 1252 |
---|
5607 | 00:57:05,188 --> 00:57:07,774 |
---|
5608 | FIRST RULE |
---|
5609 | OF THE TOWNSEND AGENCY-- |
---|
5610 | |
---|
5611 | 1253 |
---|
5612 | 00:57:07,807 --> 00:57:10,110 |
---|
5613 | ZERO FACE TIME |
---|
5614 | WITH THE BOSS. |
---|
5615 | |
---|
5616 | 1254 |
---|
5617 | 00:57:10,193 --> 00:57:12,746 |
---|
5618 | TELL HIM |
---|
5619 | I APPRECIATE THE OFFER, |
---|
5620 | |
---|
5621 | 1255 |
---|
5622 | 00:57:12,829 --> 00:57:15,315 |
---|
5623 | BUT IT'S NOT FOR ME. |
---|
5624 | |
---|
5625 | 1256 |
---|
5626 | 00:57:15,348 --> 00:57:16,583 |
---|
5627 | YOU KNOW WHY CHARLIE |
---|
5628 | CALLS THE WOMEN |
---|
5629 | |
---|
5630 | 1257 |
---|
5631 | 00:57:16,616 --> 00:57:19,119 |
---|
5632 | WHO WORK FOR HIM "ANGELS"? |
---|
5633 | |
---|
5634 | 1258 |
---|
5635 | 00:57:19,152 --> 00:57:20,587 |
---|
5636 | WHY? |
---|
5637 | |
---|
5638 | 1259 |
---|
5639 | 00:57:20,620 --> 00:57:22,255 |
---|
5640 | BECAUSE THEY SHOW UP |
---|
5641 | WHEN YOU LEAST EXPECT IT |
---|
5642 | |
---|
5643 | 1260 |
---|
5644 | 00:57:22,289 --> 00:57:24,274 |
---|
5645 | WHEN YOU NEED THEM THE MOST. |
---|
5646 | |
---|
5647 | 1261 |
---|
5648 | 00:57:24,274 --> 00:57:26,092 |
---|
5649 | TRUST ME. |
---|
5650 | |
---|
5651 | 1262 |
---|
5652 | 00:57:26,176 --> 00:57:28,261 |
---|
5653 | I'M NO ANGEL. |
---|
5654 | |
---|
5655 | 1263 |
---|
5656 | 00:57:28,295 --> 00:57:29,863 |
---|
5657 | WHY? |
---|
5658 | |
---|
5659 | 1264 |
---|
5660 | 00:57:29,896 --> 00:57:31,181 |
---|
5661 | (sighs) |
---|
5662 | |
---|
5663 | 1265 |
---|
5664 | 00:57:31,181 --> 00:57:33,967 |
---|
5665 | BECAUSE YOU HAVE A PAST |
---|
5666 | YOU'RE NOT PROUD OF? |
---|
5667 | |
---|
5668 | 1266 |
---|
5669 | 00:57:34,000 --> 00:57:36,686 |
---|
5670 | LOOK AT THIS |
---|
5671 | AS YOUR SECOND CHANCE, |
---|
5672 | |
---|
5673 | 1267 |
---|
5674 | 00:57:36,686 --> 00:57:38,071 |
---|
5675 | LIKE THE ONE |
---|
5676 | YOU GAVE GLORIA. |
---|
5677 | |
---|
5678 | 1268 |
---|
5679 | 00:57:40,857 --> 00:57:42,392 |
---|
5680 | o/~ |
---|
5681 | |
---|
5682 | 1269 |
---|
5683 | 00:57:42,392 --> 00:57:44,010 |
---|
5684 | SHE WAS WITH YOU THE NIGHT |
---|
5685 | YOU WERE ARRESTED, |
---|
5686 | |
---|
5687 | 1270 |
---|
5688 | 00:57:44,094 --> 00:57:46,513 |
---|
5689 | BUT YOU LET HER WALK AWAY |
---|
5690 | FROM THE ACCIDENT |
---|
5691 | |
---|
5692 | 1271 |
---|
5693 | 00:57:46,596 --> 00:57:48,415 |
---|
5694 | BEFORE THE COPS SHOWED UP. |
---|
5695 | |
---|
5696 | 1272 |
---|
5697 | 00:57:48,498 --> 00:57:52,018 |
---|
5698 | o/~ |
---|
5699 | |
---|
5700 | 1273 |
---|
5701 | 00:57:52,102 --> 00:57:55,989 |
---|
5702 | SHE HAD ALWAYS PROTECTED ME. |
---|
5703 | I WANTED TO PROTECT HER. |
---|
5704 | |
---|
5705 | 1274 |
---|
5706 | 00:57:56,022 --> 00:57:57,924 |
---|
5707 | BESIDES, |
---|
5708 | SHE'S THE ONLY FAMILY I HAD. |
---|
5709 | |
---|
5710 | 1275 |
---|
5711 | 00:57:58,008 --> 00:58:01,311 |
---|
5712 | WE'RE A FAMILY, TOO. |
---|
5713 | |
---|
5714 | 1276 |
---|
5715 | 00:58:01,311 --> 00:58:02,929 |
---|
5716 | I THINK YOU COULD USE |
---|
5717 | ONE OF THOSE RIGHT NOW. |
---|
5718 | |
---|
5719 | 1277 |
---|
5720 | 00:58:03,013 --> 00:58:05,598 |
---|
5721 | (cell phone rings) |
---|
5722 | |
---|
5723 | 1278 |
---|
5724 | 00:58:05,632 --> 00:58:06,650 |
---|
5725 | IT'S CHARLIE. |
---|
5726 | |
---|
5727 | 1279 |
---|
5728 | 00:58:06,683 --> 00:58:08,601 |
---|
5729 | (ring) |
---|
5730 | |
---|
5731 | 1280 |
---|
5732 | 00:58:08,685 --> 00:58:09,969 |
---|
5733 | TAKE MY ADVICE. |
---|
5734 | |
---|
5735 | 1281 |
---|
5736 | 00:58:10,003 --> 00:58:10,970 |
---|
5737 | (ring) |
---|
5738 | |
---|
5739 | 1282 |
---|
5740 | 00:58:11,004 --> 00:58:12,789 |
---|
5741 | ANSWER THE CALL. |
---|
5742 | |
---|
5743 | 1283 |
---|
5744 | 00:58:12,789 --> 00:58:16,292 |
---|
5745 | (ring) |
---|
5746 | |
---|
5747 | 1284 |
---|
5748 | 00:58:16,292 --> 00:58:19,646 |
---|
5749 | (Anjulie) o/~ DON'T NEED |
---|
5750 | YOUR SAD FACE, SORRY, BABY o/~ |
---|
5751 | |
---|
5752 | 1285 |
---|
5753 | 00:58:19,679 --> 00:58:20,914 |
---|
5754 | o/~ BUT I MADE UP MY MIND o/~ |
---|
5755 | |
---|
5756 | 1286 |
---|
5757 | 00:58:20,947 --> 00:58:22,866 |
---|
5758 | THE HOURS CAN BE LONG. |
---|
5759 | |
---|
5760 | 1287 |
---|
5761 | 00:58:22,932 --> 00:58:24,751 |
---|
5762 | AND KATE CAN BE |
---|
5763 | REALLY BOSSY. |
---|
5764 | |
---|
5765 | 1288 |
---|
5766 | 00:58:24,784 --> 00:58:26,686 |
---|
5767 | OH! AND ABBY WILL OVERSHARE |
---|
5768 | |
---|
5769 | 1289 |
---|
5770 | 00:58:26,720 --> 00:58:28,054 |
---|
5771 | AND WANT TO BORROW |
---|
5772 | ALL YOUR CLOTHES. |
---|
5773 | |
---|
5774 | 1290 |
---|
5775 | 00:58:28,138 --> 00:58:30,123 |
---|
5776 | SHE'S RIGHT, AND I TOTALLY |
---|
5777 | HAVE DIBS ON THOSE SHOES. |
---|
5778 | |
---|
5779 | 1291 |
---|
5780 | 00:58:30,156 --> 00:58:33,543 |
---|
5781 | JUST REMEMBER. |
---|
5782 | WE EARN OUR WINGS TOGETHER. |
---|
5783 | |
---|
5784 | 1292 |
---|
5785 | 00:58:33,543 --> 00:58:35,662 |
---|
5786 | o/~ TURNIN' UP THE, |
---|
5787 | TURNIN' UP THE BEAT o/~ |
---|
5788 | |
---|
5789 | 1293 |
---|
5790 | 00:58:35,745 --> 00:58:37,630 |
---|
5791 | I'M READY. |
---|
5792 | |
---|
5793 | 1294 |
---|
5794 | 00:58:37,664 --> 00:58:38,932 |
---|
5795 | WELCOME TO THE ANGELS. |
---|
5796 | |
---|
5797 | 1295 |
---|
5798 | 00:58:38,965 --> 00:58:40,967 |
---|
5799 | o/~ I'M LIKE A BRAND NEW CHICK o/~ |
---|
5800 | |
---|
5801 | 1296 |
---|
5802 | 00:58:41,051 --> 00:58:43,053 |
---|
5803 | SOMEBODY WOULD LIKE |
---|
5804 | TO SAY HELLO. |
---|
5805 | |
---|
5806 | 1297 |
---|
5807 | 00:58:43,053 --> 00:58:44,904 |
---|
5808 | (beep) |
---|
5809 | o/~ YOU WOULDN'T RECOGNIZE ME o/~ |
---|
5810 | |
---|
5811 | 1298 |
---|
5812 | 00:58:44,938 --> 00:58:47,307 |
---|
5813 | (Charlie) I trust |
---|
5814 | you're all enjoying my yacht. |
---|
5815 | |
---|
5816 | 1299 |
---|
5817 | 00:58:47,340 --> 00:58:48,842 |
---|
5818 | IT'S AMAZING. |
---|
5819 | |
---|
5820 | 1300 |
---|
5821 | 00:58:48,925 --> 00:58:51,227 |
---|
5822 | THE ONLY THING |
---|
5823 | WE'RE MISSING IS THE OWNER. |
---|
5824 | |
---|
5825 | 1301 |
---|
5826 | 00:58:51,227 --> 00:58:55,115 |
---|
5827 | WE WERE HOPING YOU WOULD DROP IN |
---|
5828 | ON THE CELEBRATION, CHARLIE. |
---|
5829 | |
---|
5830 | 1302 |
---|
5831 | 00:58:55,148 --> 00:58:59,052 |
---|
5832 | Not today, Angels, but know |
---|
5833 | I'm always a phone call away. |
---|
5834 | |
---|
5835 | 1303 |
---|
5836 | 00:58:59,135 --> 00:59:01,121 |
---|
5837 | CHEERS. |
---|
5838 | (clink) |
---|
5839 | |
---|
5840 | 1304 |
---|
5841 | 00:59:01,154 --> 00:59:04,991 |
---|
5842 | o/~ MY FACE TO THE SKY, |
---|
5843 | SUNGLASSES ON o/~ |
---|
5844 | |
---|
5845 | 1305 |
---|
5846 | 00:59:05,025 --> 00:59:06,393 |
---|
5847 | o/~ TURNIN' UP THE BEAT o/~ |
---|
5848 | |
---|
5849 | 1306 |
---|
5850 | 00:59:06,426 --> 00:59:07,961 |
---|
5851 | o/~ SO SICK o/~ |
---|
5852 | |
---|
5853 | 1307 |
---|
5854 | 00:59:07,994 --> 00:59:08,995 |
---|
5855 | o/~ YEAH, YEAH o/~ |
---|
5856 | |
---|
5857 | 1308 |
---|
5858 | 00:59:09,029 --> 00:59:10,864 |
---|
5859 | o/~ I'M LIKE A BRAND NEW o/~ |
---|
5860 | |
---|
5861 | 1309 |
---|
5862 | 00:59:10,897 --> 00:59:12,665 |
---|
5863 | o/~ TURNIN' UP THE, |
---|
5864 | TURNIN' UP THE o/~ |
---|
5865 | |
---|
5866 | 1310 |
---|
5867 | 00:59:12,749 --> 00:59:16,736 |
---|
5868 | o/~ TURNIN' UP THE BEAT |
---|
5869 | SO SICK o/~ |
---|
5870 | |
---|
5871 | 1311 |
---|
5872 | 00:59:16,786 --> 00:59:19,072 |
---|
5873 | o/~ I'M LIKE A BRAND NEW CHICK o/~ |
---|
5874 | |
---|
5875 | 1312 |
---|
5876 | 00:59:19,189 --> 00:59:21,574 |
---|
5877 | |
---|
5878 | |
---|
5879 | 1313 |
---|
5880 | 00:59:21,674 --> 00:59:21,708 |
---|
5881 | |
---|
5882 | |
---|
5883 | 1314 |
---|
5884 | 00:59:21,708 --> 00:59:21,791 |
---|
5885 | VO |
---|
5886 | |
---|
5887 | 1315 |
---|
5888 | 00:59:21,791 --> 00:59:21,808 |
---|
5889 | VO: TH |
---|
5890 | |
---|
5891 | 1316 |
---|
5892 | 00:59:21,808 --> 00:59:21,841 |
---|
5893 | VO: THIS |
---|
5894 | |
---|
5895 | 1317 |
---|
5896 | 00:59:21,841 --> 00:59:21,875 |
---|
5897 | VO: THIS I |
---|
5898 | |
---|
5899 | 1318 |
---|
5900 | 00:59:21,875 --> 00:59:21,908 |
---|
5901 | VO: THIS IS |
---|
5902 | |
---|
5903 | 1319 |
---|
5904 | 00:59:21,908 --> 00:59:21,941 |
---|
5905 | VO: THIS IS CH |
---|
5906 | |
---|
5907 | 1320 |
---|
5908 | 00:59:21,941 --> 00:59:21,975 |
---|
5909 | VO: THIS IS CHER |
---|
5910 | |
---|
5911 | 1321 |
---|
5912 | 00:59:21,975 --> 00:59:22,008 |
---|
5913 | VO: THIS IS CHERYL |
---|
5914 | |
---|
5915 | 1322 |
---|
5916 | 00:59:22,008 --> 00:59:23,493 |
---|
5917 | VO: THIS IS CHERYL. |
---|
5918 | |
---|
5919 | 1323 |
---|
5920 | 00:59:23,593 --> 00:59:26,046 |
---|
5921 | THIS IS HER FOUR-YEAR-OLD |
---|
5922 | COMPUTER SHE DOESN'T THINK SHE |
---|
5923 | NEEDS TO UPDATE. |
---|
5924 | |
---|
5925 | 1324 |
---|
5926 | 00:59:26,146 --> 00:59:27,514 |
---|
5927 | SO TO SHOW HER |
---|
5928 | WHAT SHE'S MISSING, |
---|
5929 | |
---|
5930 | 1325 |
---|
5931 | 00:59:27,614 --> 00:59:30,400 |
---|
5932 | WE BUILT A PC STORE |
---|
5933 | IN HER HOUSE. |
---|
5934 | |
---|
5935 | 1326 |
---|
5936 | 00:59:30,500 --> 00:59:31,684 |
---|
5937 | CHERYL: OH MY GOSH! |
---|
5938 | |
---|
5939 | 1327 |
---|
5940 | 00:59:31,785 --> 00:59:32,685 |
---|
5941 | EMPLOYEE: WHAT DO YOU SAY |
---|
5942 | WE GO SHOPPING? |
---|
5943 | |
---|
5944 | 1328 |
---|
5945 | 00:59:32,786 --> 00:59:34,020 |
---|
5946 | CHERYL: THIS ONE'S VERY COOL. |
---|
5947 | |
---|
5948 | 1329 |
---|
5949 | 00:59:34,120 --> 00:59:35,605 |
---|
5950 | CHERYL: WHERE'S THE |
---|
5951 | TOWER FOR THIS? |
---|
5952 | |
---|
5953 | 1330 |
---|
5954 | 00:59:35,622 --> 00:59:36,606 |
---|
5955 | EMPLOYEE: EVERYTHING IS |
---|
5956 | RIGHT HERE. |
---|
5957 | |
---|
5958 | 1331 |
---|
5959 | 00:59:36,706 --> 00:59:37,490 |
---|
5960 | CHERYL: OH STOP! |
---|
5961 | |
---|
5962 | 1332 |
---|
5963 | 00:59:37,490 --> 00:59:38,024 |
---|
5964 | CHERYL: OH STOP! |
---|
5965 | EMPLOYEE: FLIP THAT |
---|
5966 | SCREEN AROUND. |
---|
5967 | |
---|
5968 | 1333 |
---|
5969 | 00:59:38,124 --> 00:59:39,225 |
---|
5970 | CHERYL: OKAY... |
---|
5971 | ALRIGHT... |
---|
5972 | |
---|
5973 | 1334 |
---|
5974 | 00:59:39,292 --> 00:59:40,076 |
---|
5975 | VERY LIGHT-WEIGHT! |
---|
5976 | |
---|
5977 | 1335 |
---|
5978 | 00:59:40,176 --> 00:59:41,461 |
---|
5979 | EMPLOYEE: 500GB HARD DRIVE. |
---|
5980 | |
---|
5981 | 1336 |
---|
5982 | 00:59:41,561 --> 00:59:43,279 |
---|
5983 | CHERYL: I LIKE THE |
---|
5984 | DVR THING... |
---|
5985 | |
---|
5986 | 1337 |
---|
5987 | 00:59:44,898 --> 00:59:46,082 |
---|
5988 | I LIKE THIS ONE. |
---|
5989 | |
---|
5990 | 1338 |
---|
5991 | 00:59:46,182 --> 00:59:48,468 |
---|
5992 | VO: NEW PC IN THE HOUSE. |
---|
5993 | |
---|
5994 | 1339 |
---|
5995 | 00:59:48,568 --> 00:59:51,304 |
---|
5996 | CHERYL: I'M A PC, |
---|
5997 | AND I'M FINALLY UP TO DATE. |
---|
5998 | |
---|
5999 | 1340 |
---|
6000 | 00:59:51,921 --> 00:59:53,423 |
---|
6001 | GGGGGGGGGG |
---|
6002 | |
---|
6003 | 1341 |
---|
6004 | 00:59:53,440 --> 00:59:54,724 |
---|
6005 | PASTA BOWL IS ALMOST OVER. |
---|
6006 | |
---|
6007 | 1342 |
---|
6008 | 00:59:54,724 --> 00:59:56,543 |
---|
6009 | FOR JUST $8.95 TRY NEW SAUCES |
---|
6010 | |
---|
6011 | 1343 |
---|
6012 | 00:59:56,626 --> 00:59:58,528 |
---|
6013 | LIKE ROASTED MUSHROOM PARMESAN |
---|
6014 | |
---|
6015 | 1344 |
---|
6016 | 00:59:58,528 --> 00:59:59,913 |
---|
6017 | AND HEARTY PIZZAIOLA MEAT. |
---|
6018 | |
---|
6019 | 1345 |
---|
6020 | 00:59:59,946 --> 01:00:01,831 |
---|
6021 | CHOOSE ALL THE SAUCE AND |
---|
6022 | PASTA COMBINATIONS YOU WANT |
---|
6023 | |
---|
6024 | 1346 |
---|
6025 | 01:00:01,831 --> 01:00:03,416 |
---|
6026 | JUST |
---|
6027 | $8.95, |
---|
6028 | |
---|
6029 | 1347 |
---|
6030 | 01:00:03,450 --> 01:00:04,851 |
---|
6031 | WITH UNLIMITED |
---|
6032 | SALAD AND BREADSTICKS. |
---|
6033 | |
---|
6034 | 1348 |
---|
6035 | 01:00:04,934 --> 01:00:21,034 |
---|
6036 | SO HURRY IN TO OLIVE GARDEN. |
---|
6037 | |
---|
6038 | 1349 |
---|
6039 | 01:01:02,876 --> 01:01:06,062 |
---|
6040 | o/~ |
---|
6041 | |
---|
6042 | 1350 |
---|
6043 | 01:01:11,584 --> 01:01:13,870 |
---|
6044 | (man) o/~ I LOVE YOU o/~ |
---|
6045 | |
---|
6046 | 1351 |
---|
6047 | 01:01:13,870 --> 01:01:15,772 |
---|
6048 | o/~ FROM THE BOTTOM OF MY HEART o/~ |
---|
6049 | |
---|
6050 | 1352 |
---|
6051 | 01:01:15,772 --> 01:01:17,257 |
---|
6052 | THERE'S NO MILK. |
---|
6053 | |
---|
6054 | 1353 |
---|
6055 | 01:01:17,290 --> 01:01:18,691 |
---|
6056 | OH. |
---|
6057 | |
---|
6058 | 1354 |
---|
6059 | 01:01:18,775 --> 01:01:20,159 |
---|
6060 | DAMN, I FORGOT. |
---|
6061 | |
---|
6062 | 1355 |
---|
6063 | 01:01:20,193 --> 01:01:22,162 |
---|
6064 | ALL I ASK IS FOR YOU |
---|
6065 | TO GET THE GROCERIES. |
---|
6066 | |
---|
6067 | 1356 |
---|
6068 | 01:01:22,195 --> 01:01:24,480 |
---|
6069 | AND I FORGOT. |
---|
6070 | I'M SORRY. |
---|
6071 | |
---|
6072 | 1357 |
---|
6073 | 01:01:24,480 --> 01:01:26,983 |
---|
6074 | YOU KNOW, I-I-IT'S NOT LIKE |
---|
6075 | I'M SITTING AROUND. |
---|
6076 | |
---|
6077 | 1358 |
---|
6078 | 01:01:26,983 --> 01:01:28,468 |
---|
6079 | I'M--I'M LOOKING |
---|
6080 | FOR A JOB. |
---|
6081 | |
---|
6082 | 1359 |
---|
6083 | 01:01:28,501 --> 01:01:29,969 |
---|
6084 | WELL, NOW WE'RE GONNA |
---|
6085 | HAVE TO STOP FOR COFFEE |
---|
6086 | |
---|
6087 | 1360 |
---|
6088 | 01:01:30,003 --> 01:01:31,871 |
---|
6089 | BEFORE YOU DROP ME OFF |
---|
6090 | AT WORK. |
---|
6091 | |
---|
6092 | 1361 |
---|
6093 | 01:01:31,905 --> 01:01:34,007 |
---|
6094 | (Meredith) |
---|
6095 | EVEN GOOD MARRIAGES FAIL. |
---|
6096 | |
---|
6097 | 1362 |
---|
6098 | 01:01:34,090 --> 01:01:36,309 |
---|
6099 | ONE MINUTE YOU'RE STANDING |
---|
6100 | ON SOLID GROUND. |
---|
6101 | |
---|
6102 | 1363 |
---|
6103 | 01:01:36,392 --> 01:01:39,512 |
---|
6104 | THE NEXT MINUTE... |
---|
6105 | YOU'RE NOT. |
---|
6106 | |
---|
6107 | 1364 |
---|
6108 | 01:01:39,596 --> 01:01:43,016 |
---|
6109 | (crying) |
---|
6110 | |
---|
6111 | 1365 |
---|
6112 | 01:01:43,049 --> 01:01:44,384 |
---|
6113 | BABY'S UP. |
---|
6114 | |
---|
6115 | 1366 |
---|
6116 | 01:01:44,417 --> 01:01:46,452 |
---|
6117 | YOU CHANGE THE DIAPER. |
---|
6118 | I'LL GET THE BOTTLE. |
---|
6119 | |
---|
6120 | 1367 |
---|
6121 | 01:01:46,486 --> 01:01:47,637 |
---|
6122 | (crying continues) |
---|
6123 | |
---|
6124 | 1368 |
---|
6125 | 01:01:47,637 --> 01:01:49,522 |
---|
6126 | AND THERE'S ALWAYS |
---|
6127 | TWO VERSIONS... |
---|
6128 | |
---|
6129 | 1369 |
---|
6130 | 01:01:49,556 --> 01:01:50,523 |
---|
6131 | (moans) |
---|
6132 | |
---|
6133 | 1370 |
---|
6134 | 01:01:50,557 --> 01:01:51,591 |
---|
6135 | (Zola babbling) |
---|
6136 | |
---|
6137 | 1371 |
---|
6138 | 01:01:51,674 --> 01:01:53,076 |
---|
6139 | YOURS... |
---|
6140 | |
---|
6141 | 1372 |
---|
6142 | 01:01:53,076 --> 01:01:55,595 |
---|
6143 | o/~ CRASH AND BURN o/~ |
---|
6144 | |
---|
6145 | 1373 |
---|
6146 | 01:01:55,628 --> 01:01:55,627 |
---|
6147 | o/~ YOU NEVER GIVE... o/~ |
---|
6148 | |
---|